Tuesday, April 26, 2022

The Woman They Aspired To Be

Shelley appeared in episode 3
of the The Real Mad Men of Advertising, 2017

In January of 2017, the Smithsonian Channel aired a limited series entitled The Real Mad Men of Advertising. It was a four-part series that looked into the people who helped create the advertising industry as we know it today. It featured the men and women who invented and re-invented the industry from the 1950s up until the 1980s - with each episode tackling one decade. Inspired by the hit TV series Mad Men, the show took viewers into the origins and history of advertising through the eyes and ears of the people who shaped and re-shaped it, transforming American, as well as world culture along the way.

screen captures of Shelley from episode 3
of the The Real Mad Men of Advertising, 2017

Episode 3 was about The 1970s. The decade is considered the golden age of advertising even though stricter laws were introduced to address false advertising and growing consumer mistrust in ads was prevalent. It forced the industry to become more creative and to embrace non-conformity - giving birth to aspirational advertising. It wasn't just about the products anymore but what the products represented, what the products meant to consumers. Emotions were brought in as part of the advertising mix. Brotherhood, equality, family, love - all were introduced as part of the advertising campaigns developed during the era. Shelley Hack appeared as herself in this episode.

screen captures of Shelley from episode 3
of the The Real Mad Men of Advertising, 2017

Shelley first became famous in the 1970s as THE Charlie Girl in those glamorous Revlon Charlie commercials and print ads. Charlie was introduced amid the 1970s resurgence of women's liberation (long after the women's suffrage movement decades past, during the 1920s.) Women were changing, gender roles were evolving. Women were entering the work force in droves and were beginning to get a taste of what it was like to be independent. The Revlon Charlie ads capitalized on this. The ideal woman of the 1970s was not anymore the subservient created by men for men. But the new ideal woman was a free, independent and confident person who was happy she was exactly that. And Shelley projected this image to perfection. She embodied the kind of woman women of the era aspired to become. And that is why Shelley's Charlie ads were so unforgettable, as many women around the world aspired to become the woman she projected in those ground-breaking and fabulous Charlie ads. By 1977, Charlie became the #1 fragrance in the world (the first American-made international bestseller) and Revlon sales figures passed the $1Billion mark. And Supermodel Shelley Hack THE Charlie Girl catapulted to icon.

screen captures of Shelley from episode 3
of the The Real Mad Men of Advertising, 2017

For more on this check out:





You've Come A Long Way

Shelley in a 1980s promo pic

After opting to leave Charlie's Angels in 1980, Shelley embarked on an acting career full-time, recognizing the huge opportunity presented to her, as well as the big break she got from being part of the phenomenal hit TV series. She immediately tackled stage right after via the Jack Heifner play Vanities and, to the surprise of many, gained critical praise for her work. Other stage plays soon came after (Elizabeth Diggs's play Close Ties, Garson Kanin’s Born Yesterday and John Krizanc's Tamara at the end of the decade). She got critical praise for them as well. She starred in the feature films (Martin Scorsese's) The King of Comedy and (Joseph Ruben's) The Stepfather for which she got glowing reviews. She starred in the numerous TV movies including Trackdown: Finding the Goodbar Killer, Found Money and Frederick Forsyth Presents: A Casualty of War. In the series Cutter to Houston and Jack and Mike, she got mixed reviews but was generally praised for efforts. She was able to share the big and small screens with legends like Robert De Niro, Jerry Lewis, Dick Van Dyke, Sid Caesar just to name a few. Shelley had come a long way.

Shelley in a 1980s promo pic

Young Expressions I

closeups of Shelley from a spread
for the Spiegel Spring and Summer 1972 catalog

Shelley appeared on many different catalogs during her modeling career. One of them was Spiegel which was a direct marketing retailer that sent their buyers to Parisian fashion shows in order to check out the latest fashion trends and introduce them to the American market. In 1972, she appeared on various spreads on the Spiegel Spring and Summer 1972 catalog. In the Young Expressions section, she wore various outfits that were on trend during that season. She wore the "T-Shirt Slink", a body-hugging knit dress that was so easy to wear and was ready for any kind of summer action. It had a jewel neckline, long sleeves and a ring-fastened belt that casually encircled the waist. It was above-the-knee in length and zipped at the back. Matching "Kicky Espadrilles" with wrap around trims finished her look. And Shelley looked sunny and summer-ready.

a pic of Shelley (with two Susan Blakelys)
from a spread for the Spiegel Spring and Summer 1972 catalog

High Anxiety 5

screen captures from the Jack and Mike
episode "High Anxiety," 1986

Shelley's third foray into series TV was Jack and Mike. It was about a married yuppie couple living in Chicago, trying to find time for each other in their busy schedules. Shelley played Jackie Shea, a star columnist at The Mirror, a widely-circulated Chicago paper. Her column was awaited by everyone every week. Her husband was Mike Brennan (played by Tom Mason), a successful restaurateur about to open his third restaurant. In the episode "High Anxiety," Jackie tries to steer a talented graffiti artist towards a more conventional artistic path. Also, a famed comedy team that frequents Mike's restaurant brings in so much business, as well as other things. The episode was originally aired in November 11, 1986.

screen captures from the Jack and Mike
episode "High Anxiety," 1986

To continue, Jackie goes into town to meet with the graffiti artist who left her the huge artwork that could be viewed from her office window. She takes a cab and goes to the place where she is to meet Sam. She runs into a group of boys painting graffiti art on to the side of a truck. She asks them for Sam and they all scamper away, afraid they might get arrested... all except one. Jackie admires the unfinished artwork then goes over to talk to the lone street artist who stayed. As it turns out, graffiti artist Sam is girl, and she was expecting Jackie, who informs Sam that she couldn't resist the huge invitation she left for her across her office window.

screen captures from the Jack and Mike
episode "High Anxiety," 1986

Brigitte Mit Constanze 2

a closeup of Shelley from the December 1971 issue
of the German mag Brigitte Mit Constanze

Shelley was one of the most visible Supermodels in the 1970s. She appeared on many magazines around the world. In 1971, Shelley appeared on the pages of Brigitte Mit Constanze, a German women's magazine, modeling the latest looks of the era. In the spread Brigittes Schneller Schnitt (Brigitte's Quick Cut), she modeled Zwei Festliche Blusen Und Zwei Kleider (Two Festive Blouses And Two Dresses). The photos were taken by her then boyfriend, fashion photographer Steen Svensson. The second outfit featured was a long printed dress with contrasting shoulders, collar and cuffs. It came with a matching wide belt that had a huge accent buckle. Matching Mary Janes finished her look. And, of course, Shelley looked super stylish.

Shelley in a fashion spread
for the German mag Brigitte Mit Constanze, 1971

A Casting Coup

Shelley with Jaclyn Smith and Cheryl Ladd
on the cover of SuperMag vol. 4 no. 7, 1980

Shelley was already a Supermodel in 1979 and was known worldwide as THE Charlie Girl from the many commercials and print ads she appeared in for Charlie by Revlon. She was already familiar with fame by that time as she was recognized by fans when she went out. But by mid-1979, when she joined the cast of phenomenal hit TV series Charlie's Angels, she was immediately thrust into unfamiliar space, rock star space. "I was totally unprepared for the press 'bonanza' that followed," she said in 2000. "I had press people crawling in my window," she told E! in 2002. When her debut episode "Love Boat Angels" finally aired in September of that year, it topped the Nielsen ratings. Shelley's casting was a coup. Her Charlie Girl image brought even more publicity for the show and it renewed interest in the series. Us Weekly, on their September 18, 1979 issue, predicted that Shelley was going to be a big hit as the new Charlie's Angel. The magazine picked the show, now on its fourth season, as one of "the hits on the tube" that fall. Shelley was off to a good start in Hollywood.

Shelley on SuperMag with Kate Jackson,
Farrah Fawcett, Jaclyn Smith and Cheryl Ladd
on a writeup about Charlie's Angels, 1980

Tunic and Short Shorts Ensemble

a closeup of Shelley from the package cover
for Simplicity 9678, 1972

Shelley appeared on many Simplicity pattern catalogs, brochures and packaging during the 1960s and 1970s. The Simplicity Pattern Company is the leading manufacturer of sewing patterns and sewing pattern guides which are distributed throughout the world. They have been manufacturing sewing patterns since 1927 and have allowed fashionistas on a budget and sewing aficionados to create clothes in a reliable manner. In 1972, she appeared on the cover of pattern package 9678. It contained patterns and instructions for creating a tunic and short shorts ensemble. The tunic had a high round neckline, a collar, short set-in sleeves as well as a tie belt. The short shorts had a back zipper, an elastic waist casing and turn back cuffs. Matching hose and footwear finished her look. A matching skull cap, a silk flower scarf around her neck, a shoulder bag and a bracelet accessorized her look. And, as always, Shelley looked absolutely fabulous.

Shelley on the package cover for Simplicity 9678, 1972