Saturday, September 25, 2010
Wednesday, September 22, 2010
Sunday, September 19, 2010
Friday, September 17, 2010
The World Will Know Rupert Pupkin
[theatrical release]
filmed in 1982
(released in February 18, 1983)
Comedy/Drama
Directed by Martin Scorsese
Written by Paul D. Zimmermann
filmed in 1982
(released in February 18, 1983)
Comedy/Drama
Directed by Martin Scorsese
Written by Paul D. Zimmermann
Cast:
Robert be Niro.......Rupert Pupkin
Jerry Lewis............Jerry Langford
Diahnne Abbott......Rita
Sandra Bernhard....Masha
Shelley Hack...........Cathy Long
Edgar J. Scherick....Wilson Crockett
Jerry Lewis............Jerry Langford
Diahnne Abbott......Rita
Sandra Bernhard....Masha
Shelley Hack...........Cathy Long
Edgar J. Scherick....Wilson Crockett
Plot:
Rupert Pupkin is a fame-aspiring comic who has his sights set on TV, his ticket to fame. An “accidental” meeting one evening with late night show host and comic Jerry Langford (Rupert saves Langford from the prying lenses of the paparazzi) provides him with an opportunity to finally make his dream come true. Using this one-time meeting as leverage, he tries to muscle his way into Langford’s show but is given the run around by Cathy Long, Langford’s smooth production exec. But this doesn’t dissuade Rupert as he gets more and more aggressive with his name-dropping and, eventually, stalking until he finally felt he had to do something drastic. Teaming up with Langford’s obsessed fan Marsha, he kidnaps the famed host. His ransom: Rupert makes an appearance on the late night show. After Rupert performs his routine, Langford is set free. Rupert is arrested, goes to jail and causes a media frenzy. The media extensively covers his notoriety and his biography quickly becomes a bestseller. And by the time he is released from jail, he is a “famed comic” with a late night show of his own.
Summary:
Released in 1983, this movie was so way ahead of its time. “I’ll do anything to become famous” is so common nowadays that upon watching the film, you don’t get a feeling that this is far from reality, unlike at the time when the film was released (it was so far out there that the film tanked at the box office.) Martin Scorsese handled the film so well that it is such a compelling piece to watch. Everyone in the cast gave such a commendable performance, from De Niro to Bernhard, brilliant.
Shelley Hack herself shined in her role as Cathy Long. Her very accommodating welcome and delicate but firm rejection of Rupert for Langford’s show was right on the dot. Watch the scene where she tries to control her temper as Rupert subtly insults her position as a Langford decision-maker, brilliant. Her scenes with De Niro are pivotal to the story and won’t disappoint.
Over all the film is a gem. Ahead of its time but very significant today. If you can get it, watch it.
Shelley Hack herself shined in her role as Cathy Long. Her very accommodating welcome and delicate but firm rejection of Rupert for Langford’s show was right on the dot. Watch the scene where she tries to control her temper as Rupert subtly insults her position as a Langford decision-maker, brilliant. Her scenes with De Niro are pivotal to the story and won’t disappoint.
Over all the film is a gem. Ahead of its time but very significant today. If you can get it, watch it.
Wednesday, September 15, 2010
Saturday, September 11, 2010
Cutter to Houston Smocks
Friday, September 10, 2010
By the Way
Shelley Hack (along with fellow Charlie's Angel Jaclyn Smith) was interviewed for the article by Michael Callahan entitled Sorority on E. 63rd St. which came out in the April 2010 issue of Vanity Fair (cover Michael Douglas - thank you to vanityfair.com for the picture). The article is online at vanityfair.com. Check it out or grab the magazine.
Thursday, September 9, 2010
The Supers
Supermodel Shelley and fellow Supermodels Shelley Smith and Cheryl Tiegs flank designer Bill Blass in a 1977 Bill King photo. It is actually an out take of a photo that appeared in the pages of Harper's Bazaar in 1977 (even though the caption says 1978.)
I always thought that this photo is sort of predicted what was in store for Shelley in 1979 - Three girls flanking a lone male figure and the fact that Shelley's with a Ms. Smith and a Cheryl.
I always thought that this photo is sort of predicted what was in store for Shelley in 1979 - Three girls flanking a lone male figure and the fact that Shelley's with a Ms. Smith and a Cheryl.
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