In January of 2017, the Smithsonian Channel aired a limited series entitled The Real Mad Men of Advertising. It was a four-part series that looked into the people who helped create the advertising industry as we know it today. It featured the men and women who invented and re-invented the industry from the 1950s up until the 1980s - with each episode tackling one decade. Inspired by the hit TV series Mad Men, the show took viewers into the origins and history of advertising through the eyes and ears of the people who shaped and re-shaped it, transforming American, as well as world culture along the way.
Tuesday, April 26, 2022
The Woman They Aspired To Be
You've Come A Long Way
After opting to leave Charlie's Angels in 1980, Shelley embarked on an acting career full-time, recognizing the huge opportunity presented to her, as well as the big break she got from being part of the phenomenal hit TV series. She immediately tackled stage right after via the Jack Heifner play Vanities and, to the surprise of many, gained critical praise for her work. Other stage plays soon came after (Elizabeth Diggs's play Close Ties, Garson Kanin’s Born Yesterday and John Krizanc's Tamara at the end of the decade). She got critical praise for them as well. She starred in the feature films (Martin Scorsese's) The King of Comedy and (Joseph Ruben's) The Stepfather for which she got glowing reviews. She starred in the numerous TV movies including Trackdown: Finding the Goodbar Killer, Found Money and Frederick Forsyth Presents: A Casualty of War. In the series Cutter to Houston and Jack and Mike, she got mixed reviews but was generally praised for efforts. She was able to share the big and small screens with legends like Robert De Niro, Jerry Lewis, Dick Van Dyke, Sid Caesar just to name a few. Shelley had come a long way.
Young Expressions I
Shelley appeared on many different catalogs during her modeling career. One of them was Spiegel which was a direct marketing retailer that sent their buyers to Parisian fashion shows in order to check out the latest fashion trends and introduce them to the American market. In 1972, she appeared on various spreads on the Spiegel Spring and Summer 1972 catalog. In the Young Expressions section, she wore various outfits that were on trend during that season. She wore the "T-Shirt Slink", a body-hugging knit dress that was so easy to wear and was ready for any kind of summer action. It had a jewel neckline, long sleeves and a ring-fastened belt that casually encircled the waist. It was above-the-knee in length and zipped at the back. Matching "Kicky Espadrilles" with wrap around trims finished her look. And Shelley looked sunny and summer-ready.
High Anxiety 5
Shelley's third foray into series TV was Jack and Mike. It was about a married yuppie couple living in Chicago, trying to find time for each other in their busy schedules. Shelley played Jackie Shea, a star columnist at The Mirror, a widely-circulated Chicago paper. Her column was awaited by everyone every week. Her husband was Mike Brennan (played by Tom Mason), a successful restaurateur about to open his third restaurant. In the episode "High Anxiety," Jackie tries to steer a talented graffiti artist towards a more conventional artistic path. Also, a famed comedy team that frequents Mike's restaurant brings in so much business, as well as other things. The episode was originally aired in November 11, 1986.
Brigitte Mit Constanze 2
A Casting Coup
Shelley was already a Supermodel in 1979 and was known worldwide as THE Charlie Girl from the many commercials and print ads she appeared in for Charlie by Revlon. She was already familiar with fame by that time as she was recognized by fans when she went out. But by mid-1979, when she joined the cast of phenomenal hit TV series Charlie's Angels, she was immediately thrust into unfamiliar space, rock star space. "I was totally unprepared for the press 'bonanza' that followed," she said in 2000. "I had press people crawling in my window," she told E! in 2002. When her debut episode "Love Boat Angels" finally aired in September of that year, it topped the Nielsen ratings. Shelley's casting was a coup. Her Charlie Girl image brought even more publicity for the show and it renewed interest in the series. Us Weekly, on their September 18, 1979 issue, predicted that Shelley was going to be a big hit as the new Charlie's Angel. The magazine picked the show, now on its fourth season, as one of "the hits on the tube" that fall. Shelley was off to a good start in Hollywood.
Tunic and Short Shorts Ensemble
Shelley appeared on many Simplicity pattern catalogs, brochures and packaging during the 1960s and 1970s. The Simplicity Pattern Company is the leading manufacturer of sewing patterns and sewing pattern guides which are distributed throughout the world. They have been manufacturing sewing patterns since 1927 and have allowed fashionistas on a budget and sewing aficionados to create clothes in a reliable manner. In 1972, she appeared on the cover of pattern package 9678. It contained patterns and instructions for creating a tunic and short shorts ensemble. The tunic had a high round neckline, a collar, short set-in sleeves as well as a tie belt. The short shorts had a back zipper, an elastic waist casing and turn back cuffs. Matching hose and footwear finished her look. A matching skull cap, a silk flower scarf around her neck, a shoulder bag and a bracelet accessorized her look. And, as always, Shelley looked absolutely fabulous.
















