Look Great In '75 H

a closeup of Shelley

from a spread on the JCPenney

Fall And Winter 1975 catalog

Shelley appeared on many spreads for many catalogs from the late '60s to the mid-'70s. Mail-order catalogs were at the height of its popularity at the time. They were big-book size publications that contained a list of general merchandise from, usually, a department store that were available for purchase and delivery straight to the homes of consumers. Everything from homeware to toys were featured in these catalogs... as well as garments and the latest fashion pieces. Many Supermodels - like Cheryl Tiegs, Beverly Johnson, Patti Hansen and Shelley Smith, just to name a few - appeared in the most popular catalogs of the era. Many models who eventually became actresses also appeared in these catalogs - like Veronica Hamel, Erin Grey, Kim Basinger and Pam Dawber.

Shelley was featured

in a spread for the JCPenney

Fall And Winter 1975 catalog

Shelley appeared on many spreads throughout the JCPenney Fall and Winter 1975 catalog. In the section called "A JCPenney SuperValue" which featured the latest designs in sleeping gowns, she modeled a couple of sleeping gowns that were practical and alluring. She wore the practical V-Neck Gown in red. It had white bands on the collar, neckline, and the long full sleeves. It also had a white self-tie belt. She also wore the alluring Tie-Waist Gown in melon. It had a U-neckline and cap sleeves. It also had a string belt that could be tied either in front or at the back. In both, as always, Shelley looked chic and fabulous.

a closeup of Shelley

from a spread on the JCPenney

Fall And Winter 1975 catalog

Star in the 1980s

Shelley at an art event in 1989

Shelley became a superstar in 1979 after being cast in the worldwide phenomenon Charlie's Angels. And like all the Angels before and after her, she garnered a lot of media attention... even after leaving the hit series. Shelley was a visible presence in the Hollywood scene beginning in the 1980s and was photographed by the paparazzi at various events. She was also a busy actress in the 1980s. She conquered stage, receiving glowing reviews for her work on Jack Heifner's Vanities, Elizabeth Diggs's Close Ties and Garson Kanin’s Born Yesterday. On the big screen, she impressed critics for her work on Martin Scorsese's The King of Comedy and Joseph Ruben's The Stepfather. On TV, she delivered notable performances opposite acting veterans George Segal (Trackdown: Finding the Goodbar Killer), Dick Van Dyke and Sid Caesar (Found Money). And she lead the cast in two TV series, Cutter to Houston and Jack and Mike, which were well-received by most critics but were both short-lived.

Shelley at an art event in 1989

Hairdo 1967 D

a pic of Shelley

from the Seventeen Hairdo Guide booklet, 1967

Shelley was one of the models who regularly appeared on the pages of Seventeen magazine since the beginning of her modeling career. In fact, one of her first covers was for the November 1964 issue of the mag. She also regularly appeared on other Seventeen magazine outings such as their booklets/guide books. In 1967, she appeared on the pages of the Seventeen Hairdo Guide booklet. The booklet featured the steps any young lady needed to take in order to choose and create the hairdo that would suit not just her taste and lifestyle but would also be appropriate for various occasions. There were chapters called "Change, Change, Change?," "The Cut Is Fundamental," "Choosing A Hairdo," "Pin-On Hair," and "The Mechanics Of Hair-Setting."  There were also chapters that featured the current hairdos in vogue - at every length. There were galleries that showcased the latest Short Hairdos, Long Hairdos, Mid-Length Hairdos and Big Party Hairdos. Shelley appeared in various parts of the booklet with the latest hairdos of that season. And, as always, Shelley was fresh, chic and oh so pretty.

Shelley in a spread

for the Seventeen Hairdo Guide booklet, 1967

Personal Foul 15

screen captures from the Jack and Mike

episode "Personal Foul," 1986

Shelley's third foray into series TV was Jack and Mike. It was about a married yuppie couple living in Chicago, trying to find time for each other in their busy schedules. Shelley played Jackie Shea, a star columnist at The Mirror, a widely-circulated Chicago paper. Her column was awaited by everyone every week. Her husband was Mike Brennan (played by Tom Mason), a successful restaurateur. Other cast members were: Nora Adler (Jacqueline Brookes), Jackie’s editor;  Anthony Kubecek (Kevin Dunn), Jackie's assistant; Carol (Holly Fulger), the head waitress at Mike's restaurant, Brennan's Grill; and Rick Scotti (Vincent Baggetta), an attorney who appears occasionally. In the episode "Personal Foul," a college professor is suspended for trying to flunk the school's star basketball player, and Mike is upset that Jackie's covering the story, since it's his alma mater and he's the team's No. 1 supporter. The episode was originally aired in September 30, 1986.

screen captures from the Jack and Mike

episode "Personal Foul," 1986

To continue, Mike goes over to see Jackie at The Mirror. After being "persuaded" by banker Ben Galloway earlier that day, he wants to see if he can convince Jackie to discontinue her series of articles about the college sports scene at Lincoln University. Although on a deadline, Jackie indulges Mike and agrees to a drive around town with him. Mike takes Jackie to the less affluent side of town to show her the types of boys who live there... the ones who excel in sports. He tells her that for them, professional sports is their way out of poverty. It is the dream of many of them to get into the pros. But Jackie reasons with Mike... saying that merely a handful end up at the pros. Mike points out that the hope of making it to the pros is precisely what drives these boys. Jackie ponders on Mike's point.

screen captures from the Jack and Mike

episode "Personal Foul," 1986

Charlie Girl and Icon

Shelley in a promo pic

for Charlie perfume and cosmetics, 1979

Shelley first became famous in the 1970s as THE Charlie Girl in those fabulous Charlie perfume ads and commercials. In 1976, she was hand-picked to represent the Revlon Charlie brand, as she was the embodiment the brand's ideal – gorgeous, sexy and young. Renowned hair stylist and makeup artist Rick Gillette recalls, "Shelley Hack was really the perfect girl for Charlie. I remember when Revlon creative director David Leddick had Steen Svensson shoot the first presentation with her that got her the contract." They shot a commercial with her and when it debuted, it was an immediate and immense hit. By 1977, Charlie became the #1 fragrance in the world (the first American-made international bestseller) and Revlon sales figures passed the $1 billion mark. And Shelley THE Charlie Girl catapulted to icon.

promo pics of Shelley

 for Charlie perfume and cosmetics, 1979

for more Check out:

Charlie Gives You The Brush

New Art of Lip Coloring

The Charlie Preppie Look

That Charlie Girl Shine

Leading Lady

Shelley in a promo pic from 1978

Shelley's first leading lady role was as Jennifer Corly in the 1978 film If Ever I See You Again - starred, written and directed by Joseph Brooks. The film was a sort of follow-up to the 1977 smash You Light Up My Life which was also written and directed by Brooks. Both films were panned by critics but both also produced number one hits with their original theme songs (both composed by Brooks). Debbie Boone's version of "You Light Up My Life" held the #1 position on the Billboard Hot 100 chart for ten consecutive weeks in 1977. Roberta Flack's version of "If Ever I See You Again" hit #1 on Billboard magazine's Easy Listening chart and stayed there for three weeks in July of 1978.

Shelley in a promo pic from 1978

The Craft Craze 2

a closeup of Shelley from a spread

on Simplicity Young Ideas Catalog's

Fall-Winter 1972 issue

Shelley appeared on many Simplicity pattern catalogs, brochures and packaging during the 1960s and 1970s. The Simplicity Pattern Company is the leading manufacturer of sewing patterns and sewing pattern guides which are distributed throughout the world. They have been manufacturing sewing patterns since 1927 and have allowed fashionistas on a budget and sewing aficionados to create clothes in a reliable manner. Shelley appeared in Simplicity Young Ideas Catalog's Fall-Winter 1972 issue.

Shelley in a spread

on Simplicity Young Ideas Catalog's

Fall-Winter 1972 issue

In the issue, Shelley appeared in the spread called "The Craft Craze... Work It Out." It featured patterns for fashion accessories that readers could crochet themselves and add to their present wardrobe. Shelley wore pieces from Simplicity pattern number 9700. It contained crochet instructions for making a vest, a pair of hotpants and a skullcap. She modeled a purple version of the patterns (with pink and green details) and wore them with a white turtleneck top. Shelley also wore pieces from Simplicity pattern number 9695. It contained crochet instructions for a poncho, a mini-skirt, a long skirt, a scarf, a bag and a hat. She modeled the scarf and the hat and wore them with a white tunic and pants fashion set. Shelley looked fab in all of the pieces.

a closeup of Shelley from a spread

on Simplicity Young Ideas Catalog's

Fall-Winter 1972 issue

Look Great In '75 G

a closeup of Shelley

from a spread on the JCPenney

Fall And Winter 1975 catalog

Shelley appeared on many spreads for many catalogs from the late '60s to the mid-'70s. Mail-order catalogs were at the height of its popularity at the time. They were big-book size publications that contained a list of general merchandise from, usually, a department store that were available for purchase and delivery straight to the homes of consumers. Everything from homeware to toys were featured in these catalogs... as well as garments and the latest fashion pieces. Many Supermodels - like Cheryl Tiegs, Beverly Johnson, Patti Hansen and Shelley Smith, just to name a few - appeared in the most popular catalogs of the era. Many models who eventually became actresses also appeared in these catalogs - like Veronica Hamel, Erin Grey, Kim Basinger and Pam Dawber.

Shelley was featured

in a spread for the JCPenney

Fall And Winter 1975 catalog

Shelley appeared on many spreads throughout the JCPenney Fall and Winter 1975 catalog. In the section called "Today's Body Suits... The Keynote Is Texture," she modeled a couple of body suits that could easily be incorporated into any woman's wardrobe for a quick update. Body suits were very popular in the 1970s. It could be worn on its own (with a pair of leotards) or with a skirt, jeans or slacks. It was popular because it never rode up and stayed in place. She wore the Rib-Knit Body Suit in yellow. It had a slipover styling, a scoop neck, long sleeves, snap crotch and elasticized legs. She also wore the Turtleneck Body Suit in burgundy. It had a back zipper, long sleeves, snap crotch and elasticized legs. Shelley looked chic and fabulous in both.

a closeup of Shelley

from a spread on the JCPenney

Fall And Winter 1975 catalog

Hounded by The Paparazzi

a closeup of Shelley from a paparazzi pic, 1979

Shelley was hounded by the paparazzi in 1979 after it was announced that she was cast in Charlie's Angels. She became the newest Angel in 1979, and she jumped from being THE Charlie Girl to becoming Charlie's latest Superstar cherub. As it was for all the Angels before her, she received a lot of attention from both the media and from fans. Her casting was even mentioned in the evening news - it was a huge deal. "I couldn't believe it. What was I doing in the evening news," she exclaimed at the time. When she arrived in St. Thomas at the Caribbean, where her first Charlie's Angels episode was going to be shot, she was greeted by the paparazzi. "When I got off the plane, there were maybe eight million paparazzi. I looked around for Sophia Loren. It was for me. I couldn't believe it," Shelley was astonished by the amount of attention her Angel casting was getting. "I had press people crawling in my windows," she told E!in 2002.

a paparazzi pic of Shelley, 1979

Hairdo 1967 C

a pic of Shelley

from the Seventeen Hairdo Guide booklet, 1967

Shelley was one of the models who regularly appeared on the pages of Seventeen magazine since the beginning of her modeling career. In fact, one of her first covers was for the November 1964 issue of the mag. She also regularly appeared on other Seventeen magazine outings such as their booklets/guide books. In 1967, she appeared on the pages of the Seventeen Hairdo Guide booklet. The booklet featured the steps any young lady needed to take in order to choose and create the hairdo that would suit not just her taste and lifestyle but would also be appropriate for various occasions. There were chapters called "Change, Change, Change?," "The Cut Is Fundamental," "Choosing A Hairdo," "Pin-On Hair," and "The Mechanics Of Hair-Setting."  There were also chapters that featured the current hairdos in vogue - at every length. There were galleries that showcased the latest Short Hairdos, Long Hairdos, Mid-Length Hairdos and Big Party Hairdos. Shelley appeared in various parts of the booklet with the latest hairdos of that season. And, as always, Shelley was fresh, chic and oh so pretty.

Shelley in a spread

for the Seventeen Hairdo Guide booklet, 1967

Personal Foul 14

screen captures from the Jack and Mike

episode "Personal Foul," 1986

Shelley's third foray into series TV was Jack and Mike. It was about a married yuppie couple living in Chicago, trying to find time for each other in their busy schedules. Shelley played Jackie Shea, a star columnist at The Mirror, a widely-circulated Chicago paper. Her column was awaited by everyone every week. Her husband was Mike Brennan (played by Tom Mason), a successful restaurateur. Other cast members were: Nora Adler (Jacqueline Brookes), Jackie’s editor;  Anthony Kubecek (Kevin Dunn), Jackie's assistant; Carol (Holly Fulger), the head waitress at Mike's restaurant, Brennan's Grill; and Rick Scotti (Vincent Baggetta), an attorney who appears occasionally. In the episode "Personal Foul," a college professor is suspended for trying to flunk the school's star basketball player, and Mike is upset that Jackie's covering the story, since it's his alma mater and he's the team's No. 1 supporter. The episode was originally aired in September 30, 1986.

screen captures from the Jack and Mike

episode "Personal Foul," 1986

To continue, Mike has lunch with fellow Lincoln University alumnus banker Ben Galloway. Ben was asked by their fellow Lincoln U alumni to talk to Mike about Jackie's column the day before. Ben tells Mike that they aren't happy about the picture Jackie's column is painting about the star athletes at their alma mater; and he reminds Mike that he too was on that same scholarship Andrew Taylor is currently on... and he has benefitted a lot from it. Mike tells Ben it's not the same; he worked hard to keep his grades up and to pass his classes. Ben tells Mike that the bank could pull out of refinancing his restaurants if he doesn't do anything. Jackie goes to Lincoln U to speak to Prof. Powell. She wants to know if the professor is still willing to go through with the expose. Powell is adamant on going through with it and to get her teaching status back. She gives Jackie even more info for her next column - documents she had put together for her lawyer in order to prove her claim. Back at Brennan's Grill, after leaving head waitress Carol instructions on how to deal with the day's hot water problems, Mike is about to leave for Jackie's office at The Mirror when new waitress, Belinda, drops a huge tray in front of customers and makes a mess. Belinda does an impromptu comedy routine and puts everyone at ease. Mike gives Carol a look.

screen captures from the Jack and Mike

episode "Personal Foul," 1986

Charlie's Put-Ons 7

Shelley in a 1977 promo pic for Charlie perfume,

wearing the  Charlie T-Shirt and Scarf promo items

Shelley was THE quintessential Charlie Girl and appeared in many, many ads for the brand. In 1976, she was hand-picked to represent the Revlon Charlie brand, as she was the embodiment the brand's ideal – gorgeous, sexy and young. Makeup artist Rick Gillette recalls, "Shelley Hack was really the perfect girl for Charlie." By 1977, Charlie became the #1 fragrance in the world (the first American-made international bestseller); and Shelley THE Charlie Girl catapulted to icon. In 1977, she appeared in a newspaper ad for Charlie promoting "Charlie's Put-Ons." It was a promo that offered customers a chance to purchase a Charlie T-Shirt and Scarf combo for only $6.00 with any purchase of $5.00 or more from the Charlie or Chaz collections. The T-shirt was blue and came in sizes S-M-L. And the long scarf was blue, yellow and white striped. Of course, Shelley looked fab in both of them.

Shelley in a newspaper ad

for Charlie perfume and cosmetics, 1977

Charlie Girl and Angel

Shelley in a promo pic

for Charlie's Angels, 1979

In 1979, the megahit Charlie's Angels was entering its 4th season and executive producers Aaron Spelling and Leonard Goldberg were looking for a replacement for exiting cast member Kate Jackson. An extensive search was made and many beautiful women (models and actresses) auditioned. Shelley Hack said, "I remember there was a big Angel hunt going on, and they asked me to audition. The hunt seemed to go on for a long time. A lot of my girlfriends went in to be tested, but I wasn't involved until sometime later when my agent called and said, 'It's a terrific show - you really should think about testing.' So, I thought about it again and went in." By then, Shelley was already a Supermodel and was familiar to the public as being THE Charlie Girl in those fabulous Charlie perfume print ads and commercials. By late May that year, Shelley was cast as Charlie's newest Angel Tiffany Welles. "THE Charlie Girl Becomes Charlie's Newest Angel" was a headline producer Aaron Spelling just couldn't resist.

a writeup about Shelley

from the Charlie's Angels Annual, 1981

check out the cover at: Annual 1981

The Craft Craze 1

a closeup of Shelleyfrom a spread

on Simplicity Young Ideas Catalog's

Fall-Winter 1972 issue

Shelley appeared on many Simplicity pattern catalogs, brochures and packaging during the 1960s and 1970s. The Simplicity Pattern Company is the leading manufacturer of sewing patterns and sewing pattern guides which are distributed throughout the world. They have been manufacturing sewing patterns since 1927 and have allowed fashionistas on a budget and sewing aficionados to create clothes in a reliable manner. Shelley appeared in Simplicity Young Ideas Catalog's Fall-Winter 1972 issue.

Shelley  in a spread

on Simplicity Young Ideas Catalog's

Fall-Winter 1972 issue

In the issue, Shelley appeared in the spread called "The Craft Craze... Work It Out." It featured patterns for fashion accessories that readers could crochet themselves and add to their present wardrobe. Shelley wore pieces from Simplicity pattern number 5228. It contained step-by-step crochet instructions for a beret, a scarf, a tie, and a turtleneck dickey - accessories for the fashionista in the early '70s. The beret had a ribbed band and an optional pom-pom. The scarf was 6 feet long and had a fringe trim. The tie could be made in a solid color or with stripes. The dickey had a ribbed turtleneck. Shelley wore a version of all the patterns and looked fab in all of them.

closeups of Shelleyfrom a spread

on Simplicity Young Ideas Catalog's

Fall-Winter 1972 issue

Look Great In '75 F

closeups of Shelley

from a spread on the JCPenney

Fall And Winter 1975 catalog

Shelley appeared on many spreads for many catalogs from the late '60s to the mid-'70s. Mail-order catalogs were at the height of its popularity at the time. They were big-book size publications that contained a list of general merchandise from, usually, a department store that were available for purchase and delivery straight to the homes of consumers. Everything from homeware to toys were featured in these catalogs... as well as garments and the latest fashion pieces. Many Supermodels - like Cheryl Tiegs, Beverly Johnson, Patti Hansen and Shelley Smith, just to name a few - appeared in the most popular catalogs of the era. Many models who eventually became actresses also appeared in these catalogs - like Veronica Hamel, Erin Grey, Kim Basinger and Pam Dawber. 

Shelley was featured

in a spread for the JCPenney

Fall And Winter 1975 catalog

Shelley appeared on many spreads throughout the JCPenney Fall and Winter 1975 catalog. In the section called "Look Great Without Spending A Fortune," she modeled fashion pieces that could be incorporated into any woman's present wardrobe to give it a fresh, new, high-end and updated look. And, of course, the pieces were so budget-friendly, women wouldn't think twice about buying an armful of them. One section recommended buyers to "Add On Superbly Tailored Pieces" to their existing wardrobe collection. It featured rich, classically-styled separates that could be mixed and matched with other pieces. Shelley wore the Soft, Feminine Bow Blouse (a printed top with long sleeves ending in buttoned cuffs, which had buttons going down the front and an attached bow around the neck) over the black Longer-Length Divided Skirt (which had an A-line styling, a fly-front zipper and button closure, as well as flap pockets with buttoned trims). She topped it off with the black Solid-Color Shirt-Jacket (which had a button-front styling, front mock pockets, and a self sash). Matching black boots finished her look. She also wore the blouse and the red version of the shirt-jacket with the Solid-Color Pants in red (which had flared legs, front-fly zipper and button closure, as well as flap pockets with buttoned trims). She finished this look with a pair of the Soft And Comfortable Slip-On Shoes in red (which had buckle trims) and the Smartly Tailored Cloche Hat in black with red trim. Shelley looked chic, high-end and so gorgeous in both outfits.

a closeup of Shelley

from a spread on the JCPenney

Fall And Winter 1975 catalog

Doing Comedy

Shelley on the cover

of TV Showtime, 1984

In 1984, Shelley joined the cast of the nighttime sitcom Night Court for its second season (replacing Paula Kelly). She was cast to play public defender Christine Sullivan and the character was going to be romantically involved with Judge Harry Stone (played by Harry Anderson). Although best known at the time for being a dramatic actress, Shelley wasn't adverse to doing comedy. In fact, she saw herself more as a comedian. "You don't think I'll be the serious one who has to carry the doom and gloom?" she said. Prior to her casting, she had played a detective in the TV series Charlie's Angels and a surgeon on another TV series Cutter to Houston.

a writeup about Shelley

being cast on Night Court, 1984

"I'll be doing my research at the New York court," Shelley said, "I always look forward to researching a role. It will be interesting." With help and guidance from the Legal Aid Society of New York, Shelley spent time watching defendants being arraigned in court. "Even though it's a comedic role, I still like to get in touch with the reality that it's based on," she said. "What goes on at the court is not funny. It's tragic, and very moving." From one of the courtroom's wooden benches, she watched the proceedings surrounded by the defendants' friends and family sitting on the nearby benches. When asked if anyone noticed her, Shelley replied, "No, I think they had other things on their mind."

a promo pic of Shelley

for Night Court, 1984

But when the series started shooting, at the last minute, producer Reinhold Weege decided she wasn't right for the part. And Shelley felt the same way. "I liked the show. They offered me the role. I went and met with them and liked them," Shelley said. "But what happened was the role was changed somewhere between that meeting and my first day on the set," she explained. So the actress and the producer mutually and amicably agreed to call the whole thing off. Ellen Foley was brought in for that season to replace Shelley - as a new character, public defender Billie Young. Markie Post took over the role of Christine Sullivan for one episode "Daddy for the Defense," which was switched from the season opener (Shelley's supposed first episode) to the 2nd episode. A year later, Markie Post became a permanent part of the cast.

Hairdo 1967 B

a pic of Shelley

from the Seventeen Hairdo Guide booklet, 1967

Shelley was one of the models who regularly appeared on the pages of Seventeen magazine since the beginning of her modeling career. In fact, one of her first covers was for the November 1964 issue of the mag. She also regularly appeared on other Seventeen magazine outings such as their booklets/guide books. In 1967, she appeared on the pages of the Seventeen Hairdo Guide booklet. The booklet featured the steps any young lady needed to take in order to choose and create the hairdo that would suit not just her taste and lifestyle but would also be appropriate for various occasions. There were chapters called "Change, Change, Change?," "The Cut Is Fundamental," "Choosing A Hairdo," "Pin-On Hair," and "The Mechanics Of Hair-Setting."  There were also chapters that featured the current hairdos in vogue - at every length. There were galleries that showcased the latest Short Hairdos, Long Hairdos, Mid-Length Hairdos and Big Party Hairdos. Shelley appeared in various parts of the booklet with the latest hairdos of that season. And, as always, Shelley was fresh, chic and oh so pretty.

Shelley in a spread

for the Seventeen Hairdo Guide booklet, 1967

Personal Foul 13

screen captures from the Jack and Mike

episode "Personal Foul," 1986

Shelley's third foray into series TV was Jack and Mike. It was about a married yuppie couple living in Chicago, trying to find time for each other in their busy schedules. Shelley played Jackie Shea, a star columnist at The Mirror, a widely-circulated Chicago paper. Her column was awaited by everyone every week. Her husband was Mike Brennan (played by Tom Mason), a successful restaurateur. Other cast members were: Nora Adler (Jacqueline Brookes), Jackie’s editor;  Anthony Kubecek (Kevin Dunn), Jackie's assistant; Carol (Holly Fulger), the head waitress at Mike's restaurant, Brennan's Grill; and Rick Scotti (Vincent Baggetta), an attorney who appears occasionally. In the episode "Personal Foul," a college professor is suspended for trying to flunk the school's star basketball player, and Mike is upset that Jackie's covering the story, since it's his alma mater and he's the team's No. 1 supporter. The episode was originally aired in September 30, 1986.

screen captures from the Jack and Mike

episode "Personal Foul," 1986

To continue, after her encounter with Lincoln U star player Andrew Taylor at the entrance of The Mirror, Jackie is greeted by her editor, Nora Adler, as she walks to her office. Nora excitedly goes on to tell Jackie about the result of the lingerie party they attended the night before. It seems the outfit Nora chose for herself made a good impression on her husband. Nora is very happy, and she asks Jackie about her outfit. Jackie informs Nora that her column the previous day dampened the mood at her household. Mike was upset at her for writing about the beloved star player of his alma mater. Nora tells Jackie she loved her column; but it seems she had ruffled quite a lot of feathers... even at their own office. Nelson Kimbel, a Lincoln U alumnus and an executive at The Mirror, told Nora to "bump up the lingerie, back burner the basketball." Jackie asks Nora if that was her order. Nora says if Jackie's lingerie research materials were somehow lost, then Jackie wouldn't have a choice but to continue her series of articles on the college sports scene at Lincoln U. After informing her staff that Jackie will be needing all the lingerie catalogs at her desk by that night, Nora tells Jackie she bought her time to write about the college sports scene today. She tells Jackie to just make sure that her sources are solid. She doesn't want a retraction later.

screen captures from the Jack and Mike

episode "Personal Foul," 1986

Charlie's Sammie Bag

promo pics of Shelley for Charlie, 1982

Shelley was THE quintessential Charlie Girl and appeared in many, many ads for the brand. In 1982, she appeared in a newspaper ad for Charlie that promoted the "Charlie Sammie Bag." It was a promotional tie-in between Charlie and Samsonite, a manufacturer of luggage, business cases, backpacks, travel accessories and the like. The promo was for Samsonite's Sammie Bag which was filled with a ready supply of Charlie cosmetics and, of course, the Charlie fragrance. The smart blue nylon bag was ready to pack and to be taken anywhere. The promo included a set from the Charlie collection of six eyeshadows, two blushes, four brush-on lip colors and a 1/4 oz. of Charlie perfume spray. Everything any Charlie Girl needed to to look gorgeous no matter where she went. The $85.00 promo item was available for just $10.00 for any $5.00 or more purchase from the Charlie or Revlon collection. And, naturally, Shelley appeared in the ad, Charlie Girl gorgeous as always.

Shelley in a newspaper ad

for Charlie perfume and cosmetics, 1982

Hollywood Actress

Shelley in a 1980s promo pic

Shelley was a busy working actress in the 1980s. After her career-boosting appearance in Charlie's Angels, she was determined to prove that she was more than just a pretty face. She immediately tackled stage a via the Jack Heifner play Vanities and gained critical praise for her work. Other stage roles soon followed. She was praised for her work in Elizabeth Diggs's play Close Ties and Garson Kanin’s Born Yesterday. At the same time, she was getting more serious feature film work. She appeared in Martin Scorsese's The King of Comedy and much later in Joseph Ruben's horror classic The Stepfather. She also got to work in TV movies with seasoned actors such as George Segal, Dick Van Dyke, Sid Caesar and Paul Michael Glaser.

Shelley in a 1980s promo pic

Contemporary Fashion '72

a closeup of Shelley from a spread

on Simplicity Young Ideas Catalog's

Fall-Winter 1972 issue

Shelley appeared on many Simplicity pattern catalogs, brochures and packaging during the 1960s and 1970s. The Simplicity Pattern Company is the leading manufacturer of sewing patterns and sewing pattern guides which are distributed throughout the world. They have been manufacturing sewing patterns since 1927 and have allowed fashionistas on a budget and sewing aficionados to create clothes in a reliable manner. Shelley appeared in Simplicity Young Ideas Catalog's Fall-Winter 1972 issue.

Shelley  in a spread

on Simplicity Young Ideas Catalog's

Fall-Winter 1972 issue

In the issue, Shelley appeared in the spread that featured "Young Contemporary Fashion." It featured patterns for wardrobe pieces that catered to the younger set. Shelley wore Simplicity pattern number 5130 - a pattern for a misses' bias-dress that could be made in two lengths. The dress (Shelley wore the short version) had the new narrow shoulder look... with the shoulder length of the pattern shorter and the head of the sleeves higher. It had a high, round neckline, long set-in sleeves, contrasting collar and cuffs, a back zipper and an optional ribbon bow. Shelley accessorized her dress with the optional bow and a matching clip on her hair. And Shelley looked young, contemporary and definitely chic.

a closeup of Shelleyfrom a spread

on Simplicity Young Ideas Catalog's

Fall-Winter 1972 issue