Saturday, October 17, 2026

Angels Wardrobe 24 B

screen caps of Shelley
from the Charlie's Angels episode
"One Love... Two Angels Part 2"

1979 was a new era for the hit TV series Charlie's Angels. Supermodel Shelley Hack joined Jaclyn Smith and Cheryl Ladd to form Charlie's glamorous new Angel team. Nolan Miller, the wardrobe designer of the series, said, "I begged Aaron to hire Shelley. There was something about her I really liked; I was impressed with her Charlie perfume commercials and how she could create a look just by turning her collar up and putting her hands in her pockets." The wardrobe budget was increased to $20,000 per episode; and, according to People magazine, each Angel was to go through eight costume changes per episode (but it was more like three to five, with Farrah making the most - at eight changes - in "Fallen Angel").

screen caps of Shelley
from the Charlie's Angels episode
"One Love... Two Angels Part 2"

For the episode "One Love... Two Angels Part 2," Shelley went through three outfit changes. For her first scene, she wore a light purple sweater top over a pair of pleated khaki slacks. She finished her look with a horizontally-striped tan and khaki belt and a pair of beige open-toe high-heeled sandals. She accessorized her look with a beige shoulder bag. She next wore an all-white ensemble made up of a white V-neck sweater top over a pair of white jeans. She finished her look with a pair of beige-colored boots and accessorized it with a gold necklace. She wore the same ensemble with a blue hard hat for the construction site scene. She next wore an all-red ensemble made up of a red blazer-style blouse over a pair of red slacks. A gold chain belt finished her look. A pair of gold earrings and a gold necklace accessorized her look.

screen caps of Shelley
from the Charlie's Angels episode
"One Love... Two Angels Part 2"

Stayed a Hit - TV's Top 20 Shows

Shelley in a promo pic
for Charlie's Angels, 1979

Shelley told TV Tales: Charlie's Angels in 2002, "I never expected to be there more than a year and I wasn't." She added, "I did my year and I moved on. That was just fine. That was plenty for me." In 1979, for its 4th season, Shelley joined the cast of Charlie’s Angels alongside Jaclyn Smith and Cheryl Ladd - as Kate Jackson's fill-in. Shelley signed a one-year contract with the show which had a three-year option; and she opted to leave Charlie's Angels and move on to other things after a year. It seems Shelley felt so much pressure when she became the new Angel; it seemed everything was riding on her shoulders. In the Nielsen ratings, Charlie's Angels had fallen from #4 over-all in season 2 to #12 over-all in season 3. In season 4, Shelley was brought in with the hopes of bringing the series back into TV's top 10 shows.

a short writeup about Shelley
from 1980

But Shelley was given little to do or say early in the 4th season, a critical point because her character was being introduced. "It was an awkward introduction. I was hardly in the first couple of shows. I don't know why that is," Shelley told TV Tales: Charlie's Angels. In 2021, Cheryl Ladd told Charlie’s Angels historian and author Mike Pingel, "I just felt like they didn't help her (Shelley), kind of, really create something more solid for her character. It wasn't her fault. She just, kind of, got words." Was Shelley expected to boost the show's ratings by her "mere presence alone"? Additionally, it seems she got the short end of the stick. In 2026, Kate Jackson told The Hollywood Reporter, "I met her and we talked about it. She said it felt personal. There'd be some event and the three of them were invited, but they sat her behind a big concrete post or something. She's really smart and funny. There was no reason to treat her that badly." Shelley told People magazine after she left the series in 1980, "I feel like I've been sunbathing on Three Mile Island." Nevertheless, Charlie's Angels finished at #18 (tied with CHiPs) over-all in the Nielsen ratings that year - it was a hit TV series and it stayed a hit. Charlie's Angels was one of the TV's top 20 shows for four seasons, from 1976 to 1980. (For more, check out: She Did Her Best)

Sakowitz 1975 2

a closeup of Shelley
from a pic that appeared in a spread
on Sakowitz Lifestyle catalog,
July 1975

Shelley appeared on many spreads for many catalogs from the late 1960s to the mid-1970s. Mail-order catalogs were at the height of its popularity at the time. They were big-book size publications that contained a list of general merchandise from, usually, a department store that were available for purchase and delivery straight to the homes of consumers. Everything from homeware to toys were featured in these catalogs... as well as garments and the latest fashion pieces. Many Supermodels - like Cheryl Tiegs, Beverly Johnson, Patti Hansen and Shelley Smith, just to name a few - appeared in the most popular catalogs of the era. Many models who eventually became actresses also appeared in these catalogs - like Veronica Hamel, Erin Grey, Kim Basinger and Pam Dawber.

Shelley in a spread
on Sakowitz Lifestyle catalog,
July 1975

Shelley appeared on the pages of Sakowitz Lifestyle catalog, on their July 1975 issue. Often compared to Neiman Marcus, Sakowitz was a chain of high-end department stores that operated until 1990. Sakowitz had a hand in making European fashion designers familiar to the American consumer... Andre' Courreges, Yves St. Laurent Rive Gauche, Zandra Rhoades, Givenchy and Erminegildo Zegna were some of designers they carried. Aside from apparel, Sakowitz had "home & lifestyle" and "ultimate gifts" among its high-end merchandise, all of which appeared on Sakowitz's catalog. In their July 1975 catalog, Shelley appeared on the apparel and accessories section. She wore the "Denimite!" look - a smashing look with prewashed denim. She wore a yellow cotton tank top over a pair of back-yoked denim jeans with wider belt loops. She topped it off with a yoked denim safari jacket with 4 pockets, pocketed sleeves and an adjustable D-ring around the waist. She finished her look with a two-toned leather belt and accessorized it with a yellow-orange scarf around her neck. And Shelley looked fabulous as always.

a pic of Shelley
that appeared in a spread
on Sakowitz Lifestyle catalog,
July 1975

A Great Body of Work

a paparazzi pic of Shelley, 1986

Immediately after leaving Charlie's Angels, Shelley jumped into theater-acting in 1981 via the play Vanities by Jack Heifner. In the following years, she ventured further and did Elizabeth Diggs' Close Ties, and later Born Yesterday. In 1989, she appeared in the John Krizanc play Tamara. She impressed her critics and detractors and received glowing reviews for her stage performances. In 1983, she appeared in the Martin Scorsese film The King of Comedy and held her ground acting-wise opposite acting legend Robert De Niro. Later, she appeared in the 1986 children's fantasy feature Troll with Michael Moriarty (who would later star in Law & Order) and the 1987 cult classic The Stepfather (with Terry O'Quinn and Jill Schoelen) directed by Joseph Ruben. Joseph Ruben was impressed with Shelley's performance in The King of Comedy and had no second thoughts casting her in his film. She would receive great reviews for her acting in Ruben's film. She also played a blind character in the 1989 suspense thriller Blind Fear. On TV, she delivered great work opposite acting veterans George Segal (Trackdown: Finding the Goodbar Killer, 1983), Dick Van Dyke and Sid Ceasar (Found Money, 1983). She worked with Paul Michael Glaser and Tony Danza (Single Bars, Single Women, 1984) with soap superstar Anthony Geary (Kicks, 1985) with Sela Ward and Brooke Adams (Bridesmaids, 1989). She also starred in two of her very own TV series - Cutter to Houston in 1983 with Alec Baldwin, and Jack and Mike from 1986-1987 with Tom Mason. All in all, she racked up a great body of work in the 1980s.

a paparazzi pic of Shelley, 1986

Satin and Suede

Shelley in artwork and promo pics
for Charlie perfume and cosmetics, 1978

Shelley first became famous in the 1970s as THE Charlie Girl. In 1976, she was hand-picked to represent the Revlon Charlie brand, as she was the embodiment the brand's ideal – gorgeous, sexy and young. Makeup artist Francis Rick Gillette recalls, "Shelley Hack was really the perfect girl for Charlie." In 1979, artworks of her appeared in a Charlie ad with the tagline "Revlon Colors It Spring: Step Out in Charlie's New Satin and Suede!" It was a promo for Charlie's brand new, soft, shiny and totally sexy makeup look - the Satin look for the eyes and lips - the Suede look for the face. "We call it fashion for the face" the ad said. It was also a promo for the very special Charlie's Coloring Box For Lips which contained Charlie's Soft-Line Automatic Lip Pencil, Charlie's Lipcolor Toner, Charlie's Extra-Extra Shine Lipstick, 3 of Charlie's Extra-Extra Shine Lip Glosses and a bottle of Charlie Concentrated Perfume Spray. It was available for just $6.00 for any $5.00 or more purchase from the Charlie or Chaz collections. And, of course, whether in pictures or in artwork, Charlie Girl Shelley was always Charlie-Girl gorgeous.

artworks of Shelley in a newspaper ad
for Charlie perfume and cosmetics, 1979

A Complete Departure

Shelley with Harry Anderson
and John Larroquette in a promo pic
for Night Court, 1984

In 1984, Shelley was cast in the nighttime sitcom Night Court for its second season (replacing Paula Kelly). She was cast to play public defender Christine Sullivan and the character was going to be romantically involved with Judge Harry Stone (played by Harry Anderson). Although best known at the time for being a dramatic actress, Shelley wasn't averse to doing comedy. "Comedy is a complete departure for me," she said, "but it's something I've always wanted to do and, besides, I love the show already just as a viewer." Shelley as excited about her new role. "You don't think I'll be the serious one who has to carry the doom and gloom?" she said.

a writeup about Shelley joining
the cast of Night Court in 1984

Cotton Knits and Double-Knits

a closeup of Shelley
from a spread for the Sears
Spring Through Summer 1968 catalog

Shelley appeared in many catalogs throughout her tenure as Supermodel. In 1968, she appeared on the pages of the Sears Spring Through Summer 1968 catalog. She appeared on a spread that featured "Great Ways to Put Yourself Together in Cotton Knits." It featured shift dresses and pullover-tops knitted in a crochet-look pattern, as well as a jacket, skirt and pants in smooth double-knit fabric. All could be mixed and matched as preferred.

Shelley in a spread for the Sears
Spring Through Summer 1968 catalog

Shelley wore the Shift dress. It was basically a T-shirt that was above-the-knee in length which was knit in an airy crochet-look pattern. It had a round neckline and short sleeves. It had a back zipper and came with a self-tie belt. It was available in chamois yellow and light aqua blue (Shelley wore the chamois yellow version.) Shelley's hair was blown straight with the top pulled back. And Shelley looked fabulous. Appearing in the spread with Shelley were Jennifer O'Neill and Cheryl Tiegs.

pics of Shelley featured
in a spread for the Sears
Spring Through Summer 1968 catalog

Saturday, October 10, 2026

Angels Wardrobe 24 A

screen caps of Shelley
from the Charlie's Angels episode
"One Love... Two Angels Part 1"

1979 was a new era for the hit TV series Charlie's Angels. Supermodel Shelley Hack joined Jaclyn Smith and Cheryl Ladd to form Charlie's glamorous new Angel team. Nolan Miller, the wardrobe designer of the series, said, "I begged Aaron to hire Shelley. There was something about her I really liked; I was impressed with her Charlie perfume commercials and how she could create a look just by turning her collar up and putting her hands in her pockets." The wardrobe budget was increased to $20,000 per episode; and, according to People magazine, each Angel was to go through eight costume changes per episode (but it was more like three to five, with Farrah making the most - at eight changes - in "Fallen Angel"). For the episode "One Love... Two Angels Part 1," Shelley went through three outfit changes. For her first scene, she wore an all-black ensemble. She wore a black pullover sweater (in glitter velvet) tucked into a pair of black slacks. She finished her look with a pair of black open-toe sandals with ankle straps. She next wore a maroon shirt (in velvet) and stood behind the bar at the Townsend Agency office. She finished her look with a pair of gold earrings. She next wore a suit jacket and pants ensemble. She wore a camel-colored suit jacket over a pair of maroon slacks. A multi-colored woven belt (striped in maroon, dusty blue and cream) tied over and around her jacket waist and a pair of strappy maroon-colored sandals finished her look. A gold bracelet and a gold necklace accessorized her look.

screen caps of Shelley
from the Charlie's Angels episode
"One Love... Two Angels Part 1"

Standing Room Only: Vanities

Shelley with Annette O'Toole
and Meredith Baxter Birney in a promo pic
for the play Vanities, Nov 1980

In November of 1980, Shelley starred in the Jack Heifner play Vanities which was staged at the Westwood Playhouse in Los Angeles. It was filmed for TV as part of HBO's Standing Room Only series and was aired in 1981. Set in 1963 then 1968 and finally in 1974, the play was about three girls from Texas (as high school cheerleaders, then as college roommates, and finally as young adults) - their friendship and its eventual demise. Shelley played Mary (the confident one) alongside Meredith Baxter Birney who played Joanne (the naïve one), and Annette O'Toole who played Kathy (the planner). Shelley immediately jumped at the opportunity to play Mary after leaving Charlie's Angels. "I didn't want to leave Los Angeles without doing something good," she explained. Although she had no prior stage experience, she was ready to take on the challenge. "I don't know how I got the guts to go right into a play immediately after leaving the series," Shelley said. "I started doing theater for the first time in my life although I'd never been on a stage before." And Shelley's gamble paid off. She received glowing reviews for her performance, surprising many of her critics and detractors... as well as Charlie's Angels producer Ed Lakso who thought she couldn't act and that casting her in Angels was a mistake. "One year after the show, I saw Shelley in the stage play Vanities, and she did a wonderful job," Lakso admitted.

Shelley with Annette O'Toole
and Meredith Baxter Birney in a promo pic
for the play Vanities, Nov 1980

Sakowitz 1975 1

a closeup of Shelley
from a pic that appeared in a spread
on Sakowitz Lifestyle catalog,
July 1975

Shelley appeared on many spreads for many catalogs from the late 1960s to the mid-1970s. Mail-order catalogs were at the height of its popularity at the time. They were big-book size publications that contained a list of general merchandise from, usually, a department store that were available for purchase and delivery straight to the homes of consumers. Everything from homeware to toys were featured in these catalogs... as well as garments and the latest fashion pieces. Many Supermodels - like Cheryl Tiegs, Beverly Johnson, Patti Hansen and Shelley Smith, just to name a few - appeared in the most popular catalogs of the era. Many models who eventually became actresses also appeared in these catalogs - like Veronica Hamel, Erin Grey, Kim Basinger and Pam Dawber.

Shelley in a spread
on Sakowitz Lifestyle catalog,
July 1975

Shelley appeared on the pages of Sakowitz Lifestyle catalog, on their July 1975 issue. Often compared to Neiman Marcus, Sakowitz was a chain of high-end department stores that operated until 1990. Sakowitz had a hand in making European fashion designers familiar to the American consumer... Andre' Courreges, Yves St. Laurent Rive Gauche, Zandra Rhoades, Givenchy and Erminegildo Zegna were some of designers they carried. Aside from apparel, Sakowitz had "home & lifestyle" and "ultimate gifts" among its high-end merchandise, all of which appeared on Sakowitz's catalog. In their July 1975 catalog, Shelley appeared on the apparel and accessories section. She wore the "Two Is Better Than One" ensemble - made up of a sleeveless denim-colored dress with an A-line skirt and a self-tie belt topped with a denim-colored shirtjacket with white polka dots and white cuffs and collar. Both were by Patty O'Neil, an American clothing brand popular at the time. Shelley looked fabulous as always.

a pic of Shelley
that appeared in a spread
on Sakowitz Lifestyle catalog,
July 1975

A Good Chance

Shelley with Alec Baldwin and Jim Metzler
in a promo pic for their TV series
Cutter To Houston, 1983

Shelley's second TV series was Cutter to Houston. It was about three young doctors with markedly different backgrounds and motives. Shelley, Jim Metzler and Alec Baldwin starred as three young doctors who ran a small hospital in the fictitious Texas small town called Cutter, 60 miles from Houston. When they ran into major medical problems that their local facility couldn't handle, they would contact the Texas Medical Center in Houston via a computer hookup - hence the title. The series had a great promise. Shelley had been receiving great reviews for her work on stage and on the big and small screens. Jim Metzler was nominated for a Golden Globe for his supporting role in the 1982 feature film Tex. Alec Baldwin was a rising star. TV Yearbook magazine said it had "a good chance of being a big ratings winner."

a short writeup about Cutter to Houston
from TV Yearbook magazine no. 38, 1983

The Fragrance Coup

Shelley in promo pics
for Charlie perfume and cosmetics,
1976 and 1977

Shelley first became famous in the 1970s as THE Charlie Girl. In 1976, she was hand-picked to represent the Revlon Charlie brand, as she was the embodiment the brand's ideal – gorgeous, sexy and young. Makeup artist Francis Rick Gillette recalls, "Shelley Hack was really the perfect girl for Charlie." In 1977, an artwork of her appeared in an ad with the tagline "Live It Up with Charlie." It was a promo for Charlie's dividend called Charlie's Fragrance Coup, a gift pack which contained the Charlie Body Silk Foambath, the Charlie Fragrance Bath Soap, the Charlie Body Silk Lotion and the Charlie Concentrated Perfume Spray. It was available for just $4.75 for any $5.00 or more purchase from the gorgeous Charlie collections of no-fuss skin care and sexy-young fragrance. And, of course, whether in pictures or in artwork, Charlie Girl Shelley was always Charlie-Girl gorgeous.

an artwork of Shelley in a newspaper ad
for Charlie perfume and cosmetics, 1979

Paparazzi at the Airport

a closeup of Shelley
from a paparazzi pic, 1979

Shelley's debut episode on Charlie's Angels, "Love Boat Angels," was partly filmed in St. Thomas, U.S. Virgin Islands. By then, Shelley's Angels casting was widely known around the world and press coverage on the new Angel was at an all-time high. "Yesterday, I was a schnook, and today I can't get across the street" is how Shelley described her sudden rise to Hollywood superstardom. When they arrived at the Caribbean, she said in astonishment, "When I got off the plane, there were maybe eight million paparazzi. I looked around for Sophia Loren. It was for me. I couldn't believe it." The same was true when they returned from the Caribbean. The paparazzi was at the L.A. Airport (LAX), waiting for their arrival. But this time, Shelley was ready with her chic dark sunglasses.

a paparazzi pic of Shelley
at the L.A. Airport, 1979

Checks and Pullovers

a closeup of Shelley
from a spread for the Sears
Spring Through Summer 1968 catalog

Shelley appeared in many catalogs throughout her tenure as Supermodel. In 1968, she appeared on the pages of the Sears Spring Through Summer 1968 catalog. She appeared on a spread that showcased Sears Best called "Color-Cued Separates" which featured classic separates in updated fabrics that could be mixed and matched... as well as Checks and Pullovers that could be mixed and matched as well.

Shelley in a spread for the Sears
Spring Through Summer 1968 catalog

Shelley wore the Shirt-Style Pullover in pebble-stitch knit over a pair of Jamaica shorts which had front pockets, zip fly and adjustable elasticized tabs at the waist. She finished her look with a pair of white sandals. She also wore a Check and Pullover combo. She wore a full-fashioned knitted pullover top that could be switched about (with the zipper worn in front or at the back) over a pair of checkered culottes with a back zipper closing. It came with a matching belt. Matching flat footwear finished her look. In both outfits, Shelley looked fabulous.

Shelley in a pic featured in a spread
for the Sears Spring Through Summer 1968 catalog

Saturday, October 3, 2026

Angels Wardrobe 23

screen caps of Shelley
from the Charlie's Angels episode
"Toni's Boys"

1979 was a new era for the hit TV series Charlie's Angels. Supermodel Shelley Hack joined Jaclyn Smith and Cheryl Ladd to form Charlie's glamorous new Angel team. Nolan Miller, the wardrobe designer of the series, said, "I begged Aaron to hire Shelley. There was something about her I really liked; I was impressed with her Charlie perfume commercials and how she could create a look just by turning her collar up and putting her hands in her pockets." The wardrobe budget was increased to $20,000 per episode; and, according to People magazine, each Angel was to go through eight costume changes per episode (but it was more like three to five, with Farrah making the most - at eight changes - in "Fallen Angel"). For the episode "Toni's Boys," Shelley went through three outfit changes. For her first scene, she wore a long-sleeved, periwinkle and white vertical striped tunic blouse with a self-tie belt over a pair of periwinkle-colored slacks. She finished her look with a pair of neutral-colored high-heeled sandals and accessorized her look with gold earrings, a gold necklace and an envelope style clutch bag. She wore this look for most of the episode. She next wore a khaki-colored peasant style blouse over a pair of black jeans. She finished her look with a khaki-colored vest, a black leather belt and a pair of black high-heeled sandals. She accessorized her look with a khaki-colored shoulder bag, a gold necklace, a gold pinky ring and a khaki-colored fedora with a black hat band. For the epilogue, she wore a white suit with a cherry red silk shirt. She finished her look with a red belt and a pair of red high-heeled sandals. She accessorized her look with a pair of gold earrings, a gold necklace, a gold bracelet as well as a red and gold striped pocket square.

screen caps of Shelley
from the Charlie's Angels episode
"Toni's Boys"

PD Sullivan

a promo pic of Shelley
for Night Court, 1984

In 1984, Shelley joined the cast of the nighttime sitcom Night Court for its second season (replacing Paula Kelly). She was cast to play Public Defender Christine Sullivan and the character was going to be romantically involved with Judge Harry Stone (played by Harry Anderson). Promotional pics were taken and the announcement was made; but, when the series started shooting, at the last minute, producer Reinhold Weege decided she wasn't right for the part. And Shelley felt the same way. "I liked the show. They offered me the role. I went and met with them and liked them," Shelley said. "But what happened was the role was changed somewhere between that meeting and my first day on the set," she explained. "Instead of being a funny lady, as she was in the reading, they had changed her into a straight woman," Shelley added. So, the actress and the producer mutually and amicably agreed to call the whole thing off. Ellen Foley was brought in for that season to replace Shelley - as a new character, public defender Billie Young.

a writeup about Shelley's casting
on Night Court, 1984

Acqua di Selva

a closeup of Shelley from an ad
for Acqua di Selva, 1974

Shelley was a very busy model in the 1970s. She appeared on many magazine spreads, ad campaigns and TV commercials throughout the decade. She was one of the busiest models represented by Eileen Ford. Mrs. Ford said of Shelley, "She is a very good model and an intelligent, well-educated lady." Ford added, "Modeling was just a vehicle she used to get educated. It was never a thing where she wanted to be the best model in the world. She simply became one of them despite herself." In 1974, Shelley appeared in an ad for Acqua di Selva. Acqua di Selva by Victor is a classic men's fragrance that was originally launched in 1949. The Italian cologne has been a highly popular scent from the post-WWII era onwards and has maintained a dedicated following among scent enthusiasts and fragrance collectors. Photographer Steen Svensson (credited as Steen Swenson in the ad), Shelley's then boyfriend, took the photo used in the ad. And Shelley was Supermodel gorgeous as always.

Shelley in an ad
for Acqua di Selva, 1974

Returns to TV

Shelley with Terry O'Quinn in a promo pic
for The Stepfather, 1987

Shelley starred in the cult classic movie The Stepfather which was originally released in theaters in 1987. It was directed by Joseph Ruben and had Terry O'Quinn, Shelley Hack and Jill Schoelen as the main cast. The movie was a moderate success during its theatrical run but has since gained a cult following due to its unique plot, its pacing and the superb performances of its main cast. The movie was consistently shown on cable TV around the world. In 1992, Revista Cablehogar (Home Cable Magazine), an Argentinian magazine, included The Stepfather in its Cine Mania section, which featured movies recommended by the magazine. For The Stepfather, a writeup about Shelley was included. It translates to:

Shelley Hack Returns to TV

Shelley Hack, one of the last actresses to join the cast of Charlie's Angels and currently starring alongside Terry O'Quinn in The Stepfather, is considering offers to return to television. It is worth noting that after working on the series that launched her to international fame, she appeared in numerous films and starred in the series Cutter to Houston and Jack and Mike.

a writeup about Shelley
from Revista Cablehogar,
September 1992

Fragrance 6-Pack

Shelley in a promo pic
for Charlie perfume and cosmetics
and in a pic by Patrick Demarchelier,
both from 1978

Shelley was THE quintessential Charlie Girl and appeared in many, many ads for the brand. In 1979, an artwork of Shelley's gorgeous Patrick Demarchelier 1978 fashion pic appeared in a newspaper ad for Charlie called "Looking Good, Feeling Great with the Charlie Fragrance 6-Pack!" It was a promo for The Charlie Fragrance 6-Pack... six wonderfully packable Charlie things: two bars of Charlie Fragrant Body Silk Soap, a container Charlie Body Silk Foam Bath, a container of Charlie Body Silk, a bottle of Charlie Cologne, and a bottle of Charlie Concentrated Perfume Spray. It was available for only $6.00 with any $5.00 purchase from the Charlie Collection. An artwork of Shelley appeared in the ad, Charlie gorgeous as always.

an artwork of Shelley in a newspaper ad
for Charlie perfume and cosmetics, 1979

Angels Debut Episode

a paparazzi pic of Shelley
during the 1979 filming
of the Charlie's Angels episode
"Love Boat Angels"

In 1979, Shelley was proclaimed as Charlie's newest Angel and she became a Hollywood superstar virtually overnight. Her face appeared on every magazine in the world and her casting was even mentioned in the evening news. "I couldn't believe it. What was I doing in the evening news?" Shelley exclaimed. In St. Thomas, at the Caribbean, where the Charlie's Angels season opener "Love Boat Angels" was to be shot, she described, surprised, "When I got off the plane, there were maybe eight million paparazzi. I looked around for Sophia Loren. It was for me. I couldn't believe it."

a newspaper ad for "Love Boat Angels"
Shelley's Charlie's Angels
debut episode, 1979

Color-Cued Separates

a closeup of Shelley
from a spread for the Sears
Spring Through Summer 1968 catalog

Shelley appeared in many catalogs throughout her tenure as Supermodel. In 1968, she appeared on the pages of the Sears Spring Through Summer 1968 catalog. She appeared on a spread that showcased Sears Best called "Color-Cued Separates" which featured classic separates in updated fabrics that could be mixed and matched. Shelley wore the Shirt-Style Pullover in pebble-stitch knit over a pair of Jamaica shorts which had front pockets, zip fly and adjustable elasticized tabs at the waist. She finished her look with a pair of white sandals. With her hair in a double ponytail, Shelley looked adorable and chic at the same time.

Shelley in a spread for the Sears
Spring Through Summer 1968 catalog

Saturday, September 26, 2026

50th Anniv of Shelley THE Charlie Girl

HAPPY 50th ANNIVERSARY,
Ms. Shelley Hack, THE Charlie Girl!!!
1976 was the year Shelley began her tenure
as THE Charlie Girl in print ads and TV commercials.

Named after Revlon founder Charles Revson, Revlon Charlie was launched in 1973 as a women's fragrance that women could purchase for themselves. The women's liberation movement was in full swing and Revlon capitalized on this. Charlie was marketed as the fragrance for the free and liberated woman. Women were changing, gender roles were evolving. Women were entering the work force in droves and were beginning to get a taste of what it was like to be independent. Prior to Charlie, women's fragrances were marketed as a means to attract "the man of her dreams." Charlie was for women who were free, independent, confident and happy to be exactly all of that.

Charly Stember (whose maiden name is Ingmari Gustavsson) was the first Charlie Girl in 1973. She moved to Paris shortly after completing her first Charlie ad and declined to return to the US to do a commercial. A number of other models came after, including Susan Schoenberg, Lisa Taylor, Rosie Vela and Kathie (who also appeared in a 1975 Charlie TV commercial). But it seems that none of them had signed an exclusive modeling contract for Charlie; and none of them seemed to have captured the spirit of Charlie.

There were several other Charlie Girls
who appeared in the Charlie ads from 1973 to 1975
but it seems none of them were
under exclusive contract

In 1976, Shelley signed a ground-breaking exclusive modeling contract with Revlon. She was hand-picked to represent the Revlon Charlie brand, as she was the embodiment of the brand's spirit - free, independent, confident. Renowned hair stylist and makeup artist Francis Rick Gillette recalls, "Shelley Hack was really the perfect girl for Charlie. I remember when Revlon creative director David Leddick had Steen Svensson shoot the first presentation with her that got her the contract." That year, Shelley appeared in her first Charlie ad.

That year, Shelley also appeared in her first Charlie commercial. The commercial was produced by Sally Safir and was directed by Richard Heimann (who also did the camerawork). Stylist Willard Seymore came up with Shelley's look and Rick Gillette did Shelley's hair and makeup. It was shot in one night at The Carlyle Hotel located at the Upper East Side of Manhattan in New York City. Bobby Short, who performed at the hotel's Café Carlyle, sang the jingle and appeared in the commercial as well. The commercial was so successful and so well received that, by 1977, Charlie became the #1 fragrance in the world (the first American-made international bestseller) and Revlon sales figures passed the $1Billion mark. And Shelley Hack, THE Charlie Girl, catapulted to icon.

Shelley began her iconic tenure
as THE Charlie Girl in 1976,
appearing in her 1st Charlie print ad
and in her unforgettable 1st Charlie commercial

For almost seven years (1976 to 1982), Shelley was the image model of and spokesperson for Revlon Charlie. Rick Gillette recalls, "I can't tell you how many of these ads we shot for Revlon from Central Park to San Francisco and Paris the list grew and grew for years." Lisa Safir Barness, daughter of Sally Safir and Richard Heimann, said in an Instagram post that her parents, Willard Seymore, Rick Gillette and Shelley "became part of the family after almost a decade of shooting these commercials around the world."

Shelley's Charlie Girl persona was a huge inspiration to women all over the world. Not only did she exude freedom, independence and confidence, she was gorgeous, sexy and glamorous. Everyone wanted to be a Charlie Girl, even the young Oprah Winfrey. In 2008, on The Oprah Winfrey Show, Oprah confessed, "I wanted to stride like her with confidence. I wanted to be this fabulous." Shelley told Playboy magazine in 1980, "Once, on a promotional tour, I was talking with a guy at a radio station and he wanted to know why my Charlie perfume commercials for Revlon were so successful. I suggested we make it the call-in question, because I was curious myself. The women respondents said that this girl walking into a restaurant alone - which most women are afraid to do - looking chic, but not too chic, seemed like somebody they would like to know or to be. I was their idea of a modern, liberated but not threatening woman. The men thought I was someone they would like to go out with; again, modern, not brassy and someone who, if they met me, would talk to them."

Shelley was THE Charlie Girl from 1976 to 1982
and was under exclusive contract and appeared
in numerous commercials and countless print ads

Shelley's tenure as THE Charlie Girl is considered one of the most successful, iconic and groundbreaking ad campaigns of all time. Not only did it change marketing strategies for fragrance brands, it influenced a generation of women to aspire to an ideal that, at the time, seemed unreachable. "Back then, many women still didn't like going to public places by themselves," Shelley told Allure magazine in 2010, "but the Charlie Girl jumped out of a car and walked confidently into a restaurant. She seemed bold." And that boldness paired with Shelley's beauty, style and, most importantly, relatability was what made Charlie unforgettable and the most iconic fragrance of the 1970s.