The Free Spirits 1

Shelley in a spread for Seventeen magazine, 1971

Shelley appeared on many spreads for Seventeen magazine during her early Supermodel days. In June of 1971, she appeared in the mag's spread called "The Free Spirits." The spread featured breezy long dresses that were perfect for summer that year - for brides and bridesmaids, for hostesses and guests. It could be worn not just once but wherever there was a party going on.

a closeup of Shelley from the spread

Shelley wore a pastel colored dress in a rainbow glow - in various pastel shades of gingham, that is. The empire cut long dress had a Peter Pan collar, cuffed long sleeves and a tiered skirt. Matching pumps, a straw hat with a matching ribbon and flowers on tied-back hair finished her look. Shelley looked as fresh and lovely as a new day.

Angels Reborn

a writeup about Charlie's Angels from US magazine, Dec 1982

When Charlie's Angels was canceled after 5 seasons in 1981, many viewers, fans and even critics were actually saddened about it. The show was such a huge phenomenon that its cancellation left a huge void in the television landscape. So much so that interest in the show even after it went to TV heaven was still high. In fact, writeups about each and every Angel would pop up from time to time. Everyone was and is (until the present moment) still interested in what all the actresses who played Angels has been up to.

Charlie's Girl

a closeup of Shelley from a 1982 Charlie perfume ad

Shelley became THE Charlie Girl in 1976 and was the embodiment of the brand's ideal - gorgeous, sexy and youthful at any age. Revlon Charlie was the first affordable "lifestyle" scent to become a no. 1 best-seller in the entire world. It was the first brand to be marketed to the woman herself (instead of a means to catch a man). Shelley's Charlie Girl image was that of the ideal liberated woman - independent, confident, gorgeous and fabulous. And that image resonated throughout the entire world.

Shelley in a 1982 Charlie perfume ad

Cutter to Houston Pilot 14

screen captures from the Cutter to Houston pilot episode, 1983

Shelley's second foray into series TV was Cutter to Houston. It was about three young doctors from the world-famous Texas Medical Center in Houston who were recruited to run a small hospital in the fictional rural town of Cutter, Texas. Jim Metzler and Alec Baldwin played the other two doctors. Jim played idealistic GP Dr. Andy Fenton, who grew up in Cutter and is glad to be home. Alec played internist/ladies man Dr. Hal Wexler, who is getting through his probation, having been relegated to Cutter for being a little too fast and free with his prescriptions. And Shelley played Dr. Beth Gilbert, an ambitious surgeon on temporary assignment in Cutter and aspires to be a heart surgeon in Houston.

more screen captures from the Cutter to Houston pilot episode, 1983

To continue, Beth tells Andy and Hal about Ginny Bickum's pregnancy. Due to the stress over her husband's reaction to his arm being amputated, Ginny's delicate pregnancy has become even more delicate. Beth is worried about what might happen to her and the baby. Andy tells Hal about Mayor Warren Jarvis' visit. He warns Hal about violating the terms of his probation, as well as about his relationship with Sally Tollhouse. He leaves the room but Hal follows him to explain himself.

Wrangler 1970

a closeup of Shelley from a 1970 Wrangler ad

Shelley appeared in several ads for Wrangler Jeans & Sportswear in the 1970s. In 1970, she appeared in their ad with the tagline "This Is The Way It is. We're On To It. Wrangler" where she wore an outfit from their latest jeans and tops line. Shelley wore Wrangler's fall '70 flared leg jeans with a Western-inspired shirt. A studded belt with a fringed belt-loop and a necklace with a fringed pendant finished her look. Shelley looked free-spirited '70s gorgeous.

Shelley in an ad for Wrangler Jeans & Sportswear, 1970

1996 Event

Shelley in Beverly Hills, 1996

In 1996, Shelley attended Liberty Hill Foundation's 14th Annual Upton Sinclair Awards at the Beverly Hilton Hotel in Beverly Hills, California. The Liberty Hill Foundation is a non-profit organization whose motto is "Change. Not charity". Ted Danson and Mary Steenburgen were recipients that year.

Shelley in Beverly Hills, 1996

Shelley attended the 1996 event with her husband Director Harry Winer. the two were spotted at the same event years earlier. In 1987, Shelley and Harry attended the 5th  Annual Upton Sinclair Awards. They were still dating at the time.

Shelley in Beverly Hills, 1996

Knit Cable Tunic

Shelley in a spread for Fashion News Coats and Clark's Book No.206, 1970

Shelley appeared in many spreads for the 1970 booklet Fashion News Coats and Clark's Book No.206 - Coats and Clark's is a company that manufactures thread, yarn and the like and had been coming out with sewing booklets as well. In one spread, she modeled the knit cable tunic, a top that could be worn by itself or as a sweater. A pair of slacks, a modern bracelet and a perfect manicure finished her look. And with her long hair down, Shelley looked sensational.

a closeup of Shelley from Fashion News Coats and Clark's Book No.206, 1970

Staying in... Or Out, 1970

a tight shot of Shelley from a Penneys ad, 1970

Shelley appeared in several ads, as well as catalogs, for Penneys during her tenure as Supermodel. She appeared in many of their ads and catalogs during the late 1960s to the mid 1970s. Shelley had that wholesome yet sexy all-American look that was perfect for ads catering to the American masses.

Shelley in an ad for Penneys, 1970

In 1970, she appeared in the Penneys ad with the tagline "Penneys Mood Suits For When You Feel Like Staying In. or Out." It was an ad promoting Penneys Mood Suits, a one-piece, pantsuit that could be worn "for lounging, swinging, partying, linking, anything." It can in a sleeveless and a long-sleeved version. Shelley wore the knitted long-sleeved version, as is and with matching boots, a scarf around the waist and a knitted skullcap. In both styles, Shelley looked sensational.

closeups of Shelley from a Penneys ad, 1970

Glamorous Hollywood Star

a 1980 writeup about Shelley's beauty solutions

according to beauty expert Sasa Ringler

Shelley became a certified Hollywood Superstar when she joined the mega-hit TV series Charlie's Angels in 1979. By 1980, she was a household name. Along with her fellow Angels Jaclyn Smith and Cheryl Ladd, Shelley became a regular feature in gossip magazines and tabloids as well as in fashion and beauty magazines. In 1980, beauty expert Sara Ringler told National Enquirer readers "How to look as Glamorous as the Hollywood Stars" and cited the three incumbent Angels as examples, as well as Victoria Principal, Marie Osmond and Bonnie Franklin.

Shelley in a 1980 writeup about beauty solutions
according to beauty expert Sara Ringler

A Dress or Top and Pants, 1973

a closeup of Shelley from the Simplicity pattern 6027 package cover, 1973

Shelley appeared on many Simplicity package covers from the 1960s to the 1970s. In 1973, she appeared in the package cover for pattern no. 6027. It contained patterns for a raglan dress or a top and pants. The pattern could be sewn in two versions, as a dress or as a top and pants ensemble. The dress (version 1) or top (version 2) had a back zipper and a high round neckline with a slit in center and a loop button closing. The pants (for version 2) had an elasticized waist and wide legs. Shelley modeled version 1, the raglan dress, in a solid colored fabric and contrasting stitching on the neckline, sleeve and hem. Chunky-heeled pumps, a woven tote and wooden bracelets finished her look. An argyle umbrella added a touch of color. And Shelley looked totally fab.

Shelley on the package cover of Simplicity pattern 6027, 1973

Cutter to Houston Pilot 13

screen captures from the Cutter to Houston pilot episode, 1983

Shelley's second foray into series TV was Cutter to Houston. It was about three young doctors from the world-famous Texas Medical Center in Houston who were recruited to run a small hospital in the fictional rural town of Cutter, Texas. Jim Metzler and Alec Baldwin played the other two doctors. Jim played idealistic GP Dr. Andy Fenton, who grew up in Cutter and is glad to be home. Alec played internist/ladies man Dr. Hal Wexler, who is getting through his probation, having been relegated to Cutter for being a little too fast and free with his prescriptions. And Shelley played Dr. Beth Gilbert, an ambitious surgeon on temporary assignment in Cutter and aspires to be a heart surgeon in Houston.

more screen captures from the Cutter to Houston pilot episode, 1983

To continue, as Hal removes the cast he put on Carl Tollhouse's hand, he tries to get to know him, and Carl seems a bit responsive. Hal replaces the cast with a bandage and tells Carl about his relationship with Sally. Carl tell Hal to stay away from his sister and leaves in a huff. Andy enters the room and Asks Hal what that was all about. Hal declines to talk about. Beth joins her colleagues to tell them about Ginny's pregnancy. She's worried about her because she's under a lot of stress.

Cotton Separates

Shelley in a 1974 College-Town fashion ad

Shelley appeared in an ad for College-Town fashions in cotton in 1974. The ad featured printed fashion separates that could be mixed and matched and made from 100% cotton. The College-Town coordinates were in a splashy group of St. Tropez Provincial prints and were great for those vacations on the beach or for just lounging around. Shelley wore a halter top and skirt ensemble accessorized with a flower on her ear - you can't go more summery than that. And Shelley looked sensational.

closeup of Shelley

from a 1974 College-Town fashion ad

Shelley and Devon Rose, 1993

Shelley in Universal City, California, in 1993

Shelley and her daughter Devon Rose attended 4th Annual Earth DayWalk-A-Thon in 1993. It was held at Universal Studios in Universal City, California, and was for the benefit of Environment Charities.

Shelley and daughter Devon Rose in Universal City, California, in 1993

Knit Rope Stitch Skirt

a closeup of Shelley from Fashion News Coats and Clark's Book No.206, 1970

Shelley appeared in many spreads for the 1970 booklet Fashion News Coats and Clark's Book No.206 - Coats and Clark's is a company that manufactures thread, yarn and the like and had been coming out with sewing booklets as well. In one spread, she modeled the knit rope stitch skirt, a mini knitted skirt that could be worn at the office or during daytime events. She wore it with a crisp white long-sleeved shirt and matching hose. A woven belt and a fancy scarf finished her look. And Shelley looked super-'70s-sexy.

Shelley in a spread for Fashion News Coats and Clark's Book No.206, 1970

Pants Look '70

a closeup of Shelley from a spread on Seventeen mag, 1970

Shelley appeared in several spreads throughout Seventeen magazine's September 1970 issue. In the spread called "Pants Looks All Sewn Up," the mag featured pants-based outfits that young women could make for themselves and wear from day-to-evening. Shelley modeled a pants ensemble that was perfect for dress-up dating.

Shelley in a spread on Seventeen mag, 1970

She wore McCall's pattern 2472, a tunic and pants set, made with a flowery cotton velveteen fabric. Underneath the tunic, she wore McCall's pattern 2536, a blouse in navy wool crepe. A matching hair pin, a choker, a bracelet and a fancy Freirich ring accessorized her outfit. Steen Svensson, whom Shelley would be later dating, photographed the spread. And Shelley looked ready to hit the dating scene.

another closeup of Shelley from the Seventeen mag spread, 1970

THE Charlie Perfume Girl

Shelley as THE Charlie Girl, 1979

Shelley Hack quickly became an icon when she began endorsing Charlie perfume by Revlon in 1976. When her commercial debuted, it was an immediate and immense hit. Overnight, Shelley became known as THE Charlie Girl and the campaign, supported by print ads and personal appearances, was a huge success. By 1977, Charlie became the #1 fragrance in the world (the first American-made international bestseller) and Revlon sales figures passed the $1 billion mark largely due to the Charlie brand.

Make-It-Yourself-With-Wool Contest 3

a closeup of Shelley from a McCall's Patterns

Make-It-Yourself-With-Wool Contest ad, 1971

Shelley appeared in many ads during her Supermodel days. In 1971, she appeared in an ad spread for the McCall's Patterns Make-It-Yourself-With-Wool Contest. Filling out and sending an attached coupon entitled the sender to an an entry form - which was to be mailed to them. The prize was a trip to Europe aboard the KLM Bravo jet. The winner got to go on a trip to Europe's romantic cites, historic ruins, serene countrysides and glamorous resorts -  a trip everyone dreams about.

Shelley in the McCall's Patterns

Make-It-Yourself-With-Wool Contest ad, 1971

Shelley wore several outfits in the ad. One of which was McCall's pattern 2879, a long skirt with in wool flannel with hem tape inset details topped with a matching yellow ribbed-cotton turtleneck sweater. Matching hose, high-end clogs and a fabric bracelet finished her look. Shelley looked ready for those European day trips and evening dinners.

Cutter to Houston Pilot 12

screen captures

from the Cutter to Houston pilot episode, 1983

Shelley's second foray into series TV was Cutter to Houston. It was about three young doctors from the world-famous Texas Medical Center in Houston who were recruited to run a small hospital in the fictional rural town of Cutter, Texas. Jim Metzler and Alec Baldwin played the other two doctors. Jim played idealistic GP Dr. Andy Fenton, who grew up in Cutter and is glad to be home. Alec played internist/ladies man Dr. Hal Wexler, who is getting through his probation, having been relegated to Cutter for being a little too fast and free with his prescriptions. And Shelley played Dr. Beth Gilbert, an ambitious surgeon on temporary assignment in Cutter and aspires to be a heart surgeon in Houston.

more screen captures

from the Cutter to Houston pilot episode, 1983

To continue, Hal goes over to the Tollhouse farm to visit Sally. He is asked to stay and joins Sally and her family for dinner. Her father, Alton, tries to get to know the young doctor, while her bother, Carl, whom Hal treated at Cutter Community Hospital, remains suspicious of his motives. After dinner, Sally walks Hal to his car and the two share a kiss. Alton watches the two from a window. 

It's All In Layers

closeups of Shelley from a 1973 JCPenney catalog spread

Shelley appeared in many catalog spreads during her modeling days. She appeared in many spreads throughout JCPenney's Fall and Winter 1973 catalog. In the spread called "It's All In Layers," she wore the latest sporty look look at the time - layering patterns and textures. It was made up of a ribbed-knit turtleneck sweater topped with an argyle-pattern vest and worn over trousers with flared legs and cuffed hems which came with a contrasting 2-tone belt. Leather heeled footwear finished her look. Shelley looked spectacular.

Shelley in a spread for JCPenney's Fall and Winter 1973 catalog

A Superstar in '79

Shelley from the cover of the tabloid The Star in 1979

The proclamation of Shelley Hack as Charlie's newest Angel made her a Hollywood superstar overnight. Her face appeared on virtually every magazine in the world and was even mentioned in the evening news. "I couldn't believe it. What was I doing in the evening news?" Shelley exclaimed. (She was also set to guest star on the Love Boat, another Spelling hit series.) In St. Thomas, at the Caribbean, where the Charlie's Angels season opener was to be shot, she described, surprised, "When I got off the plane, there were maybe eight million paparazzi. I looked around for Sophia Loren. It was for me. I couldn't believe it."

Shelley on the cover of the tabloid The Star in 1979

Crochet Bolero Suit

a closeup of Shelley from Fashion News Coats and Clark's Book No.206, 1970

Shelley appeared in many spreads for the 1970 booklet Fashion News Coats and Clark's Book No.206 - Coats and Clark's is a company that manufactures thread, yarn and the like and had been coming out with sewing booklets as well. In one spread, she modeled the crochet bolero suit. The sleeveless bolero top had a laced-up closing and a short slightly flaring skirt. She wore it over an embroidered peasant-inspired top with a ruffled collar and bishop sleeves that were flounced at the wrist. A scarf on her head and braided hair finished her look. And Shelley looked fabulous.

Shelley in a spread for Fashion News Coats and Clark's Book No.206, 1970

Black is Back

closeups of Shelley from a spread on Seventeen mag, 1970

Shelley appeared in several spreads throughout Seventeen magazine's September 1970 issue. In the spread called "Black is Back, Blazed in Red," she modeled an outfit in inky black with bright red embroidery accents. She wore a black ling-sleeved sweater-dress with bright red embroidery positioned at the hip pocket and around the wrists. By Bandbox Jr. Petites, it had a hood that tied red at the neck. A red lucite bangle by House of Joy, black hose by Danskin and tie-shoes by Latinas finished her look. And Shelley looked spectacular.

Shelley in a spread on Seventeen mag, 1970

Superstar '79

Shelley in a 1979 paparazzi pic

Quintessential Charlie Girl Shelley Hack became a superstar in 1979 when she joined the cast of Charlie's Angels. She was chosen by Aaron Spelling not only because she looked fantastic with incumbent Angels Jaclyn Smith and Cheryl Ladd, but also because she got along really well with them. Plus, there was that headline that he anticipated would generate a lot of publicity for the show - "The Charlie Girl Becomes Charlie's Newest Angel." She had enough acting experience (Hey, it wasn't Shakespeare) and already had her own following as that breezy Supermodel from those iconic and unforgettable perfume commercials and print ads. She was exactly the right fit.

Shelley Hack, Jaclyn Smith and Cheryl Ladd

Charlie's Angels, 1979

Make-It-Yourself-With-Wool Contest 2

a closeup of Shelley from an ad for McCall's Patterns

Make-It-Yourself-With-Wool Contest, 1971

Shelley appeared in many ads during her Supermodel days. In 1971, she appeared in an ad spread for the McCall's Patterns Make-It-Yourself-With-Wool Contest. Filling out and sending an attached coupon entitled the sender to an an entry form - which was to be mailed to them. The prize was a trip to Europe aboard the KLM Bravo jet. The winner got to go on a trip to Europe's romantic cites, historic ruins, serene countrysides and glamorous resorts -  a trip everyone dreams about.

Shelley in an ad for McCall's Patterns

Make-It-Yourself-With-Wool Contest, 1971

Shelley wore several outfits in the ad. One of which was a knicker jumpsuit, McCall's pattern 2812, in splendid stripes. Laced-up knee-high boots opened in front, a big-buckled Western belt and a knitted skull cap finished her look. Shelley looked ready for those European day trips.

Cutter to Houston Pilot 11

screen captures from the Cutter to Houston pilot episode, 1983

Shelley's second foray into series TV was Cutter to Houston. It was about three young doctors from the world-famous Texas Medical Center in Houston who were recruited to run a small hospital in the fictional rural town of Cutter, Texas. Jim Metzler and Alec Baldwin played the other two doctors. Jim played idealistic GP Dr. Andy Fenton, who grew up in Cutter and is glad to be home. Alec played internist/ladies man Dr. Hal Wexler, who is getting through his probation, having been relegated to Cutter for being a little too fast and free with his prescriptions. And Shelley played Dr. Beth Gilbert, an ambitious surgeon on temporary assignment in Cutter and aspires to be a heart surgeon in Houston.

more screen captures from the Cutter to Houston pilot episode, 1983

To continue, Beth comes out of the Texas Medical Center in Houston rattled. She had come to see how Frank Bickum was doing. He was transferred there for medical care. Frank was very angry at her for removing his arm. Beth had come to see him to try to explain why she did it but was angrily told to leave by Frank. Outside, as she was leaving the premises, she is called by Dr. Easley, the hospital director of the Texas Medical Center. They exchange pleasantries and the conversation quickly turns to the doctor recently hired by the hospital. Beth is visibly upset that it wasn't her; but Dr. Easley explains why he chose someone else. He says that because of the fantastic job she did on Frank Bickum, he knew that Cutter urgently needs a doctor like her.