Friday, April 7, 2023

1001 Fashion A

a pic of Shelley
from 1001 Fashion & Needlecraft Ideas, 1971

In 1971, Shelley appeared on the pages of the fall issue of 1001 Fashion & Needlecraft Ideas. The magazine came out twice a year and contained the latest fashions, accessories, home décor and more that readers could sew, knit and crochet themselves. In the issue, Shelley appeared on the spread called "A Love Story with F&N's One-Piece Pattern," which featured a short cover-up/coat that could be made using different fabrics and with different finishing touches - for a more personalized look. Shelley wore the luxurious-looking faux "red fox" chubby coat version. She wore it over a turtleneck top and a pair of flared capris. A statement belt and unique gladiator-inspired boots finished her look. And Shelley looked fabulous.

Shelley in a spread
for 1001 Fashion & Needlecraft Ideas, 1971

Empowering For Women

Shelley in an ad for Frequent Flyer, 1996

In 1996, Shelley starred in the telefilm Frequent Flyer along with Jack Wagner, Joan Severance and Nicole Eggert. It was about polygamous commercial airline pilot Nick Rawlings (Jack Wagner) who was married to two different women in two different states, namely JoBeth Rawlings (Shelley) and Alison Rawlings (Joan). And during the course of the film, he marries another woman, Miriam (Nicole), in another state. But when JoBeth finds out her husband is married to two other women, instead of falling apart, she takes matters into her own hands and turns the cards around in her favor. The movie is well-paced and a really good watch - as well as very empowering for women. It was first aired in March 10, 1996 and beat out the 1996 People's Choice Awards in the ratings. It is currently out on DVD. If you can get it, watch it.

Shelley in a promo pic for Frequent Flyer, 1996

5-Day Wardrobe

a pic of Shelley
from a Harper's Bazaar spread, Aug 1977

Shelley was one of the highest-paid models in the 1970s and she appeared on the cover and pages of numerous major publications including Vogue and Harper's Bazaar. In August of 1977, she appeared on the pages of Harper's Bazaar. In the spread called "Your Complete 5-Day Wardrobe for Under $130," she modeled five basic fashion pieces a woman could mix and match into 5 different looks. They were: a shirt, a tunic, a pair of jeans, a skirt and a sweater. Also included were ten Go-With-Everything accessories that could be added as finishing touches. They were: a natural leather bag, aviator sunglasses, a gold watch, a pair of boots, a wine leather shoulder bag, a woven belt, a shoulder pouch, a pair of kiltie shoes, a shawl and bangles. Readers were shown how to mix and match all the pieces and look fabulous from Monday to Friday. And who better to show them than Supermodel Shelley herself. Check out: Complete 5-Day Wardrobe

a pic of Shelley
from a Harper's Bazaar spread, Aug 1977

The King of Comedy 2

screen captures from the feature film
The King of Comedy, 1983

2023 is the 40th anniversary of the Martin Scorsese film The King of Comedy. Released in 1983, the film was a satire that touched on themes regarding American media culture and the then growing cult of celebrity worship - a subject that has become more and more significant and prevalent nowadays. The film was about aspiring stand-up comic Rupert Pupkin (Robert De Niro) who would do anything to gain instant fame - even stalk his idol successful comedian and talk show host, Jerry Langford (Jerry Lewis) - in order to impress his love interest Rita Keane (Diahnne Abbott). When he couldn't get past Langford's smooth production exec Cathy Long (Shelley Hack) for a guest spot on Langford's talk show, he teams up with a fellow stalker, the mentally unstable Masha (Sandra Bernhard), and kidnaps the talk show host. In exchange for Langford's freedom, he demands a guest spot from the show's production team and gets it. After his guest spot, he is arrested and incarcerated for what he had done. But upon his release, Rupert ironically gets a book deal and a show of his own.

screen captures from the feature film
The King of Comedy, 1983

Although the film was well-received by critics, with the entire cast delivering great performances (Shelley turned out one of her finest performances in this film), it wasn't quite the box office draw at the time of its initial release. But in subsequent years, it had slowly gained a following - especially now that people have realized that the plot of the film isn't quite as far-fetched. Some have even ranked it among Scorsese's finest pictures. It ranks at #10 on the American Film's list of the "Best Films of the 1980s" and at #87 on Empire magazine's "The 500 Greatest Movies of All Time." It is also included in the film reference book 1001 Movies You Must See Before You Die by Steven Jay Schneider and has made it into "The New York Times Guide to the Best 1,000 Movies Ever Made." It is currently available on DVD and Blu-ray.

screen captures from the feature film
The King of Comedy, 1983

Shelley Hack said that she read for both Scorsese and De Niro, then went home and waited. After four months, her agent called and said she got the part. "I had a feeling I would get it," Shelley said, "Even so, it was a nervous time. It was obviously such an important break for me - getting it would make people look at me differently." She thought working with Scorsese and De Niro was an exhilarating experience. "Bobby (De Niro) plays a stand-up comic in the picture and he's extraordinary." Shelley recounts, "The first day on the set, I was standing talking to Marty (Scorsese) and everyone was laughing. I didn't know why until Marty said to me, 'Aren't you going to say hello to Bobby?' And there he was beside me. I just hadn't recognized him. He looks entirely different in the picture." The Rupert Pupkin character was quite a departure from the characters De Niro had played prior.

Charlie Colorlights

a pic of Shelley from an ad for Charlie, 1980

Shelley was THE quintessential Charlie Girl and appeared on many, many ads for the brand around the world. In 1980, she appeared in an ad with the tagline "Revlon's Charlie Colorlights Steal The Show," which promoted Charlie's three new groups of shimmering colors for the eyes, cheeks, lips and nails (called Soft Red Colorlights, Rosy Colorlights and Magenta Colorlights). Women all over the world could use these new colors to "steal the show" at any day. New to the brand's line as well were 16 Charlie Soft-Frost Nailcolors. All of them were released in time for the Fall 1980 season. Included in the ad was The Charlie Color-Go-Round promo - which was a promo pack containing an easy-to-carry compact that housed 8 great Charlie facemaker colors and a bottle of Charlie Concentrated Perfume. It was just $7.00 with any purchase from the Charlie Collection. And, of course, Shelley was featured in the ad, Charlie Girl gorgeous as always.

Shelley in an ad for Charlie, 1980

Supermodel Status

a promo pic of Shelley by Steen, 1978

After graduating from Smith College in 1970, Shelley decided to take on modeling full-time. Represented by the top model management company, Ford Models Inc., she began her transition from teen model to top model. Her then boyfriend, fashion photographer Steen Svensson, and make-up artist extraordinaire Rick Gillette came up with test shots of Shelley in the early '70s with the hope that the images could get her into the pages of Vogue and Harper's Bazaar - which eventually happened. By the mid-1970s, Revlon creative director David Leddick had Steen shoot Shelley's first Revlon Charlie presentation portfolio and it got her the contract. Her first commercial debuted in 1976; and it was such an immediate and immense hit that by 1977, Charlie became the #1 fragrance in the world (the first American-made international bestseller). With Revlon Charlie, Shelley achieved Supermodel status; and she made more print ads and commercials (with Steen and Rick) for the now phenomenally successful brand.

a promo pic of Shelley by Steen, 1978

Well Put Together

a closeup of Shelley from a spread
in Simplicity Fashion News,
April 1970

Simplicity Fashion News was a monthly pamphlet Simplicity came out with to showcase their latest patterns. The Simplicity Pattern Company had been manufacturing sewing patterns since 1927 and had allowed fashionistas on a budget and sewing aficionados to create clothes in a reliable manner. Aside from the pamphlets, they came out with books, magazines and pattern packages. Shelley appeared on the pages of Simplicity Fashion News, the April 1970 issue. In the spread called "How Fashion Treats The Generation Gap: It's How You Put Yourself Together," she wore pattern no. 8728, a tunic and pants ensemble. The tunic was top-stitched with a front button closing, shirt-type collar, set-in sleeves, pleated patch pockets with button trim and shoulder tabs that were fastened with buttons. The pants with self cuffs had a side zipper and a waistband. A complementing belt and matching loafers finished her look. A watch, a pair of sunglasses and a scarf tied around her ponytail accessorized her look. Ane Shelley looked so well put together and utterly fabulous.

Shelley in a spread
for Simplicity Fashion News,
April 1970