Happy Mother's Day from Charlie

pics of Shelley for Charlie perfume, 1979

To all mothers around the world,

Happy Mother's Day!!!

Shelley was THE Charlie perfume girl from 1976 to 1982. She was dubbed as THE quintessential Charlie Girl because she was the embodiment of the brand's ideal - gorgeous, sexy, young... as well as independent, confident and loving every minute of it. In 1980, Shelley appeared in a Charlie ad dubbed "To Mother With Love" which promoted Charlie's special gift for Mother's Day. The Charlie En Route cosmetics case was just $8.50 with any $5.00 purchase from the Charlie Collection. The special gift set/cosmetics case contained a Charlie dusting powder and a Charlie perfume spray. And Charlie Girl Shelley appeared in the ad and was Charlie-Girl gorgeous, as always.

Shelley in a Mother's Day ad

for Charlie perfume and cosmetics, 1980

Up-And-Coming Actress 1978

a closeup of Shelley

from a promo pic, 1978

Shelley was one of the hottest new actresses on the scene in 1978. By that time, she was already a highly-paid Supermodel and was recognized by everyone as The Charlie Girl. She was currently transitioning from modeling to acting. The year before, she had done a cameo in the Academy Award winning film Annie Hall where she appeared in a scene with no other than director/star Woody Allen himself (For more, check out: Film Debut 1977).  By then, she was also being considered by long-time James Bond films producer Cubby Broccoli to play Bond girl in the latest Bond installment Moonraker (For more, check out: Shelley Hack - Bond Girl). And she was currently, a first time leading-lady in the film If Ever I See You Again (For more, check out: Handpicked). 

Shelley in a promo pic from 1978

Make A Match

a closeup of Shelley

from a spread on the JCPenney

Spring and Summer 1974 catalog

Shelley appeared in many catalogs throughout her modeling career, from the late '60s to the late '70s. Mail-order catalogs were at the height of its popularity at the time. They were big-book size publications that contained a list and pictures of the general merchandise from, usually, a department store that were available for purchase and delivery straight to the homes of their customers. Everything from homeware to toys were featured in these catalogs... as well as garments and the latest fashion pieces. Shelley appeared in many spreads throughout the JCPenney Spring and Summer 1974 catalog. 

Shelley in a spread for the JCPenney

Spring and Summer 1974 catalog

In the spread called "Make A Match," Shelley wore classic fashion pieces that featured the latest looks in textures and patterns, particularly pin-striped corded partners with a western flair. Shelley wore the Scoop-Neck Sweater Goes Sporty slipover rib-knit top (which had short sleeves) over the Front-Pleated Skirt (which had a button-trimmed waistband, button-and-tab closures, a back zipper and stitched-down pleats). She topped it off with The Classic Blazer (which had wide notched lapels, button-front closure and mock side-slashed pockets). She finished her look with the Bandana-Print Shoes (which had rope-wedge heels, sling-back straps and buckle trims). She accessorized her look with the Bandana-Print bucket hat. And Shelley looked stylish, fab and perfectly matched in her outfit.

closeups of Shelley

from a spread on the JCPenney

Spring and Summer 1974 catalog

The New Kid on the Block

closeups of Shelley Hack and Farrah Fawcett

from the cover of Gossip, June 1980

For more, check out: Angels On One Cover

Supermodel and Charlie Girl Shelley Hack joined the cast of Charlie's Angels in 1979, as Kate Jackson's replacement, during its 4th season; and her casting brought renewed interest in the series. The series had slipped significantly in the Nielsen ratings the year before - from #4 in 1977 to #12 in 1978 (a huge eight-point drop) - and it needed a publicity boost to bring it back into TV's top ten shows. "We're bringing back the glamour," proclaimed executive producer Aaron Spelling of Charlie's latest detective trio. And Shelley's debut episode "Love Boat Angels" topped the Nielsen ratings the week it was aired. When asked whether she liked being a TV star, Shelley said, "Yes. I've got two parking spaces with my name on them. It's wonderful." And Shelley was featured on countless magazines all over the world.

a writeup about Shelley and Farrah

from Gossip magazine, June 1980

But early on (except on the first two episodes of the 4th season) Shelley wasn't given much to say or do. Furthermore, the "solo" episodes of Jaclyn and Cheryl were aired early in the season (Due to the request of the cast for more time off, "solo" episodes, episodes focusing on one Angel, were produced.) Shelley's first "solo" episode, "Angels on Campus," was the 10th original episode of the season and was aired on the 12th week. After all that hype upon the announcement of her Angel-dom, Shelley Hack was sadly reduced to mere decoration early in the season. This prompted the writers to play up Shelley's role, but it was too late (Surprisingly, she did very well in these later episodes; but, unfortunately, many viewers had lost interest in the show). Farrah Fawcett was on the second and final year of her contractual return to the TV series; but her her presence did little to help pull up the ratings as well. The Result: Shelley was let go at the end of the season. "They can say I didn't work out, but it isn't true. What happened was a network war. A business decision was made. Change the time slot or bring in some publicity. How to get publicity? A new Angel hunt. Who is the obvious person to replace? I am — the new kid on the block," Shelley told People magazine in 1980. (FYI: In spite of everything, the 4th season of Charlie's Angels still finished within TV's top 20 shows of 1979.)

a writeup about Shelley and Farrah

from Gossip magazine, June 1980

Poster Print and Linen Weave 2

a closeup of Shelley from a pic

on Family Circle magazine, October 1974

Shelley appeared on many issues of what was known as the Seven Sisters group of magazines. The Seven Sisters magazines were Woman's Day, Redbook, McCall's, Ladies' Home Journal, Good Housekeeping, Family Circle and Better Homes and Gardens. They all catered to married women with children rather than single working women. The magazines featured homemaking and crafts, food and nutrition, health and fitness, beauty and fashion advice and articles. Shelley appeared on the pages of Family Circle magazine's October 1974 issue. She was part of a spread that featured Reversible Skirts that were designed by Gene Morin. She modeled a couple of the now classic skirts that could be worn either side out. She modeled the pumpkin-colored linen weave (on one side) and silk-like poster print (on the other side) version  that was mid-calf in length. It had a little gathering at the waist for a fuller, softer look. The skirt could go from the workplace to a casual evening out. The excess fabric could be made into a reversible scarf and/or even into a matching printed blouse. And Shelley was simply stylish in it. (For more, check out: Poster Print and Linen Weave 1 and Reversible Skirt 2)

a pic of Shelley from a feature

on Family Circle magazine, October 1974

Women's Causes

a pic of Shelley at the Democratic

Voter Registration in L.A., 1994

In the 1990's, Shelley Hack began focusing on other ventures and started taking a more political role in women's causes. She became active in the National Women's Political Caucus and became a member of The Westside Women's Health Center Advisory Council (The Westside Women's Health Center offers a preventive and education-based approach to providing health care for more than 8,000 at-risk women and their families each year). She also started delving into grassroots politics in L.A. In 1994, she set her sights on a county Democratic Central Committee seat in the Westside and San Fernando Valley district; but she was disqualified. She came down with the flu; so she asked someone else to take over the signature-gathering needed to secure her a seat. But the man who did it didn't live in the 41st District (which was a requirement); so it rendered all the signatures he gathered invalid. But Shelley wasn't disappointed. "My concern is less elective office and politics," she said, "My concern is community service, and there's plenty to do." She later established SHMC (Shelley Hack Media Consultancy) and worked in pre- and post-conflict countries. (For more, check out: Shelley Hack Media Consultancy)

pics of Shelley at the Democratic

Voter Registration in L.A., 1994

Super Simple Summer 1

a closeup of Shelley from the package cover

of Simplicity Pattern 9884, 1972

Shelley appeared on many Simplicity pattern catalogs, brochures and packaging during the 1960s and 1970s. The Simplicity Pattern Company is the leading manufacturer of sewing patterns and sewing pattern guides which are distributed throughout the world. They have been manufacturing sewing patterns since 1927 and have allowed fashionistas on a budget and sewing aficionados to create clothes in a reliable manner. In 1972, she appeared on the cover of Simplicity Pattern package 9884. It was for a pair of summer shorts with an elasticized waist and patch pockets that could be made with matching suspenders. Shelley wore the shorts and suspenders set with a matching T-shirt and a pair of flat lace-up espadrilles. She accessorized her look with a matching scarf around her neck. And Shelley looked summer-ready and ready to play those fun summer games.

Shelley on the package cover

of Simplicity Pattern 9884, 1972

Coordinated Classics

a closeup of Shelley

from a spread on the JCPenney

Spring and Summer 1974 catalog

Shelley appeared in many catalogs throughout her modeling career, from the late '60s to the late '70s. Mail-order catalogs were at the height of its popularity at the time. They were big-book size publications that contained a list and pictures of the general merchandise from, usually, a department store that were available for purchase and delivery straight to the homes of their customers. Everything from homeware to toys were featured in these catalogs... as well as garments and the latest fashion pieces. Shelley appeared in many spreads throughout the JCPenney Spring and Summer 1974 catalog.

Shelley in a spread for the JCPenney

Spring and Summer 1974 catalog

In the spread called "Coordinated Classics," Shelley wore classic fashion pieces that perfectly coordinated with each other  ...in earthy seersucker plaids as well as brown, white and red fashion separates. Shelley wore the short sleeved seersucker plaid Shirt-Jacket (which had a button-front style, a shirttail hem, a same-fabric tie belt and white collar and cuffs) over the white Wide-Leg Pants (which had a low-slung wide waistband, a button and tab closure, a fly-front zipper and mock slash pockets). She finished her look with the T-Strap Shoes in red. Shelley also wore the red/white Pin-Dot Shirt (which had a button-front style, a convertible collar and turn-back button cuffs) over the white Front-Pleated Skirt (which had a waistband styling, a back zipper, a front button-and-tab trim and stitched-down pleats). She topped her shirt with the red sleeveless Scoop-Neck Sweater (which had a front ribbed design as well as ribbed armholes and neck). She again finished her look with the T-Strap Shoes in red. And Shelley looked stylish, fab and perfectly coordinated in both outfits.

a closeup of Shelley

from a spread on the JCPenney

Spring and Summer 1974 catalog

Still At An All-Time High

Shelley Hack with Jaclyn Smith and Cheryl Ladd

in a promo pic for Charlie's Angels, 1979

"I couldn't believe it. What was I doing in the evening news?" Shelley exclaimed after it was announced that she was joining the cast of Charlie's Angels in 1979. Supermodel Shelley Hack became Charlie's 5th Angel and everyone was excited to see THE Charlie Girl bring her brand of beauty and glamour into the Townsend Detective Agency. "We hired her 40 percent from the screen test and 60 percent from the personality test," executive producer Aaron Spelling told TV Guide, "We decided she was a nice person with sparkle and intelligence." And Shelley's debut episode "Love Boat Angels" topped the Nielsen ratings when it first aired. It looked like Charlie's Angels was in for another explosive season.

a writeup about Charlie's Angels, 1980

During its first and second seasons, in the Nielsen ratings, the series finished within TV's top 5 shows of their respective years. During its third and fourth seasons, the series finished within TV's top 20 shows. For a four-year-old TV series, it wasn't doing bad at all. Interest in all the Angels was still at an all-time high by the show's fourth season. Kate Jackson, Farrah Fawcett, Jaclyn Smith, Cheryl Ladd and Shelley Hack were all still doing famously and were all still being talked about, written about and making all the magazine and tabloid covers. Angel Fever was still ongoing.

Shelley Hack with Jaclyn Smith and Cheryl Ladd

in a promo pic for Charlie's Angels, 1979

Poster Print and Linen Weave 1

a closeup of Shelley from a pic

on Family Circle magazine, October 1974

Shelley appeared on many issues of what was known as the Seven Sisters group of magazines. The Seven Sisters magazines were Woman's Day, Redbook, McCall's, Ladies' Home Journal, Good Housekeeping, Family Circle and Better Homes and Gardens. They all catered to married women with children rather than single working women. The magazines featured homemaking and crafts, food and nutrition, health and fitness, beauty and fashion advice and articles. Shelley appeared on the pages of Family Circle magazine's October 1974 issue. She was part of a spread that featured Reversible Skirts that were designed by Gene Morin. She modeled a couple of the now classic skirts that could be worn either side out. She modeled the pumpkin-colored linen weave (on one side) and silk-like poster print (on the other side) version  that was mid-calf in length. It had a little gathering at the waist for a fuller, softer look. The skirt could go from the workplace to a casual evening out. The excess fabric could be made into a reversible scarf and/or even into a matching printed blouse. And Shelley was simply stylish in it. (For more, check out: Reversible Skirt 2)

a pic of Shelley from a feature

on Family Circle magazine, October 1974

Quality of Mercy Promo

screen captures of Shelley

from a promo for the Jack and Mike

episode "Quality of Mercy", 1986

Shelley's third foray into series TV was Jack and Mike. It was about a young married yuppie couple living in Chicago, trying to find time for each other in their busy schedules. Shelley played Jackie Shea, a star columnist at The Mirror, a widely-circulated Chicago newspaper. Her husband was Mike Brennan (played by Tom Mason), a successful restaurateur. The series was one of the most promising shows in the 1986 fall TV lineup. The trailer for the 5th original episode of the series "Quality of Mercy" is currently on YouTube (Check out: WABC-TV 7 [ABC - New York, NY] Commercials (October 8, 1986)... thank you Mitchell's Video Vault for posting) In the episode, Mike's friend, Malcolm, is on trial for killing his wife, who was terminally ill. He contends it was mercy killing but Jackie doesn't believe him. Stuart Whitman guest starred as Malcolm. Lara Flynn Boyle played Leslie.

screen captures of Shelley

from a promo for the Jack and Mike

episode "Quality of Mercy", 1986

Spring Colors Plus Perfume

a pic of Shelley for Charlie perfume, 1981

Shelley was THE Charlie perfume girl from 1976 to 1982. She was dubbed as THE quintessential Charlie Girl because she was the embodiment of the brand's ideal - gorgeous, sexy, young... as well as independent, confident and loving every minute of it. In 1981, an artwork of her appeared in an ad dubbed "Spring Blooms in Charlie Country with The Charlie Art Collection." It was an ad promoting The Charlie Art Collection, which was available for only $10.00 with any purchase from the Charlie collection. The Charlie Art Collection was a glamorous cosmetic kit containing 12 colors for the eyes, cheeks, lips and nails... plus a bottle of Charlie perfume spray. It contained Charlie's latest spring colors, lilac and peach... plus a Charlie perfume spray. The kit also contained a LeRoy Neiman Cityscape Artwork (which he named "Spring Blooms in Charlie Country") ready for framing. And whether in pictures or in Mr. Neiman's artwork, Charlie Girl Shelley was always Charlie-Girl gorgeous.

an artwork of THE Charlie Girl Shelley

by LeRoy Neiman in a newspaper ad

for Charlie perfume and cosmetics, 1981

Theater Experience

a closeup of Shelley from a promo pic

for Cutter to Houston, 1983

Shelley became a Supermodel/Superstar in the 1970s when she became THE Charlie Girl and later a Charlie's Angel. But after her career-boosting "Charlie" appearances, she was determined to prove that she was more than just a pretty face. "If anything, my modeling career hurt me in terms of getting my acting off the ground," she said. "Charlie's Angels didn't do much for my acting career either," she added. Shelley concluded, "I sat down and decided that I wasn't going to let this business put me in the wrong box anymore. That meant that I had to turn down a lot of stuff and get some theater experience."

a writeup about Shelley, 1983

So she took to the stage and received glowing reviews for her work on Jack Heifner's Vanities, Elizabeth Diggs's Close Ties and Garson Kanin's Born Yesterday. Then on the big screen, she impressed critics for her work on Martin Scorsese's The King of Comedy - she held her own in her scenes opposite acting legend Robert De Niro. On TV, she delivered notable performances opposite acting veterans George Segal (Trackdown: Finding the Goodbar Killer), as well as Dick Van Dyke and Sid Caesar (Max and Sam a.k.a. Found Money). By the fall of 1983, she starred in her 2nd TV series Cutter to Houston with Golden Globe Award nominee Jim Metzler and newcomer Alec Baldwin.

Shelley with Alec Baldwin and Jim Metzler

in a promo pic for their 1983

TV series Cutter To Houston

Go Gear

a closeup of Shelley from a spread

for Simplicity Home Catalog, Summer 1973

Shelley appeared on many spreads and catalogs for Simplicity. The Simplicity Pattern Company is the leading manufacturer of sewing patterns and sewing pattern guides which are distributed throughout the world. They have been manufacturing sewing patterns since 1927 and have allowed fashionistas on a budget and sewing aficionados to create clothes in a reliable manner. Aside from patterns and pattern guides, they've come out with pamphlets, books, booklets, magazines and pattern packages. Shelley appeared on the pages of Simplicity Home Catalog's Summer 1973 issue.

Shelley in a spread

for Simplicity Home Catalog, Summer 1973

Shelley appeared on the spread called "Summer 'Go Gear'" which featured active summer sports gear for people on the move.  It featured patterns for his and hers outfits that could be worn on the beach, at the tennis courts and on the putting green. Shelley wore pattern number 5632. It was for a misses' short dress and short shorts sports set that was appropriate attire for a game of tennis. The short dress had a front button closing, V-shaped neckline and patch pockets. It also had a flat woven braid trim around the neck and going down the front, around the armholes and on top of the patch pockets. The short shorts had an elastic waistline and elastic leg casings. A matching tennis bucket hat finished her look. And Shelley looked stylish, summery, sporty and ready to hit those tennis courts.

a pic of Shelley from a spread

for Simplicity Home Catalog, Summer 1973

Perfectly Paired Up B

closeups of Shelley

from a spread on the JCPenney

Spring and Summer 1974 catalog

Shelley appeared in many catalogs throughout her modeling career, from the late '60s to the late '70s. Mail-order catalogs were at the height of its popularity at the time. They were big-book size publications that contained a list and pictures of the general merchandise from, usually, a department store that were available for purchase and delivery straight to the homes of their customers. Everything from homeware to toys were featured in these catalogs... as well as garments and the latest fashion pieces. Shelley appeared in many spreads throughout the JCPenney Spring and Summer 1974 catalog. 

Shelley in a spread for the JCPenney

Spring and Summer 1974 catalog

In the spread called "Perfectly Paired Up," Shelley wore fashion separates that went perfectly together  ...in natural-look fabrics paired with subtle floral prints and coordinated patterned tops  ...or in soft peach-colored fabrics paired with coordinated floral prints. Shelley wore the Stripped Pullover Shirt which had front yoked shoulders, a button placket closing, and long sleeves with button cuffs over The Trouser Pants which had straight cuffed legs with piping-trimmed mock pockets, a front fly zipper, and an extended tab-and-button closure. She topped it off with The Western-Style Shirt Jacket which had a button front, a white piping-trimmed front yoke, a shirt-tail bottom, and long sleeves with button cuffs. She finished her look with a pair of matching Tassle Loafers and the Handbag that Converts From Clutch To Shoulder-Style. Shelley also wore The Wrap-Style Top which had a wide collar, cuffed short sleeves, a front wrap styling and an attached self-belt that tied to the front over The Trouser Pants which had a wide straight-leg style, a waistband, and white piping-trimmed side pockets and back yoke. She finished this look with a pair of matching slingbacks. And Shelley looked stylish, fab and perfectly put-together in both outfits. (For more, check out: Perfectly Paired Up A)

a closeup of Shelley

from a spread on the JCPenney

Spring and Summer 1974 catalog

Serious Acting Career

a magazine cover of Shelley from 1984

After leaving Charlie's Angels in 1980, Shelley embarked on a serious acting career. She was determined to learn her craft and give this acting opportunity a try. In 1981, she tackled stage a via the Jack Heifner play Vanities and garnered critical praise for her work. In 1982, she also received praise for her subsequent stage efforts via Elizabeth Diggs's play Close Ties and Garson Kanin's Born Yesterday. In 1983, she received great reviews for her performance in Martin Scorsese's The King of Comedy. In 1983, she got to work on TV movies with seasoned actors such as George Segal (Trackdown: Finding the Goodbar Killer) and Dick Van Dyke and Sid Caesar (Found Money aka Max and Sam). Also in 1983, she appeared in her second TV series Cutter to Houston with Jim Metzler and Alec Baldwin. In 1984, she was cast as Christine Sullivan on the second season of Night Court. But when the series started shooting, Shelley and producer Reinhold Weege decided she wasn't right for the part; and they mutually and amicably agreed to call the whole thing off. That same year, Shelley starred in the TV movie Single Bars, Single Women with Paul Michael Glaser.

a writeup about Shelley from 1984

Plaid and Suede 2

a closeup of Shelley from a pic

on Family Circle magazine, October 1974

Shelley appeared on many issues of what was known as the Seven Sisters group of magazines. The Seven Sisters magazines were Woman's Day, Redbook, McCall's, Ladies' Home Journal, Good Housekeeping, Family Circle and Better Homes and Gardens. They all catered to married women with children rather than single working women. The magazines featured homemaking and crafts, food and nutrition, health and fitness, beauty and fashion advice and articles. Shelley appeared on the pages of Family Circle magazine's October 1974 issue. She was part of a spread that featured Reversible Skirts that were designed by Gene Morin. She modeled a couple of the now classic skirts that could be worn either side out. She modeled the plaid (on one side) and imitation suede (on the other side) version that ended just below the knee. The skirt could go from the workplace to a casual evening out. The excess fabric could be made into a matching beret and fabulous scarf. Shelley was simply stylish in it. (For more, check out: Plaid and Suede 1 and Reversible Skirt 1)

a pic of Shelley from a feature

on Family Circle magazine, October 1974

Cowgirl Angels 5

a closeup of Shelley from a promo pic

for Charlie's Angels, 1979

Look-In magazine was a kiddie/teen UK magazine that featured two-page comic/picture strips of the most popular television shows of the era. Subtitled as "The Junior TV Times," its first issue came out in 1971 and its final issue came out in 1994. Many popular American TV series were featured in the mag including Kung Fu, The Six Million Dollar Man, The Bionic Woman, CHiPs, Battlestar Galactica, Mork and Mindy... and, of course, Charlie's Angels.

Shelley as Tiffany Welles in Look-In mag's

Charlie's Angels comic/picture strip, 1980

From 1979 to 1980, during the airing of the 4th season of Charlie's Angels, Shelley's Tiffany Welles character was featured in the mag's Charlie's Angels comic/picture strip. Along with her co-Angels Kelly Garrett (Jaclyn Smith) and Kris Munroe (Cheryl Ladd), Tiffany solved cases for Charlie for several issues, two pages a week. Her first case debuted on November of 1979 and her final case ended on October of 1980. The mag also featured occasional writeups about Shelley as well as posters of her and the Angel team of that season.

Shelley Hack with Jaclyn Smith and Cheryl Ladd

in a promo pic for Charlie's Angels, 1979

Spring Is Charlie's Season

a pic of Shelley for Charlie perfume, 1981

Shelley was THE Charlie perfume girl from 1976 to 1982. She was dubbed as THE quintessential Charlie Girl because she was the embodiment of the brand's ideal - gorgeous, sexy, young... as well as independent, confident and loving every minute of it. In 1981, an artwork of her appeared in an ad dubbed "Spring Is Charlie's Season." It was an ad promoting The Charlie Art Collection, which was available for only $10.00 with any purchase from the Charlie collection. The Charlie Art Collection was a glamorous cosmetic kit containing 12 colors for the eyes, cheeks, lips and nails... plus a bottle of Charlie perfume spray. The kit also contained a LeRoy Neiman Cityscape Artwork (which he named "Spring Blooms in Charlie Country") ready for framing. And whether in pictures or in Mr. Neiman's artwork, Charlie Girl Shelley was always Charlie-Girl gorgeous.

an artwork of THE Charlie Girl Shelley

by LeRoy Neiman in a newspaper ad

for Charlie perfume and cosmetics, 1981

Critical Acclaim

a pic of Shelley from 1990

Like all the women who were once Supermodels and all the women who were once employed at the Townsend Agency, Shelley had a hard time shaking off the bimbo/mediocre-actress image that unfortunately came with the territory. Although she had received great reviews for her work on both stage and screen, Shelley's acting triumphs went mostly unnoticed (at the time) as publicity for her stage work was minimal and her small and big screen efforts didn't result in a ratings bonanza or box-office gold. She did surprise many of her harshest critics though, as well as fans who have followed her career through the years. And like all the women who used to be Supermodels or Angels, she preferred to keep her distance from anything referring to her previous "claims to fame" as they seemed to be hurting her acting career. There was a stigma associated with being a Supermodel and an Angel - instant fame was guaranteed, but critical acclaim went hardly noticed - and Shelley was not spared.

a writeup about Shelley from 1990

Ready For A Tennis Match

a closeup of Shelley from a spread

for Simplicity Home Catalog Summer 1974

Shelley appeared on many spreads and catalogs for Simplicity. The Simplicity Pattern Company is the leading manufacturer of sewing patterns and sewing pattern guides which are distributed throughout the world. They have been manufacturing sewing patterns since 1927 and have allowed fashionistas on a budget and sewing aficionados to create clothes in a reliable manner. Aside from patterns and pattern guides, they've come out with pamphlets, books, booklets, magazines and pattern packages.

Shelley in a spread

for Simplicity Home Catalog Summer 1974

Shelley appeared on several spreads for the Simplicity Home Catalog Summer 1974 issue. She appeared on the spread called "Knitting Fashions" which featured lightweight sweaters that were perfect for a round of tennis. Shelley wore pattern no. 6254. It was a pattern for a classic cable knit sweater with contrasting stripings at the neck and hipline and could be knitted in any color combination desired. It could be worn on its own over a pair of jeans or over a shirt and trouser or shorts combo for a quick tennis match. Shelley modeled a white version of the sweater with burgundy and blue stripings. And Shelley looked fab, sporty and ready for a tennis match.