Saturday, July 5, 2025

The New Denim Look 4

a closeup of Shelley from a pic featured
on the cover of Malina's New Denim Look
Instruction Leaflet no. 111, 1972

Shelley appeared on many leaflets, booklets and brochures for various fashion companies during her tenure as Supermodel in the 1970s. One of them was for the Malina's New Denim Look leaflets. The leaflets promoted the Malina Denim Look yarn line (which was an acrylic and polyester blend) in dark, worn and faded blends to go with denim... by recommending 5 coordinates to crochet (instruction leaflet no. 111) and 5 accessories to crochet (instruction leaflet no. 112). Shelley appeared on the cover of both leaflets. On instruction leaflet no. 111, she wore the tie-dyed poncho and hat coordinating set. It was a denim-colored knitted poncho with fringed edges and a string-gathered neckline (that had knitted pompom balls at the ends of the sting). She wore it over a red turtleneck top and light-wash denim jeans outfit. The hat (a skull cap) was likewise denim-colored and knitted. And Shelley looked ruggedly chic and stylish. (For more, check out: Another Denim Look)

a pic of Shelley featured
on the cover of Malina's New Denim Look
Instruction Leaflet no. 111, 1972

Saturday, June 28, 2025

Stunning And Beautiful

closeups of Shelley
from a couple of print ads
for Tel-A-Bride, 1973

Shelley appeared in many ads during her modeling days. One of them was for Tel-A-Bride, LTD. Tel-A-Bride was bridal salon chain that catered to the needs of every bride... from gowns to accessories to thoughtful and kind advice. Their shops were located in various parts of the US. Their advertisements as well as brochure-type advertisements appeared in many of the most popular bridal magazines like Modern Bride. In the 1973 February/March issue of Modern Bride, Shelley was featured in a brochure-type ad for Tel-A-Bride. She modeled two looks. One of which was a wedding gown, headpiece and veil by George Maurer for Maurer Originals. George Maurer was a wedding dress designer known for creating beautiful, well-fitted, and layered gowns that, at the same time, were practical and comfortable. Maurer Originals was a bridal wear company well known for their Chantilly lace, satin and net  gowns of this style. Another was a wedding gown by Fink Original. Fink Original was a bridal line that included gowns and wedding accessories. It was a line that specialized in  intricate details, luxurious fabrics, and timeless designs... combining classic elegance with modern aesthetics. In both looks, Shelley was stunning and beautiful.

Shelley in an ad for Tel-A-Bride, 1973

Shelley in an ad for Tel-A-Bride, 1973

A Very Pleasant Watch

a closeup of Shelley from a promo pic
for Bridesmaids, 1989

In 1989, Shelley appeared in the telefilm Bridesmaids along with Sela Ward, Brooke Adams and Stephanie Faracy. It was about a group of childhood friends who reunite at their childhood town to attend the wedding of a fifth friend. As they prepare for the ceremony, they rediscover their friendship, reveal their secrets and help each other find peace and happiness. The film is light and is a delight to watch. The main cast worked well together and got great support from Audra Lindley and Jack Coleman. It was first aired on February 21, 1989; and the telefilm  later became a staple on cable TV in the 1990s. It's been released on VHS format in the US and other parts of the world. It's a very pleasant watch and is highly recommended.

Shelley with Brooke Adams,
Stephanie Faracy, and Sela Ward
in a promo pic for Bridesmaids, 1989

Knit Your Own

a closeup of Shelley
from an ad for Malina yarns, 1972

In the 1970s, after finishing her schooling, Shelley signed on full-time at her modeling agency, Ford Models Inc., and became one of the highest-paid Supermodels of the era. She appeared in countless fashion spreads and ads for the best-selling magazines around the world such as Vogue, Harper's Bazaar, Glamour, Elle and Mademoiselle. In 1972, she appeared in an ad for Malina yarns with the tagline "Knit Your Own This Spring." In the ad, she wore the "3-piece fashion wow" - made up of a "skort" (a skirt and shorts combo) and a scarf - over dark-colored body stockings. In her hand, she clutched a multi-colored shawl. At her feet, were a couple of fun pillows. All of which could be knitted by anyone using Malina yarns. And Shelley looked fabulous as always.

Shelley in a print ad
for Malina yarns, 1972

Successful Ford Model

Shelley's statistics/details as it appeared
in The Fords (their catalog of models),
Oct 1972

Shelley was one of the most successful models at the Ford Modeling Agency (now known as Ford Models Inc.), one of the leading modeling agencies in the entire world. Her mother, Patricia, was a former model herself; and she brought Shelley to Eileen Ford (an acquaintance of hers) in New York for representation. Subsequently, Shelley became one of the top Ford Supermodels of all time, one of the first models to sign those lucrative and exclusive million-dollar modeling contracts models nowadays aspire to get. She ranks among some of the highest-paid, most recognizable Ford Models whose names and faces rocked the world of modeling. Eileen Ford said of Shelley, "Modeling was just a vehicle she used to get educated. It was never a thing where she wanted to be the best model in the world. She simply became one of them despite herself." (For more, check out: Million-Dollar Faces, Best-Built Fords, and Original And Totally Unforgettable)

Shelley appeared in The Fords 
(their catalog of models), Oct 1972

And like all of the models represented by the Ford Modeling Agency, Shelley appeared in the agency's catalog of models. In the agency's October 1972 catalog called The Fords, Shelley was among the roster of models represented by Eileen Ford at the time... which included Maud Adams, Kim Basinger, Susan Blakely, Karen Graham, Erin Gray, Veronica Hamel, Beverly Johnson, and Lauren Hutton, as well as veterans like Suzy Parker and Jean Patchett. Shelley's December 1971 Elle magazine cover pic was used in the catalog (for more, check out: Elle Cover) and her statistics/details were as follows:

SHELLEY HACK
height: 5'8" (5 feet 8 inches)
dress sizes: 7 8 9
hair/eyes: dark blonde/blue
shoe size: 8n
rate per hour: $75
recent magazine appearances:
Glamour magazine - October 1972
Mademoiselle magazine - October 1972
Seventeen magazine - September 1972
Mademoiselle magazine - August 1972
Seventeen magazine - August 1972

Shelley's pic from the cover
of Elle magazine, December 1971

The World Belongs To Charlie

Shelley in a promo pics
for Charlie perfume and cosmetics, 1978

Shelley was THE Charlie perfume Girl. She catapulted herself as well as the brand to worldwide recognition and success. There were others before her, but it was Shelley who captured the imagination of many worldwide. A few months after she began endorsing it, Charlie became the no. 1 brand in the entire world. Shelley was (and is) the quintessential Charlie Girl - gorgeous, sexy, young as well as vibrant and confident. She was, and actually still is, an inspiration to many worldwide. Shelley appeared on many, many ads and promo materials for Charlie. Aside from a perfume, bath and cosmetics line, Charlie also released promo items and giveaways... such as tote bags, picnic bags, makeup kits and pouches, necklaces containing Charlie perfume, the Charlie Triangle necklace, and even the Charlie snowmobile called the "Charlie Cat." In 1978, a Charlie lapel pin was created with Shelley's image and the tagline "The World Belongs To Charlie." Because by that time, Charlie was so successful, it was known all over the world. 

Shelley in a Charlie promo lapel pin
for Charlie perfume and cosmetics, 1978

Thrill-Seeker Maggie

Shelley in a promo pic
for the TV movie Kicks, 1985

Shelley appeared in the TV movie Kicks in 1985, starring alongside Soap Superstar Anthony Geary. She played Maggie Pierson, a college professor addicted to, sort of, the thrill of the chase or, as the title says, kicks. She meets her match in Martin Cheevers (Geary), a wealthy businessman with a mysterious past. But their thrills gradually turn into chills as Cheevers ups the anti as they go along. Maggie goes along for the ride for as long as she could and they end up in Alcatraz. Tom Mason (Shelley's future Jack and Mike co-star) played Maggie's boyfriend Caleb. Susan Ruttan (Roxanne Melman on L.A. Law) played Maggie's colleague and friend Rosemary. The movie had been released in VHS format all over the world and had been translated into many different languages.

Shelley in a poster/standee
(with details on the backside)
for the VHS release of the 1985 TV movie Kicks
(VHS release was dated 1988)

The New Denim Look 3

a closeup of Shelley from a pic featured
on the cover of Malina's New! Denim Look
Instruction Leaflet no. 112, 1972

Shelley appeared on many leaflets, booklets and brochures for various fashion companies during her tenure as Supermodel in the 1970s. One of them was for the Malina's New! Denim Look leaflets. The leaflets promoted the Malina Denim Look yarn line (which was an acrylic and polyester blend) in dark, worn and faded blends to go with denim... by recommending 5 coordinates to crochet (instruction leaflet no. 111) and 5 accessories to crochet (instruction leaflet no. 112). Shelley appeared on the cover of both leaflets. On instruction leaflet no. 112, she wore the dark blend shawl with floral details. It was a denim-colored shawl in deep blue with fringed edges and contrasting knitted florals along the edge. She wore it over a red turtleneck top and light-wash denim jeans outfit. And Shelley looked ruggedly chic and stylish. (For more, check out: Denim Look, The New Denim Look 1, and The New Denim Look 2)

a pic of Shelley featured
on the cover of Malina's New! Denim Look
Instruction Leaflet no. 112, 1972

Saturday, June 21, 2025

Bridal Beauty

closeups of Shelley
from a couple of print ads
for Caresse, 1973

Shelley appeared in many ads during her modeling days. One of them was for Caresse. Caresse or the Caresse Shop was bridal salon chain that catered to the needs of every bride... from gowns to accessories to thoughtful and kind advice. Their shops were located in various parts of the US. Their advertisements as well as brochure-type advertisements appeared in many of the most popular bridal magazines like Modern Bride. In the 1973 February/March issue of Modern Bride, Shelley was featured in a brochure-type ad for Caresse. She modeled two looks. One of which was a peach-colored bridesmaid's gown complete with matching peach-colored footwear and veil. Another was a white bridal gown complete with white footwear, veil and tiara, and a floral satin choker. In both looks, Shelley was absolutely beautiful indeed.

Shelley in an ad for Caresse, 1973

Shelley in an ad for Caresse, 1973

Light And A Delight

a closeup of Shelley from a promo pic
for Bridesmaids, 1989

In 1989, Shelley appeared in the telefilm Bridesmaids along with Sela Ward, Brooke Adams and Stephanie Faracy. It was about a group of childhood friends who reunite at their childhood town to attend the wedding of a fifth friend. As they prepare for the ceremony, they rediscover their friendship, reveal their secrets and help each other find peace and happiness. The film is light and is a delight to watch. The main cast worked well together and got great support from Audra Lindley and Jack Coleman. It was first aired on February 21, 1989; and the telefilm  later became a staple on cable TV in the 1990s. It's been released on VHS format in the US and other parts of the world. It's a very pleasant watch and is highly recommended.

Shelley with Stephanie Faracy,
Brooke Adams and Sela Ward
in a promo pic for Bridesmaids, 1989

Designer Caftan

a closeup of Shelley
from an ad for Garfinckel's, 1972

In the 1970s, after finishing her schooling, Shelley signed on full-time at her modeling agency, Ford Models Inc., and became one of the highest-paid Supermodels of the era. She appeared in countless fashion spreads and ads for the best-selling magazines around the world such as Vogue, Harper's Bazaar, Glamour, Elle and Mademoiselle. In 1972, she appeared in an ad for Garfinckel's, a department store chain that catered to wealthy and high-end customers. In the ad, she wore a caftan by Oscar de la Renta. Dubbed a "Fantasy a la Oscar de la Renta," the outfit was described as "flower trellised on a caftan of French satin ribboned chiffon." And it retailed at $495.00 (which would be $3,676.00 in 2025). She finished her outfit off with chunky-heeled pumps with bridge straps. And Shelley looked high-end, breezy, and uber-glamorous in her designer caftan.

Shelley wearing Oscar de la Renta
in an ad for Garfinckel's, 1972

Her Angel Year

 

Shelley at the at the Beverly Wilshire Hotel
in Beverly Hills, California, Feb 1980

In February of 1980, it was reported that during the Charlie's Angels Valentine's Day Party at the Beverly Wilshire Hotel in Beverly Hills, California, cards were handed out to Jaclyn Smith, Cheryl Ladd and David Doyle, inviting them to the fifth season of the TV series. And it was also reported that Shelley didn't get one; and the news quickly spread.

Shelley at the at the Beverly Wilshire Hotel
in Beverly Hills, California, Feb 1980

But the truth is Shelley wasn't fired. She signed a one-year contract with the show which had a three or five-year option. According to Glamour magazine in May of 1980, "Shelley isn't being fired", the producers of the show said, "Actually, Shelley must decide whether she wants to continue with the show." It was probably why she didn't get one. But then according that same Glamour article, Shelley said, "I'm not sure whether my option is being picked up for the next season." Well, as everyone knows, it wasn't picked up. But then Shelley was okay with that, because, as she told TV Tales: Charlie's Angels in 2002, doing Charlie's Angels for a year was already plenty for her.

Shelley at the at the Beverly Wilshire Hotel
in Beverly Hills, California, Feb 1980

Charlie Bath And After Bath

Shelley in a promo pic
for Charlie perfume and cosmetics, 1978

Shelley was The Charlie Girl from 1976 to 1982; and she appeared on countless ads and promotional items for the Revlon brand. She catapulted the brand (as well as herself) to iconic status. Shelley's gorgeous, sexy and young (not to mention confident and independent) image was an inspiration to many women worldwide. In 1978, she appeared in a newspaper ad for Charlie that had the tagline "Take A Bath With The Gorgeous Sexy Young Fragrance of Charlie by Revlon." It was an ad promoting Charlie's "for the bath" product line as well as "after bath" product line. "For the bath," there was Charlie Bath Soap, Charlie Body Silk, Charlie Dusting Powder, and Charlie Cologne. For "after bath," there was Charlie Cologne, Charlie Cologne Concentrate, and Charlie Spray Cologne (in various sizes). And Shelley was absolutely gorgeous in the ad.

Shelley in a newspaper ad
for Charlie perfume and cosmetics, 1978

a closeup of Shelley from a promo pic
for Charlie perfume and cosmetics, 1978

Required Angel Diets

Shelley at a Charlie's Angels
cocktail party, June 1979

Charlie's Angels was a phenomenally successful TV series; and its popularity spanned the entire world. The landmark TV series began with Kate Jackson, Farrah Fawcett and Jaclyn Smith, as the Angels. Cheryl Ladd, Shelley Hack and Tanya Roberts played Angels in later seasons. The series ran from 1976 to 1981; and everything about the six Angels was written about... their family lives, the men they dated, their fashion choices, their beauty secrets, as well as their diet and exercise regimens. In 1981, the Spanish-language magazine TV Semana divulged the diet secrets all the Angels were forced to follow during their Angels days. Don't know if its true or not, but its a fun read. The writeup translates as follows:

By contract, they were required to follow
these never-before-revealed diets.
THE SECRET DIETS REQUIRED OF "THE ANGELS"

The famous series has stopped filming as of this month.
And now the beauty obligation required of the girls is revealed.

It's not easy being an Angel. No one disputes that. Aside from having a great body, having smooth skin, being sexy, slender and beautiful... being a Charlie's Angel requires following a strict diet regimen.

And that's what the six lovely Angels from the TV series did as the seasons progressed. Initially, there was Kate Jackson, Farrah Fawcett, and the ever-faithful Jaclyn Smith. Later, Tanya Roberts and Shelley Hack, succeeded sweet Sabrina (Kate Jackson's character), and Cheryl Ladd replaced early 1980s superstar, Farrah Fawcett. A strict diet regimen was required of them by contract and was key to being cast in the series. The diet wasn't difficult, but it required a consistent amount of willpower. For example, Cheryl was strictly forbidden from eating chocolate. This habit, which stems from her adolescence, gave her a plump figure, quite different from her current one. Jaclyn, on the other hand, claimed her legs were too thin for her liking and was very self-conscious about them. But the series producers thought she was being overly self-critical and told her to just maintain her figure without going to extremes. "When you have to maintain your figure," said Jaclyn, "you have to be very demanding of yourself. You need to be enthusiastic and to never get discouraged."

A writeup about Charlie's six gorgeous Angels
from the Spanish-language mag TV Semana,
April 1981

The rules of the "Charlie's Angels" diet are not difficult to follow. First, you must eat slowly and deliberately, giving your brain time to register the impulses of your ingestion. Second, the diet must be accompanied by regular exercise. Slim Shelley, for example, runs 5 kilometers every day of the week and also jumps rope for 30 minutes a day. Jaclyn, for her part, does ballet daily, which, in addition to burning calories, shapes her figure. The basic foods for following this diet are cooked vegetables, minimal beef, chicken, lamb, and seafood. Surprisingly, fruit salad is allowed in this diet, but without sugar, of course. "The diet should never be radical or rapid," explains the specialist who treats them, "because if you stop for even one day, your metabolism becomes unbalanced again, and you have to start over. You have to create a meal plan - like Scarsdale's, for example - chew well and slowly, drink diet soda, and forget about candy and sugar."

"You have to avoid pills and exercise daily with as much energy as possible. The most important thing in any diet is willpower and perseverance. You have to learn how to eat and know how to eat. After you overcome that stage, you can maintain yourself." Cheryl says that before starting this diet, she couldn't abstain from eating anything at any time. "Once you set a course of action, you get used to it, and seeing the results encourages you more and more." This is how Tanya, Shelley, Cheryl, Jaclyn, and their predecessors became "Charlie's Angels." It's not easy, but it's not difficult either. The best ingredient for a solid diet is perseverance.

the English translation of the picture captions
on the writeup about Charlie's six gorgeous Angels
from the Spanish-language mag TV Semana,
April 1981

The writeup even included the diet Farrah Fawcett was supposedly on at the time. It translates as follows:

Farrah: The Most Demanding, Crazy, and Expensive Diet

Monday
Breakfast: a glass of dry champagne, 6 grapes, and a small apple
Lunch: a salad of avocado, slices of grapes, and a hard-boiled egg
Mid-afternoon: two slices of toast, a sugar-free rosemary jam
Evening: 2 tablespoons of black caviar, 3 small cookies, and a glass of milk

Tuesday
Breakfast: a glass of milk, a ham omelet
Lunch: shrimp with natural yogurt, oysters with lemon, a tomato
Mid-afternoon: a slice of cheesecake, an avocado
Evening: a glass of dry champagne, two celery stalks, a carrot

Wednesday
turtle soup all day

Thursday
Breakfast: orange juice, 2 scrambled eggs, a chocolate bar
Lunch: mineral water, half a shrimp with lemon, an apple
Mid-afternoon: coffee with cream
Evening: a cardoon cutlet, apple puree, 6 cherries

Friday
Milk, yogurt, and jasmine milk all day

Saturday and Sunday
Anything you can think of

The New Denim Look 2

a closeup of Shelley from a pic featured
on the cover of Malina's New! Denim Look
Instruction Leaflet no. 112, 1972

Shelley appeared on many leaflets, booklets and brochures for various fashion companies during her tenure as Supermodel in the 1970s. One of them was for the Malina's New! Denim Look leaflets. The leaflets promoted the Malina Denim Look yarn line (which was an acrylic and polyester blend) in dark, worn and faded blends to go with denim... by recommending 5 coordinates to crochet (instruction leaflet no. 111) and 5 accessories to crochet (instruction leaflet no. 112). Shelley appeared on the cover of both leaflets. On instruction leaflet no. 112, she wore the tie-dyed shawl. It was a denim-colored shawl in multiple hues and with fringed edges. She wore it over a red turtleneck top and light-wash denim jeans outfit. And Shelley looked ruggedly chic.

a pic of Shelley featured
on the cover of Malina's New! Denim Look
Instruction Leaflet no. 112, 1972

Saturday, June 14, 2025

Beautiful Bride

closeups of Shelley
from a couple of print ads
for Balene, 1973

Shelley appeared in many ads during her modeling days. One of them was for Balene. Balene promoted the sale of bridal gowns (as well as bridesmaid, flower girl, and mother of the bride dresses), suits and other bridal needs - designed and made by others - through advertising, booklets and display media. Bridal gowns by Chistos, Frank Rizzo, George Maurer as well as Fink were featured in their advertisements and promo items. Accessory designers were featured in them as well. In 1973, Shelley appeared in a couple of ads for Balene... both of which appeared in the February/March issue of Modern Bride. In one ad, she wore the bridal gown "Bouquet" by Christos with a veil by Jean Pulver. In another, she wore the bridal gown "Pandora" by Frank Rizzo with a headpiece by Lee Herman. In both ads, Shelley made one beautiful bride indeed.

Shelley in a print ad
for Balene, 1973

Shelley in a print ad
for Balene, 1973

A Pleasant Watch

Shelley with Stephanie Faracy,
Brooke Adams, and Sela Ward
in a promo pic for Bridesmaids, 1989

In 1989, Shelley along with Sela Ward, Brooke Adams and Stephanie Faracy starred in the telefilm Bridesmaids. It was about a group of friends who were reunited after a number of years at another friend's wedding. Because their bride-friend was so busy with wedding preparations, the four were left to catch up and discover new things about each other. The film wasn't just about the many things that binds friends together such as humorous anecdotes, common experiences, and secrets; but it also explored the varied and changing roles women were coming to terms with at the time. The film is light and is a delight to watch. The main cast had great rapport and worked very well well together. The supporting cast was great as well. It was first aired on February 21, 1989; and the telefilm  later became a staple on cable TV in the 1990s - as it was aired frequently at the time. It has been released in VHS format in the US and other parts of the world. It's a very pleasant watch and is highly recommended.

Shelley with Stephanie Faracy,
Sela Ward, and Brooke Adams
in a promo pic for Bridesmaids, 1989

Simplicity April 1972 B

Shelley in an outtake from a pic set
used in a spread on Simplicity catalog,
April 1972

Shelley appeared in many sewing catalogs during her tenure as a Supermodel. In April of 1972, she appeared on the pages of Simplicity catalog. In the spread that featured Junior Miss Dresses (very together dresses with the look of tomorrow), she wore pattern no. 9861. It was a pattern for a misses' mini-dress with a high round neckline, a front yoke, a back zipper, and set-in sleeves. Version 1 had a contrasting collar, front tucks, and long sleeves gathered with elastic casings. Version 2 was collarless, had front pleats, had cap type sleeves, and had a self-tie belt with tie-ends stitched to the front. Shelley wore version 1... which was in printed fabric with a contrasting collar. Matching hose and platform sandals finished her look. A fun brooch in the shape of a star accessorized her look. And Shelley looked young, very together and fashion forward.

Shelley in a spread
for Simplicity catalog, April 1972

Year As An Angel

Shelley at the at the Beverly Wilshire Hotel
in Beverly Hills, California, Feb 1980

In February of 1980, it was reported that during the Charlie's Angels Valentine's Day Party at the Beverly Wilshire Hotel in Beverly Hills, California, cards were handed out to Jaclyn Smith, Cheryl Ladd and David Doyle, inviting them to the fifth season of the TV series. And it was also reported that Shelley didn't get one; and the news quickly spread.

Shelley at the at the Beverly Wilshire Hotel
in Beverly Hills, California, Feb 1980

But the truth is Shelley wasn't fired. She signed a one-year contract with the show which had a three or five-year option. According to Glamour magazine in May of 1980, "Shelley isn't being fired", the producers of the show said, "Actually, Shelley must decide whether she wants to continue with the show." It was probably why she didn't get one. But then according that same Glamour article, Shelley said, "I'm not sure whether my option is being picked up for the next season." Well, as everyone knows, it wasn't picked up. But then Shelley was okay with that, because, as she told TV Tales: Charlie's Angels in 2002, doing Charlie's Angels for a year was already plenty for her.

Shelley at the at the Beverly Wilshire Hotel
in Beverly Hills, California, Feb 1980

Charlie Poster 3

a closeup of Shelley from a poster
for Charlie perfume and cosmetics, 1981

Shelley was THE quintessential Charlie Girl. She was THE Charlie Girl from 1976 to 1982; and she catapulted the brand (as well as herself) to iconic status. Shelley's gorgeous, sexy and young (not to mention confident and independent) image was an inspiration to many women worldwide. She appeared in countless ads and promotional items for the brand. In 1981, posters promoting Charlie perfume and cosmetics were released in the UK. The three-poster set all featured Shelley enjoying the summer season that year. One had her walking along the beach. One had her windsurfing. And another had her sailing. And in all three posters, Shelley was wearing Charlie's latest colors from their new cosmetics kit called Sunshsades. The kit contained Extra Shine Lipstick, Nail Gleamer, Real Live Blusher and two shades of Fresh Eye Shadow. The kit was available in 3 different "colorways," two for summer days and one for summer nights. And Shelley was absolutely summer gorgeous and summer glamorous in all the posters.

Shelley in a poster
for Charlie perfume and cosmetics, 1981

Newest Superstar Angel

a closeup of Shelley
from a 1979 promo pic

Shelley joined the cast of Charlie's Angels in 1979, taking over the slot left empty by Kate Jackson. She was already world-famous by then... as THE Charlie Girl, Revlon's IT girl and the glamorous version of the newly liberated woman of the 1970s. "I had done a lot of press before. There was so much to do then, so you just deal with it," she told one reporter after her much publicized casting. But the Supermodel wasn't aware that she was entering a totally different space, rock star space. "I couldn't believe it. What was I doing in the evening news," Shelley exclaimed at the time. "Yesterday, I was a schnook, and today I can't get across the street," she added. When she arrived in St. Thomas at the Caribbean, where her first Charlie's Angels episode was going to be shot, she was greeted by the paparazzi. "When I got off the plane, there were maybe eight million paparazzi. I looked around for Sophia Loren. It was for me. I couldn't believe it," she said astonished by the amount of attention her Angel casting was getting. "I had press people crawling in my windows," she told E! in 2002. Shelley had jumped to Hollywood superstardom overnight.

Shelley in a promo pic from 1979