Saturday, September 26, 2026

50th Anniv of Shelley THE Charlie Girl

HAPPY 50th ANNIVERSARY,
Ms. Shelley Hack, THE Charlie Girl!!!
1976 was the year Shelley began her tenure
as THE Charlie Girl in print ads and TV commercials.

Named after Revlon founder Charles Revson, Revlon Charlie was launched in 1973 as a women's fragrance that women could purchase for themselves. The women's liberation movement was in full swing and Revlon capitalized on this. Charlie was marketed as the fragrance for the free and liberated woman. Women were changing, gender roles were evolving. Women were entering the work force in droves and were beginning to get a taste of what it was like to be independent. Prior to Charlie, women's fragrances were marketed as a means to attract "the man of her dreams." Charlie was for women who were free, independent, confident and happy to be exactly all of that.

Charly Stember (whose maiden name is Ingmari Gustavsson) was the first Charlie Girl in 1973. She moved to Paris shortly after completing her first Charlie ad and declined to return to the US to do a commercial. A number of other models came after, including Susan Schoenberg, Lisa Taylor, Rosie Vela and Kathie (who also appeared in a 1975 Charlie TV commercial). But it seems that none of them had signed an exclusive modeling contract for Charlie; and none of them seemed to have captured the spirit of Charlie.

There were several other Charlie Girls
who appeared in the Charlie ads from 1973 to 1975
but it seems none of them were
under exclusive contract

In 1976, Shelley signed a ground-breaking exclusive modeling contract with Revlon. She was hand-picked to represent the Revlon Charlie brand, as she was the embodiment of the brand's spirit - free, independent, confident. Renowned hair stylist and makeup artist Francis Rick Gillette recalls, "Shelley Hack was really the perfect girl for Charlie. I remember when Revlon creative director David Leddick had Steen Svensson shoot the first presentation with her that got her the contract." That year, Shelley appeared in her first Charlie ad.

That year, Shelley also appeared in her first Charlie commercial. The commercial was produced by Sally Safir and was directed by Richard Heimann (who also did the camerawork). Stylist Willard Seymore came up with Shelley's look and Rick Gillette did Shelley's hair and makeup. It was shot in one night at The Carlyle Hotel located at the Upper East Side of Manhattan in New York City. Bobby Short, who performed at the hotel's Café Carlyle, sang the jingle and appeared in the commercial as well. The commercial was so successful and so well received that, by 1977, Charlie became the #1 fragrance in the world (the first American-made international bestseller) and Revlon sales figures passed the $1Billion mark. And Shelley Hack, THE Charlie Girl, catapulted to icon.

Shelley began her iconic tenure
as THE Charlie Girl in 1976,
appearing in her 1st Charlie print ad
and in her unforgettable 1st Charlie commercial

For almost seven years (1976 to 1982), Shelley was the image model of and spokesperson for Revlon Charlie. Rick Gillette recalls, "I can't tell you how many of these ads we shot for Revlon from Central Park to San Francisco and Paris the list grew and grew for years." Lisa Safir Barness, daughter of Sally Safir and Richard Heimann, said in an Instagram post that her parents, Willard Seymore, Rick Gillette and Shelley "became part of the family after almost a decade of shooting these commercials around the world."

Shelley's Charlie Girl persona was a huge inspiration to women all over the world. Not only did she exude freedom, independence and confidence, she was gorgeous, sexy and glamorous. Everyone wanted to be a Charlie Girl, even the young Oprah Winfrey. In 2008, on The Oprah Winfrey Show, Oprah confessed, "I wanted to stride like her with confidence. I wanted to be this fabulous." Shelley told Playboy magazine in 1980, "Once, on a promotional tour, I was talking with a guy at a radio station and he wanted to know why my Charlie perfume commercials for Revlon were so successful. I suggested we make it the call-in question, because I was curious myself. The women respondents said that this girl walking into a restaurant alone - which most women are afraid to do - looking chic, but not too chic, seemed like somebody they would like to know or to be. I was their idea of a modern, liberated but not threatening woman. The men thought I was someone they would like to go out with; again, modern, not brassy and someone who, if they met me, would talk to them."

Shelley was THE Charlie Girl from 1976 to 1982
and was under exclusive contract and appeared
in numerous commercials and countless print ads

Shelley's tenure as THE Charlie Girl is considered one of the most successful, iconic and groundbreaking ad campaigns of all time. Not only did it change marketing strategies for fragrance brands, it influenced a generation of women to aspire to an ideal that, at the time, seemed unreachable. "Back then, many women still didn't like going to public places by themselves," Shelley told Allure magazine in 2010, "but the Charlie Girl jumped out of a car and walked confidently into a restaurant. She seemed bold." And that boldness paired with Shelley's beauty, style and, most importantly, relatability was what made Charlie unforgettable and the most iconic fragrance of the 1970s.

Angels Wardrobe 22

screen caps of Shelley
from the Charlie's Angels episode
"Three for the Money"

1979 was a new era for the hit TV series Charlie's Angels. Supermodel Shelley Hack joined Jaclyn Smith and Cheryl Ladd to form Charlie's glamorous new Angel team. Nolan Miller, the wardrobe designer of the series, said, "I begged Aaron to hire Shelley. There was something about her I really liked; I was impressed with her Charlie perfume commercials and how she could create a look just by turning her collar up and putting her hands in her pockets." The wardrobe budget was increased to $20,000 per episode; and, according to People magazine, each Angel was to go through eight costume changes per episode (but it was more like three to five, with Farrah making the most - at eight changes - in "Fallen Angel"). For the episode "Three for the Money," Shelley went through six outfit changes. For her first scene, she wore a pair of off-white coveralls with white sneakers. Later in the episode, she wore the same off-white coveralls and added a white newsboy cap and a pair of red and white horizontal striped socks. She next wore a long-sleeved band-collared aquamarine-blue silk shirt (with flapped patch pockets) over a pair of black slacks. She finished her look with black footwear and accessorized it with a pair of gold earrings and a gold necklace. She next wore a red long-sleeved knee-length shirt dress with a jacket collar. She finished her look with a black belt, a black pocket square and a red clutch. She accessorized her look with a pair of gold earrings, a gold bracelet and a gold necklace. She next wore a scarlet-colored silk blouse and pants ensemble. The blouse was band-collared and long-sleeved; the pants were pleated slacks. She finished her look with a gold belt and a pair of red high-heeled sandals. She accessorized her look with a pair of gold earrings, a gold necklace and a gold pinky ring. For her final scene, she wore an all-white shirt and pants ensemble. The shirt had long sleeves; the pants were pleated slacks. She topped it off with a blue knitted blazer-style sweater. She accessorized her look with a pair of gold earrings, a gold bracelet and a gold necklace.

screen caps of Shelley
from the Charlie's Angels episode
"Three for the Money"

Quality Classics D

 
a closeup of Shelley
from a pic used on a spread
on Woman's Day magazine,
October 1973

Shelley appeared on many issues of what was known as the Seven Sisters group of magazines. The Seven Sisters magazines were Woman's Day, Redbook, McCall's, Ladies' Home Journal, Good Housekeeping, Family Circle and Better Homes and Gardens. They all catered to married women with children rather than single working women. The magazines featured homemaking and crafts, food and nutrition, health and fitness, beauty and fashion advice and articles. Shelley appeared in the October 1973 issue of Woman's Day magazine, in a spread called "Making the Most of Quality Classics." It featured classic wardrobe pieces that could be worn in a couple of different ways. Shelley wore a basic black coat dress by Rena Rowan for Jones New York over a Trevira polyester graphic-check shirt with floral overprint by Ivy Taylor. She finished her look with a red patent-leather belt. She accessorized her look with a red-piped shoulder bag and red jewelry. And Shelley looked chic and classic. (For more, check out: Making the Most of Classics 1973 B)

a pic of Shelley from a spread
on Woman's Day magazine,
October 1973

Angels Fans Celebrate 50 Years of CA

 
Thank you so much to The Locher Room on YT
for bringing together Charlie's Angels' biggest fans
Alan Locher, David Ross, Geret Coates
and Mike Pingel last September 22, 2026
Loved it so much 💓💓💓

September 22, 2026 was the 50th Anniversary of the debut of Charlie's Angels the TV series; and The Locher Room on YT celebrated the day with a sit-down dialogue between the biggest fans Charlie's Angels, namely: Alan Locher of The Locher Room on YT, celebrity skincare and makeup artist David Ross of @angelboy76 on IG, Geret Coates of @townsendagency on IG and Charlie's Angels historian and author Mike Pingel of charliesangels.com. The quartet talked about their enduring love for the series, their experiences growing up with the series, their favorite Angels and their personal experiences of meeting the Angels themselves. It was wonderful to hear their back stories and anecdotes about the series and about being around the Angels in their day to day lives. Check it out at The Locher Room on YT, "Charlie's Angels Turns 50: Celebrating 50 Years of Our Favorite Angels." Also, thank you so much to Geret Coates for always mentioning this blog on @townsendagency. And thank you so much to Mike Pingel for following this blog. And thank you so much to Alan Locher, David Ross, Geret Coates and Mike Pingel for always sharing everything they know about Charlie's Angels. We love you all.

Thank you so much to Mike Pingel and David Ross
for sharing their pics with Shelley 💓💓💓
top (l),        Mike with Shelley at her Santa Monica house 
                   filming TV Tales: Charlie's Angels for E! in 2002
top (r),        Mike with Shelley and Tanya Roberts
                   at The Hollywood Show in 2009
bottom (l), Mike with Shelley at The Hollywood Show in 2009
bottom (r), David with Shelley at The Hollywood Show in 2009

I loved how Mike Pingel and David Ross talked about their experiences with Shelley when they met her. Below is a transcription of one of the parts where they talked about Shelley.

Alan: All three of you had the opportunity to meet Shelley and Tanya. Talk about both of them. What were they like when you met them? And is there a memory of either of the women that had stayed with you over the years?

David: And Shelley... very kind, very warm. Every time I saw Shelley... Obviously at The Hollywood Show, I met her at The Hollywood Show. But I ran into her at the Beverly Center once. She didn't love to talk about Angels, I'll be honest. It wasn't, you know, something that was always, you know, on her mind. I mean, she would. But it wasn't something that, I don't think, she loved to talk about. But a very, very nice lady.

Alan: I believe that, David, you know, after reading the book and Jaclyn's story of the ABC party where Cheryl and Jaclyn were up front and Shelley was in the back of the room, I kinda... Had to be quite difficult, you know.

David: Yeah, Hurtful. Yeah.

Alan: Yeah.

David: Sounds like a hurtful situation for sure. Yeah. Especially, not knowing and thinking you're maybe coming back for the fifth season; and then you show up at something where you're assuming that you're going to be a part of and to be promoting... and to be seated at the back of the room. That was not a great feeling, I'm sure.

Alan: Those networks don't do it, you know... Don't treat the people properly.

David: Yeah.

Mike: Well, my memories of Shelley was the first time I was-- We had shot a show for E! called On TV, something TV-- It was-- Anyway, I was cut out of it. But they were doing Shelley and I was like "I will be a grip. I will move anything if I can come" because I had never met her. And so, they graciously said, "Yeah, we're gonna go. You wanna go?" And I'm like, "Yes." So, I went and she was amazing. She was gracious. Her house is wonderful. I moved furniture for her. She was filming and she--

Alan: [laughs] What haven't you done?

Mike: Exactly. [laughs] And she was-- She couldn't remember things. I was like, "That was 'Love Boat Angels.' It was a crossover and blah, blah, blah, blah." And she goes, "Mike, you know more than I do." I'm like, "It's all in here. [pointing to his temples] It's all crazy. You don't wanna know." Then she did The Hollywood Show and we sat there and she told the fans the best stories of Charlie's Angels.

David: She did.

Mike: It's in one of my books, all the stories of all the episodes and things. And she really loved it. I wish she did, had done more of those. But then, of course, Tanya-- Oh, and then Shelley, we communicate on email all the time.

John Meyer Crompton

a closeup of Shelley
from a print ad for Crompton, 1970

Shelley appeared in many print ads for many different products and companies during her tenure as Supermodel. One of them was for the Crompton-Richmond Co., an American textile manufacturer that was famous for producing the best luxury velvets, velveteen and corduroy. In the Crompton ad, Shelley wore a John Meyer ensemble. The John Meyer label was a popular American women's fashion brand in the '60s and '70s. It was a staple in upscale boutiques and department stores. The label was known for sweater-and-skirt sets, A-line dresses, blazers, wool coats, and printed shirts. Shelley wore a velvet midi jumper (with details around the neckline, around the waist and down the front) over a shirt and pants combo. She wore a sheer white floral shirt (with long sleeves) with a pair of herringbone tweed pants. All by John Meyer. Matching footwear finished her look. A matching shoulder bag and a velvet neck choker adorned with a butterfly pin accessorized her look. And Shelley looked fabulous John Meyer Crompton ensemble.

Shelley in a print ad
for Crompton, 1970

APGAA 1987

a pic of Shelley
at the 1987 APGAA

In March of 1987, Shelley Hack attended the 24th Annual Publicist's Guild of America Awards (APGAA). The Publicist's Guild of America is a union that has represented film and television publicists throughout the US and Canada since 1955. For its members, it negotiates base salaries and benefits. Among the union's major activities is the Publicists Annual Awards where outstanding film and television marketing campaigns are recognized by the members. The 1987 awards ceremony was held at the Beverly Hilton Hotel in Beverly Hills, California, and Shelley attended the event with her then constant date, director Harry Winer (who later became her husband). Marlee Matlin, Piper Laurie, Angie Dickinson, Gerald McRaney and Carl Reiner were also in attendance.

pics of Shelley
at the 1987 APGAA

Diagonal-Knit Jacket

closeups of Shelley
from a spread for the Sears
Spring Through Summer 1968 catalog

Shelley appeared in many catalogs throughout her tenure as Supermodel. In 1968, she appeared on the pages of the Sears Spring Through Summer 1968 catalog. She appeared on a spread that featured water-repellent coats and jackets that looked like leather but were less expensive, as well as American-made sportscoats made from imported leather. Shelley wore the Diagonal-Knit Jacket, made from a fine gauge acrylic knit laminated with polyurethane foam. The medium yellow jacket was lined with acetate taffeta. It had a vinyl self-tie belt that tunneled through flaps and buttons that looked like leather. She wore it over a white turtleneck top and white pants ensemble. A white Fedora hat with a chin strap finished her look. And Shelley looked fabulous in both outfits.

Shelley in a spread for the Sears
Spring Through Summer 1968 catalog