Shelley appeared on many leaflets, booklets and brochures for various fashion companies during her tenure as Supermodel in the 1970s. One of them was for the Malina's New Denim Look leaflets. The leaflets promoted the Malina Denim Look yarn line (which was an acrylic and polyester blend) in dark, worn and faded blends to go with denim... by recommending 5 coordinates to crochet (instruction leaflet no. 111) and 5 accessories to crochet (instruction leaflet no. 112). Shelley appeared on the cover of both leaflets. On instruction leaflet no. 111, she wore the tie-dyed poncho and hat coordinating set. It was a denim-colored knitted poncho with fringed edges and a string-gathered neckline (that had knitted pompom balls at the ends of the sting). She wore it over a red turtleneck top and light-wash denim jeans outfit. The hat (a skull cap) was likewise denim-colored and knitted. And Shelley looked ruggedly chic and stylish. (For more, check out: Another Denim Look)
Saturday, July 5, 2025
The New Denim Look 4
Saturday, June 28, 2025
Stunning And Beautiful
Shelley appeared in many ads during her modeling days. One of them was for Tel-A-Bride, LTD. Tel-A-Bride was bridal salon chain that catered to the needs of every bride... from gowns to accessories to thoughtful and kind advice. Their shops were located in various parts of the US. Their advertisements as well as brochure-type advertisements appeared in many of the most popular bridal magazines like Modern Bride. In the 1973 February/March issue of Modern Bride, Shelley was featured in a brochure-type ad for Tel-A-Bride. She modeled two looks. One of which was a wedding gown, headpiece and veil by George Maurer for Maurer Originals. George Maurer was a wedding dress designer known for creating beautiful, well-fitted, and layered gowns that, at the same time, were practical and comfortable. Maurer Originals was a bridal wear company well known for their Chantilly lace, satin and net gowns of this style. Another was a wedding gown by Fink Original. Fink Original was a bridal line that included gowns and wedding accessories. It was a line that specialized in intricate details, luxurious fabrics, and timeless designs... combining classic elegance with modern aesthetics. In both looks, Shelley was stunning and beautiful.
A Very Pleasant Watch
In 1989, Shelley appeared in the telefilm Bridesmaids along with Sela Ward, Brooke Adams and Stephanie Faracy. It was about a group of childhood friends who reunite at their childhood town to attend the wedding of a fifth friend. As they prepare for the ceremony, they rediscover their friendship, reveal their secrets and help each other find peace and happiness. The film is light and is a delight to watch. The main cast worked well together and got great support from Audra Lindley and Jack Coleman. It was first aired on February 21, 1989; and the telefilm later became a staple on cable TV in the 1990s. It's been released on VHS format in the US and other parts of the world. It's a very pleasant watch and is highly recommended.
Knit Your Own
In the 1970s, after finishing her schooling, Shelley signed on full-time at her modeling agency, Ford Models Inc., and became one of the highest-paid Supermodels of the era. She appeared in countless fashion spreads and ads for the best-selling magazines around the world such as Vogue, Harper's Bazaar, Glamour, Elle and Mademoiselle. In 1972, she appeared in an ad for Malina yarns with the tagline "Knit Your Own This Spring." In the ad, she wore the "3-piece fashion wow" - made up of a "skort" (a skirt and shorts combo) and a scarf - over dark-colored body stockings. In her hand, she clutched a multi-colored shawl. At her feet, were a couple of fun pillows. All of which could be knitted by anyone using Malina yarns. And Shelley looked fabulous as always.
Successful Ford Model
Shelley was one of the most successful models at the Ford Modeling Agency (now known as Ford Models Inc.), one of the leading modeling agencies in the entire world. Her mother, Patricia, was a former model herself; and she brought Shelley to Eileen Ford (an acquaintance of hers) in New York for representation. Subsequently, Shelley became one of the top Ford Supermodels of all time, one of the first models to sign those lucrative and exclusive million-dollar modeling contracts models nowadays aspire to get. She ranks among some of the highest-paid, most recognizable Ford Models whose names and faces rocked the world of modeling. Eileen Ford said of Shelley, "Modeling was just a vehicle she used to get educated. It was never a thing where she wanted to be the best model in the world. She simply became one of them despite herself." (For more, check out: Million-Dollar Faces, Best-Built Fords, and Original And Totally Unforgettable)
The World Belongs To Charlie
Shelley was THE Charlie perfume Girl. She catapulted herself as well as the brand to worldwide recognition and success. There were others before her, but it was Shelley who captured the imagination of many worldwide. A few months after she began endorsing it, Charlie became the no. 1 brand in the entire world. Shelley was (and is) the quintessential Charlie Girl - gorgeous, sexy, young as well as vibrant and confident. She was, and actually still is, an inspiration to many worldwide. Shelley appeared on many, many ads and promo materials for Charlie. Aside from a perfume, bath and cosmetics line, Charlie also released promo items and giveaways... such as tote bags, picnic bags, makeup kits and pouches, necklaces containing Charlie perfume, the Charlie Triangle necklace, and even the Charlie snowmobile called the "Charlie Cat." In 1978, a Charlie lapel pin was created with Shelley's image and the tagline "The World Belongs To Charlie." Because by that time, Charlie was so successful, it was known all over the world.
Thrill-Seeker Maggie
Shelley appeared in the TV movie Kicks in 1985, starring alongside Soap Superstar Anthony Geary. She played Maggie Pierson, a college professor addicted to, sort of, the thrill of the chase or, as the title says, kicks. She meets her match in Martin Cheevers (Geary), a wealthy businessman with a mysterious past. But their thrills gradually turn into chills as Cheevers ups the anti as they go along. Maggie goes along for the ride for as long as she could and they end up in Alcatraz. Tom Mason (Shelley's future Jack and Mike co-star) played Maggie's boyfriend Caleb. Susan Ruttan (Roxanne Melman on L.A. Law) played Maggie's colleague and friend Rosemary. The movie had been released in VHS format all over the world and had been translated into many different languages.
The New Denim Look 3
Shelley appeared on many leaflets, booklets and brochures for various fashion companies during her tenure as Supermodel in the 1970s. One of them was for the Malina's New! Denim Look leaflets. The leaflets promoted the Malina Denim Look yarn line (which was an acrylic and polyester blend) in dark, worn and faded blends to go with denim... by recommending 5 coordinates to crochet (instruction leaflet no. 111) and 5 accessories to crochet (instruction leaflet no. 112). Shelley appeared on the cover of both leaflets. On instruction leaflet no. 112, she wore the dark blend shawl with floral details. It was a denim-colored shawl in deep blue with fringed edges and contrasting knitted florals along the edge. She wore it over a red turtleneck top and light-wash denim jeans outfit. And Shelley looked ruggedly chic and stylish. (For more, check out: Denim Look, The New Denim Look 1, and The New Denim Look 2)
Saturday, June 21, 2025
Bridal Beauty
Shelley appeared in many ads during her modeling days. One of them was for Caresse. Caresse or the Caresse Shop was bridal salon chain that catered to the needs of every bride... from gowns to accessories to thoughtful and kind advice. Their shops were located in various parts of the US. Their advertisements as well as brochure-type advertisements appeared in many of the most popular bridal magazines like Modern Bride. In the 1973 February/March issue of Modern Bride, Shelley was featured in a brochure-type ad for Caresse. She modeled two looks. One of which was a peach-colored bridesmaid's gown complete with matching peach-colored footwear and veil. Another was a white bridal gown complete with white footwear, veil and tiara, and a floral satin choker. In both looks, Shelley was absolutely beautiful indeed.
Light And A Delight
In 1989, Shelley appeared in the telefilm Bridesmaids along with Sela Ward, Brooke Adams and Stephanie Faracy. It was about a group of childhood friends who reunite at their childhood town to attend the wedding of a fifth friend. As they prepare for the ceremony, they rediscover their friendship, reveal their secrets and help each other find peace and happiness. The film is light and is a delight to watch. The main cast worked well together and got great support from Audra Lindley and Jack Coleman. It was first aired on February 21, 1989; and the telefilm later became a staple on cable TV in the 1990s. It's been released on VHS format in the US and other parts of the world. It's a very pleasant watch and is highly recommended.
Designer Caftan
In the 1970s, after finishing her schooling, Shelley signed on full-time at her modeling agency, Ford Models Inc., and became one of the highest-paid Supermodels of the era. She appeared in countless fashion spreads and ads for the best-selling magazines around the world such as Vogue, Harper's Bazaar, Glamour, Elle and Mademoiselle. In 1972, she appeared in an ad for Garfinckel's, a department store chain that catered to wealthy and high-end customers. In the ad, she wore a caftan by Oscar de la Renta. Dubbed a "Fantasy a la Oscar de la Renta," the outfit was described as "flower trellised on a caftan of French satin ribboned chiffon." And it retailed at $495.00 (which would be $3,676.00 in 2025). She finished her outfit off with chunky-heeled pumps with bridge straps. And Shelley looked high-end, breezy, and uber-glamorous in her designer caftan.
Her Angel Year
In February of 1980, it was reported that during the Charlie's Angels Valentine's Day Party at the Beverly Wilshire Hotel in Beverly Hills, California, cards were handed out to Jaclyn Smith, Cheryl Ladd and David Doyle, inviting them to the fifth season of the TV series. And it was also reported that Shelley didn't get one; and the news quickly spread.
Charlie Bath And After Bath
Shelley was The Charlie Girl from 1976 to 1982; and she appeared on countless ads and promotional items for the Revlon brand. She catapulted the brand (as well as herself) to iconic status. Shelley's gorgeous, sexy and young (not to mention confident and independent) image was an inspiration to many women worldwide. In 1978, she appeared in a newspaper ad for Charlie that had the tagline "Take A Bath With The Gorgeous Sexy Young Fragrance of Charlie by Revlon." It was an ad promoting Charlie's "for the bath" product line as well as "after bath" product line. "For the bath," there was Charlie Bath Soap, Charlie Body Silk, Charlie Dusting Powder, and Charlie Cologne. For "after bath," there was Charlie Cologne, Charlie Cologne Concentrate, and Charlie Spray Cologne (in various sizes). And Shelley was absolutely gorgeous in the ad.
Required Angel Diets
The New Denim Look 2
Shelley appeared on many leaflets, booklets and brochures for various fashion companies during her tenure as Supermodel in the 1970s. One of them was for the Malina's New! Denim Look leaflets. The leaflets promoted the Malina Denim Look yarn line (which was an acrylic and polyester blend) in dark, worn and faded blends to go with denim... by recommending 5 coordinates to crochet (instruction leaflet no. 111) and 5 accessories to crochet (instruction leaflet no. 112). Shelley appeared on the cover of both leaflets. On instruction leaflet no. 112, she wore the tie-dyed shawl. It was a denim-colored shawl in multiple hues and with fringed edges. She wore it over a red turtleneck top and light-wash denim jeans outfit. And Shelley looked ruggedly chic.
Saturday, June 14, 2025
Beautiful Bride
Shelley appeared in many ads during her modeling days. One of them was for Balene. Balene promoted the sale of bridal gowns (as well as bridesmaid, flower girl, and mother of the bride dresses), suits and other bridal needs - designed and made by others - through advertising, booklets and display media. Bridal gowns by Chistos, Frank Rizzo, George Maurer as well as Fink were featured in their advertisements and promo items. Accessory designers were featured in them as well. In 1973, Shelley appeared in a couple of ads for Balene... both of which appeared in the February/March issue of Modern Bride. In one ad, she wore the bridal gown "Bouquet" by Christos with a veil by Jean Pulver. In another, she wore the bridal gown "Pandora" by Frank Rizzo with a headpiece by Lee Herman. In both ads, Shelley made one beautiful bride indeed.
A Pleasant Watch
In 1989, Shelley along with Sela Ward, Brooke Adams and Stephanie Faracy starred in the telefilm Bridesmaids. It was about a group of friends who were reunited after a number of years at another friend's wedding. Because their bride-friend was so busy with wedding preparations, the four were left to catch up and discover new things about each other. The film wasn't just about the many things that binds friends together such as humorous anecdotes, common experiences, and secrets; but it also explored the varied and changing roles women were coming to terms with at the time. The film is light and is a delight to watch. The main cast had great rapport and worked very well well together. The supporting cast was great as well. It was first aired on February 21, 1989; and the telefilm later became a staple on cable TV in the 1990s - as it was aired frequently at the time. It has been released in VHS format in the US and other parts of the world. It's a very pleasant watch and is highly recommended.
Simplicity April 1972 B
Shelley appeared in many sewing catalogs during her tenure as a Supermodel. In April of 1972, she appeared on the pages of Simplicity catalog. In the spread that featured Junior Miss Dresses (very together dresses with the look of tomorrow), she wore pattern no. 9861. It was a pattern for a misses' mini-dress with a high round neckline, a front yoke, a back zipper, and set-in sleeves. Version 1 had a contrasting collar, front tucks, and long sleeves gathered with elastic casings. Version 2 was collarless, had front pleats, had cap type sleeves, and had a self-tie belt with tie-ends stitched to the front. Shelley wore version 1... which was in printed fabric with a contrasting collar. Matching hose and platform sandals finished her look. A fun brooch in the shape of a star accessorized her look. And Shelley looked young, very together and fashion forward.
Year As An Angel
In February of 1980, it was reported that during the Charlie's Angels Valentine's Day Party at the Beverly Wilshire Hotel in Beverly Hills, California, cards were handed out to Jaclyn Smith, Cheryl Ladd and David Doyle, inviting them to the fifth season of the TV series. And it was also reported that Shelley didn't get one; and the news quickly spread.
Charlie Poster 3
Shelley was THE quintessential Charlie Girl. She was THE Charlie Girl from 1976 to 1982; and she catapulted the brand (as well as herself) to iconic status. Shelley's gorgeous, sexy and young (not to mention confident and independent) image was an inspiration to many women worldwide. She appeared in countless ads and promotional items for the brand. In 1981, posters promoting Charlie perfume and cosmetics were released in the UK. The three-poster set all featured Shelley enjoying the summer season that year. One had her walking along the beach. One had her windsurfing. And another had her sailing. And in all three posters, Shelley was wearing Charlie's latest colors from their new cosmetics kit called Sunshsades. The kit contained Extra Shine Lipstick, Nail Gleamer, Real Live Blusher and two shades of Fresh Eye Shadow. The kit was available in 3 different "colorways," two for summer days and one for summer nights. And Shelley was absolutely summer gorgeous and summer glamorous in all the posters.