Bride's 66/67

a closeup on Shelley from a pic

from Bride's magazine, Dec 1966/Jan 1967

Bride's magazine was and is one of the most widely circulated mags that cater to brides and all their needs. It contains bridal and bridal-entourage fashion tips (as well as groom and groomsmen), food and nutrition writeups, health and fitness advice, beauty tips, planning and location articles and more. Shelley appeared on the pages of Bride's magazine's December 1966/January 1967 issue. She appeared on several spreads throughout the issue. In the spread called "Jeunesse Is: Slips Showing - By Design" (which translates to "Youth Is: Slips Showing - By Design"), she modeled a youthful wedding gown with a Sabrina neckline and notched cap sleeves. The modified empire-waist slip-style column gown had embossed details and satin ribbons around the upper chest and near the hem. An elbow-length veil, white opera gloves and matching white footwear finished her look. Pearly earrings and a lovely bouquet of flowers accessorized and completed her look. Shelley looked like the perfect June bride.

a pic of Shelley from a spread

for Bride's magazine, Dec 1966/Jan 1967

New Angel in 1979

a closeup of Shelley from a promo pic

for Charlie's Angels, 1979

Shelley became Angel no. 5 in 1979 when she joined the cast of Charlie's Angels. Her character was Tiffany Welles, a Boston-bred (originally Connecticut-bred) policewoman who was the daughter of one of Charlie's oldest friends. Shelley was already a Supermodel when she joined the hit TV series and was known worldwide as THE Charlie Girl in those Revlon Charlie TV commercials and print advertisements. She auditioned, went though a screen test, and even a personality test; but what really got her the part, it seems, was the headline "THE Charlie Girl becomes Charlie's newest Angel" which was going through Angels exec producer Aaron Spelling's head as he was choosing TV's latest cherub. Also, just like the original Angels team of Kate Jackson, Farrah Fawcett and Jaclyn Smith, Shelley had good rapport with her new co-Angels Cheryl Ladd and Jaclyn; and the three photographed so well together.

a writeup about Shelley

joining Charlie's Angels, 1979

And just like the Angels before her, as soon as the announcement of her casting was made, the paparazzi was all over her. Many things (true and untrue) were written about her. "Yesterday, I was a schnook, and today I can't get across the street" is how Shelley described her sudden rise to Hollywood superstardom. "I go through phases of not believing it, thinking we're talking about a third person who's not here in the room at the moment," she said of her sudden Hollywood fame. "It has been quite a whirl," she added. And her casting was even mentioned in the evening news - it was that big a deal. "I couldn't believe it. What was I doing in the evening news," she exclaimed at the time. "I had press people crawling in my windows," she told E! in 2002.

Shelley with Cheryl Ladd and Jaclyn Smith

in a promo pic for Charlie's Angels, 1979

Knit Your Own Thing

a closeup of Shelley from an ad

for Dawn Yarns, 1972

Shelley was spotted by  A&P supermarket heir Huntington Hartford at a debutante ball when she was just 14 years old and he urged her to try modeling. Shelley wasn't interested at first. But then she was taught never to close doors on opportunities that came her way; so she decided to take a peek. She ended up in model agent Eileen Ford's office in New York (her mother, a former model herself, and Mrs. Ford were acquainted); and the rest is history. She became one of the top Ford Supermodels of all time. But "It was never a thing where she was going to be the best model in the world; she simply became one of the best more or less in spite of herself," Eileen Ford said of Shelley.

Shelley in an ad for Dawn Yarns, 1972

In 1972, Shelley appeared in an ad for Dawn Hand Knitting Yarns with the tagline "Knit Your Own Thing With Dawn Yarns." Dawn Yarns were made by the American Thread Company, a foremost American manufacturer of threads and yarns. Their latest at the time were yarns made of polyester/acrylic fibers in bright colors that stayed bright, wash after wash. The yarns were easy to work with, stayed soft and kept their fit and shape. So whipping up a skirt, bikini overalls, knickers or any of the latest fashion items in the newest and brightest colors were finally possible with Dawn Hand Knitting Yarns. In the ad, Shelley wore a multicolored knitted skirt with a brightly-colored top and finished her outfit off with matching footwear, hose and accessories. She also wore a knitted vest over a shirt and knickers ensemble and finished it off with matching footwear, hose and accessories. In both outfits, Shelley looked chic and up-to-the-minute.

closeups of Shelley from an ad

for Dawn Yarns, 1972

Trackdown Telefilm 8

screen captures from the telefilm

Trackdown: Finding the Goodbar Killer, 1983

October 2023 will be the 40th anniversary of the telefilm Trackdown: Finding the Goodbar Killer. Initially released on October 15, 1983, the film was based on the case that inspired the Judith Rossener novel Looking for Mr. Goodbar. Based on the brutal and shocking murder of Roseann Quinn in January of 1973 (Quinn was a late-20s schoolteacher for deaf children in New York City), this particular telefilm was a dramatization and recreation of the investigation into the 1973 homicide - with Quinn renamed Mary Alice Nolan. In the film, George Segal played New York detective John Grafton who only had a cartoon drawing found at the crime scene as lead. In the course of his investigation, he meets Logan Gay (Shelley Hack), Mary Alice's friend and co-teacher. Logan would later help Grafton in his investigation. Tracy Pollan played Eileen Grafton, John Grafton's daughter.

screen captures from the telefilm

Trackdown: Finding the Goodbar Killer, 1983

1983 was a landmark year for Shelley. It was the year she starred in the Martin Scorsese feature film The King of Comedy with Robert De Niro and the filmed-for-TV play Close Ties. It was the year she starred in Found Money alongside comedy greats Dick Van Dyke and Sid Caesar. It was also the year she starred in her second TV series, Cutter to Houston, with Alec Baldwin and Jim Metzler. And it was the year she starred in Trackdown: Finding the Goodbar Killer with industry veteran George Segal (in his first made-for-TV movie). The best part was, Shelley received critical acclaim for all her acting efforts for that year.

screen captures from the telefilm

Trackdown: Finding the Goodbar Killer, 1983

Charlie's Hitparade Album

gorgeous Shelley in promo pics

for Charlie perfume, 1979

Shelley was THE quintessential Charlie Girl. She was THE Charlie Girl from 1976 to 1982; and she catapulted the brand (as well as herself) to iconic status. Shelley's gorgeous, sexy and young (not to mention confident and independent) image was an inspiration to many women worldwide. She appeared in countless ads and promotional items for the brand. In 1980, she appeared on the cover of the record album Charlie's Hitparade: Easy Listening Tophits. It was another  musical album that contained a compilation of songs recommended by Charlie for the Charlie Girl in everyone. For more, check out: Charlie Hit Parade Album V1 and Charlie Hit Parade Album V2

Shelley on the album cover 

of Charlie's Hitparade:

Easy Listening Tophits, 1980

Charlie's Hitparade: Easy Listening Tophits was by EMI Records. It was a 12-track/song album that featured songs by Cliff Richard, Elton John, Shirley Bassey and many more. It was released in different parts of Europe. The tracks/songs and production details were listed (in English) on the back cover of the album. The songs included in the album were the following:

Charlie's Hitparade: Easy Listening Tophits

Side 1 

- Your Song (Elton John)

- You're My World (Guys N' Dolls)

- Bright Eyes (The Shadows)

- Don't Give Up On Us (David Soul)

- Loving You (Minnie Riperton)

- Charlie's Theme (Bill Bradley Band)

Side 2

- Miss You Night (Cliff Richard)

- Don't It Make My Brown Eyes Blue (Crystal Gayle)

- A Little Bit More (Dr. Hook)

- (You're) Having My Baby (Paul Anka)

- Something (Shirley Bassey)

- End Of The Show (The Cats)

Side 1 and Side 2 of the vinyl disc

Charlie's Hitparade:

Easy Listening Tophits, 1980

Also on the the back cover was a pic of the latest cosmetic and perfume line from Charlie - as well as descriptions of the newest Charlie Collection in three languages: (from left to right) Dutch, French and German. note: The album cover was printed in Holland.

The Dutch text translates as:

Charlie - Is That You?

Charlie is the cosmetic line for the new type of woman 

- the young woman who knows what she likes,

what's good, what's cool, and what's interesting.

It's for the woman who engages in everything worthwhile,

who uses her many talents to her advantage.

Charlie is the cosmetic line with personality. 

It is more direct, more honest, more fashionable, and much more.

The colors are beautiful, the make-up reliable.

Charlie is the cosmetic line for women

who care for themselves.

Charlie is by Revlon.

the back cover of the album

Charlie's Hitparade:

Easy Listening Tophits, 1980

The French text translates as:

Charlie, Is That You?

Charlie is made for the new type of woman.

It's a range of beauty products for the woman 

who freely decides for herself what she likes,

what she wants and what suits her. 

It's for the woman who knows 

how to live life to the fullest.

Charlie is for the maverick beauty. 

It has a range of products that is 

no-nonsense, more direct, more fashionable, 

and much more reliable as well.

It brings true colors with natural results.

Because for the new type of woman, 

choosing Charlie means remaining true to herself.

Charlie is by Revlon.

The German text translates as:

What is Charlie?

It's an exciting fragrance

and cosmetic line in adventurous shades

for the true and the sensible women of today 

who know what they want, 

who are at the right place at the right time,

who love simple cosmetics with personality!

- Charlie's Cosmetics

adventurous shades for the eyes, 

lips, cheeks and nails.

- The Scent of Charlie

wonderfully exciting

and delightful

For disco-dancing, sports activities 

and even on the job!

J. McKay

a candid pic of Shelley on the set

of the Tales from the Crypt

episode "The Assassin", 1994

Shelley starred in an episode of Tales from the Crypt in 1994. The series was based on the horror comic anthology series of the same name which was published in the 1950s. The crypt keeper introduced and ended every episode during is entire run. In December 7, 1994, Shelley appeared in the season 6 episode called "The Assassin." She played Janet McKay, the wife of a suspected government assassin gone AWOL, who was finally tracked down and was going to be eliminated. Shelley gave a fine performance in this must-see episode. Corey Feldman, Jonathan Banks, Chelsea Field and Marshall R. Teague all appeared in the episode as well. It is currently available on DVD. Let's hope it's released on Blu-ray soon.

the cast of the Tales from the Crypt

episode "The Assassin" from the cover

of discs 2 and 3 of the Tales From The Crypt

The Complete Sixth Season DVD set, 2007

You're Traveling

a closeup of Shelley from a spread

for Simplicity Home Catalog Summer 1974

Shelley appeared on many spreads and catalogs for Simplicity. The Simplicity Pattern Company is the leading manufacturer of sewing patterns and sewing pattern guides which are distributed throughout the world. They have been manufacturing sewing patterns since 1927 and have allowed fashionistas on a budget and sewing aficionados to create clothes in a reliable manner. Aside from patterns and pattern guides, they've come out with pamphlets, books, booklets, magazines and pattern packages.

Shelley in a spread

for Simplicity Home Catalog Summer 1974

Shelley appeared on spreads for the Simplicity Home Catalog Summer 1974 issue. She appeared on the spread called "You're Traveling" which featured clothes that were great for times when you're on the move, clothes that gave you good mileage, clothes  to take with you on those wonderful trips locally or abroad. They were clothes that were versatile and practical and could take you from the carnival to the art gallery or to some far off adventure. Separates that were easy to pack and mix and match. Shelley wore pattern no. 6404, a top and pants ensemble. The top had the new narrow shoulder look with the shoulder length shorter than usual and the head of the sleeves higher than usual. The princess seamed top was stitched to a peplum at the waistline and had a V-shaped neckline. It had a front-button closing, short set-in sleeves with contrasting flaps, plus a notched collars and cuffs. The pants had a back zipper and a waistband. A necklace and bracelet set and matching heeled clogs finished her look. And Shelley looked casual, chic and ready for those summer trips anywhere in her fab and versatile outfit.

a pic of Shelley from a spread

for Simplicity Home Catalog Summer 1974

Bride's 67/68 B

a closeup on Shelley from a pic

from Bride's magazine, Dec 1967/Jan 1968

Bride's magazine was and is one of the most widely circulated mags that cater to brides and all their needs. It contains bridal and bridal-entourage fashion tips (as well as groom and groomsmen), food and nutrition writeups, health and fitness advice, beauty tips, planning and location articles and more. Shelley appeared on the pages of Bride's magazine's December 1967/January 1968 issue. She appeared on several spreads throughout the issue. In the spread called "The Real Brides," she modeled white empire-waist wedding gowns with soft feminine details such as floral appliques and lace. Simple diaphanous wedding veils, matching white gloves and matching white footwear finished her looks. And Shelley looked like the perfect June bride.

pics of Shelley from a spread

for Bride's magazine, Dec 1967/Jan 1968

The Beautiful Women of 1980

Shelley with fellow Charlie's Angels

Jaclyn Smith and Cheryl Ladd

in a writeup for Good Housekeeping

on "How Beautiful Women Stay In Shape," 1980

Shelley was cast in the phenomenal hit TV series Charlie's Angels in 1979 and was instantly a Hollywood superstar. She won Hollywood's unofficial beauty contest and, suddenly, everything she said and did was of interest. In January of 1980, Shelley along with her fellow Angels Jaclyn Smith and Cheryl Ladd were included in a writeup for Good Housekeeping on "How Beautiful Women Stay In Shape." The current Charlie's Angels team was asked to share what it took for them to look great - their diets and fitness routines. And TV's three gorgeous cherubs were happy to share their daily meals and exercise regimens - and they added a few comments as well.

a writeup from Good Housekeeping

on "How Beautiful Women Stay In Shape," 1980

The writeup included ten of the most popular beauties of the time. Aside from Shelley, Jaclyn and Cheryl, the other beauties included were top models Deborah Raffin, Christina Ferrare and Beverly Johnson, singers Marie Osmond and Crystal Gayle, former Miss America and sportscaster Phyllis George, and American socialite and fashion designer Gloria Vanderbilt. They too were happy to share their daily meals and exercise regimens - and they had added their own comments as well. Now who wouldn't have wanted to know how all these beauties stayed in shape.

a promo pic of Shelley

for Charlie's Angels, 1979

Natural Lashes 1973 C

Shelley modeling MOD Lashes no. 33, 1973

Shelley appeared in an ad for MOD Natural Hair Lashes in 1973. It was an ad for the many different kinds of false eyelashes made by the company. Their affordable eyelashes matched every woman's personality and her every changing mood. The ad had the tagline "Wow! Real Hair Lashes ...Realistically Priced - to bring out the Real You". Each eyelash style was numbered and had a personalized lash look to it. Shelley modeled several styles for different kinds of lifestyles and moods. Career, Outdoors, Home-Loving, Child-At-Heart and Intellectual - style numbers 11, 16, 26, 31 and 33 - were all modeled by Shelley. And Shelley captured every personality and mood to a T.

Shelley in an ad for MOD Lashes, 1973

Trackdown Telefilm 7

screen captures from the telefilm

Trackdown: Finding the Goodbar Killer, 1983

October 2023 will be the 40th anniversary of the telefilm Trackdown: Finding the Goodbar Killer. Initially released on October 15, 1983, the film was based on the case that inspired the Judith Rossener novel Looking for Mr. Goodbar. Based on the brutal and shocking murder of Roseann Quinn in January of 1973 (Quinn was a late-20s schoolteacher for deaf children in New York City), this particular telefilm was a dramatization and recreation of the investigation into the 1973 homicide - with Quinn renamed Mary Alice Nolan. In the film, George Segal played New York detective John Grafton who only had a cartoon drawing found at the crime scene as lead. In the course of his investigation, he meets Logan Gay (Shelley Hack), Mary Alice's friend and co-teacher. Logan would later help Grafton in his investigation. Tracy Pollan played Eileen Grafton, John Grafton's daughter.

screen captures from the telefilm

Trackdown: Finding the Goodbar Killer, 1983

1983 was a landmark year for Shelley. It was the year she starred in the Martin Scorsese feature film The King of Comedy with Robert De Niro and the filmed-for-TV play Close Ties. It was the year she starred in Found Money alongside comedy greats Dick Van Dyke and Sid Caesar. It was also the year she starred in her second TV series, Cutter to Houston, with Alec Baldwin and Jim Metzler. And it was the year she starred in Trackdown: Finding the Goodbar Killer with industry veteran George Segal (in his first made-for-TV movie). The best part was, Shelley received critical acclaim for all her acting efforts for that year.

screen captures from the telefilm

Trackdown: Finding the Goodbar Killer, 1983

Spring Blooms in Charlie Country

gorgeous Shelley in a promo pic

for Charlie perfume, 1981

Shelley was THE quintessential Charlie Girl and appeared in many, many ads for the brand around the world. She was THE Charlie Girl from 1976 to 1982; and she catapulted the brand (as well as herself) to iconic status. Ads (as well as many promotional materials) with her image appeared all over the world. Shelley's gorgeous, sexy and young (not to mention confident and independent) image was an inspiration to many women worldwide. She embodied the kind of woman women of that era aspired to be - liberated, approachable and beautiful.

Shelley in an advertisement/writeup

for Charlie by Revlon, 1981

In 1981, she appeared in an advertisement/writeup for Charlie's latest color and fragrance promotion called "Spring Blooms in Charlie Country." Energy, vitality, glowing good health, humor and intelligence were all the words that described THE Charlie Girl and the brand's latest colors embodied all those attributes. In fact, Charlie's latest collection could be called art because everything about it was based on a painting that LeRoy Neiman created especially for Charlie (Neiman was one of America's foremost artists who updated the Impressionist breakthrough with his depiction of TV/media celebrities and events in vibrant colors and spectacular imagery.) LeRoy Neiman's artwork became Charlie's new look for spring of 1981 - from color, to mood, to packaging, to bottle design and all. Of course, THE Charlie Girl Shelley was the inspiration for it.

LeRoy Neiman's painting for the Charlie brand

was the inspiration Charlie's new look for spring 1981

- color, mood, packaging, bottle and all -

as seen in Charlie's 1981 commercial

For more, check out: Springtime Charlie

PD Sullivan

Shelley in a promo pic for Night Court, 1984

In 1984, Shelley joined the cast of the nighttime sitcom Night Court for its second season. She was cast to play public defender Christine Sullivan, who was going to be romantically involved with Judge Harry Stone (played by Harry Anderson). But when the series started shooting, at the last minute, producer Reinhold Weege decided she wasn't right for the part. And Shelley felt the same way. "What happened was the role was changed," Shelley explained, "Instead of being a funny lady, as she was in the reading, they had changed her into a straight woman." She admitted, "It wasn't working, and when comedy doesn't work, just forget it - leave." Shelley added, "I love to do comedy. I wanted to do it. But the concept just didn't work, and that's what I told them. I'm sad not to be doing the show, but everybody was very supportive. The cast was great, but what's the point if it's not working?" So the actress and the producer mutually and amicably agreed to call the whole thing off.  Ellen Foley was brought in for that season to replace Shelley - as a new character, public defender Billie Young.

a writeup about Shelley leaving Night Court, 1984

You're Casual

a closeup of Shelley from a spread

for Simplicity Home Catalog Summer 1974

Shelley appeared on many spreads and catalogs for Simplicity. The Simplicity Pattern Company is the leading manufacturer of sewing patterns and sewing pattern guides which are distributed throughout the world. They have been manufacturing sewing patterns since 1927 and have allowed fashionistas on a budget and sewing aficionados to create clothes in a reliable manner. Aside from patterns and pattern guides, they've come out with pamphlets, books, booklets, magazines and pattern packages.

Shelley in a spread

for Simplicity Home Catalog Summer 1974

Shelley appeared on several spreads for the Simplicity Home Catalog Summer 1974 issue. She appeared on the spread called "You're Casual" which featured trendsetting dresses that were new on the scene for summer '74 - dresses for everyone and every time of day. Shelley wore pattern no. 6388, a short dress that came with an unlined bolero jacket. The dress had a flared skirt stitched to a gathered bodice, a back zipper, "sweetheart" type neckline with a contrasting band that extended to the back and contrasting shoulder straps that crossed at the back. The bolero jacket had short set-in sleeves that gathered to the armholes and contrasting sleeve and jacket bands. Matching earrings, a bracelet and a flower pinned to the chest finished her look. And Shelley looked chic and casual in her fab summer dress.

a pic of Shelley from a spread

for Simplicity Home Catalog Summer 1974

Bride's 67/68 A

a closeup on Shelley from a pic

from Bride's magazine, Dec 1967/Jan 1968

Bride's magazine was and is one of the most widely circulated mags that cater to brides and all their needs. It contains bridal and bridal-entourage fashion tips (as well as groom and groomsmen), food and nutrition writeups, health and fitness advice, beauty tips, planning and location articles and more. Shelley appeared on the pages of Bride's magazine's December 1967/January 1968 issue. She appeared on several spreads throughout the issue. In the spread called "The Real Brides," she modeled white empire-waist wedding gowns with soft feminine details such as floral appliques and lace. Simple diaphanous wedding veils, matching white gloves and matching white footwear finished her looks. And Shelley looked like the perfect June bride.

a pic of Shelley from a spread

for Bride's magazine, Dec 1967/Jan 1968

Summer Port '80

a pic of Shelley

from a spread for the Japanese

fan magazine Roadshow, Aug 1980

Shelley joined the cast of the phenomenal hit TV series Charlie's Angels in 1979 and instantly became Hollywood's newest superstar. Her casting was even mentioned in the evening news - it was that huge a deal. "I couldn't believe it. What was I doing in the evening news," Shelley exclaimed at the time. Images of her appeared on many, many magazines and newspapers around the world, as the series was a hit in practically every part of the world. In August of 1980, she appeared on the pages of Roadshow magazine - a Japanese fan magazine that featured many Hollywood celebrities. She appeared on the spread called "Summer Port '80," which featured some of Hollywood's current sexy actresses - such as Love Story's Ali McGraw, Supermodel Barbara Karrera (Barbara Carrera), Superman's Margot Kidder, The Exorcist's Linda Blair and Bond Girl Caroline Munro - along with Shelley. They were all sexy in their swimsuits, ready to beat the summer heat.

Shelley in a spread for the Japanese

fan magazine Roadshow, Aug 1980

Natural Lashes 1973 B

Shelley modeling MOD Lashes no. 26, 1973

Shelley appeared in an ad for MOD Natural Hair Lashes in 1973. It was an ad for the many different kinds of false eyelashes made by the company. Their affordable eyelashes matched every woman's personality and her every changing mood. The ad had the tagline "Wow! Real Hair Lashes ...Realistically Priced - to bring out the Real You". Each eyelash style was numbered and had a personalized lash look to it. Shelley modeled several styles for different kinds of lifestyles and moods. Career, Outdoors, Home-Loving, Child-At-Heart and Intellectual - style numbers 11, 16, 26, 31 and 33 - were all modeled by Shelley. And Shelley captured every personality and mood to a T.

Shelley modeling MOD Lashes no. 31, 1973

Trackdown Telefilm 6

screen captures from the telefilm

Trackdown: Finding the Goodbar Killer, 1983

October 2023 will be the 40th anniversary of the telefilm Trackdown: Finding the Goodbar Killer. Initially released on October 15, 1983, the film was based on the case that inspired the Judith Rossener novel Looking for Mr. Goodbar. Based on the brutal and shocking murder of Roseann Quinn in January of 1973 (Quinn was a late-20s schoolteacher for deaf children in New York City), this particular telefilm was a dramatization and recreation of the investigation into the 1973 homicide - with Quinn renamed Mary Alice Nolan. In the film, George Segal played New York detective John Grafton who only had a cartoon drawing found at the crime scene as lead. In the course of his investigation, he meets Logan Gay (Shelley Hack), Mary Alice's friend and co-teacher. Logan would later help Grafton in his investigation. Tracy Pollan played Eileen Grafton, John Grafton's daughter.

screen captures from the telefilm

Trackdown: Finding the Goodbar Killer, 1983

1983 was a landmark year for Shelley. It was the year she starred in the Martin Scorsese feature film The King of Comedy with Robert De Niro and the filmed-for-TV play Close Ties. It was the year she starred in Found Money alongside comedy greats Dick Van Dyke and Sid Caesar. It was also the year she starred in her second TV series, Cutter to Houston, with Alec Baldwin and Jim Metzler. And it was the year she starred in Trackdown: Finding the Goodbar Killer with industry veteran George Segal (in his first made-for-TV movie). The best part was, Shelley received critical acclaim for all her acting efforts for that year.

screen captures from the telefilm

Trackdown: Finding the Goodbar Killer, 1983

Charlie Hit Parade Album V2

gorgeous Shelley in promo pics

for Charlie perfume, 1979

Shelley was THE quintessential Charlie Girl and appeared in many, many ads and promotional items for the brand around the world. In 1980, she appeared on the record album Charlie Hit Parade, a musical album produced in Denmark with pictures printed on both sides of the vinyl disc. Side 1 featured a full-body picture of Shelley as THE Charlie Girl with the Danish phrase "Ide og produktion Kosmetik" (which translates to "Idea and production Cosmetics") written under her feet. Side 2 featured pictures of the many products included in the Charlie Collection (cologne, cosmetics, lotions, nail polish and perfume) as well as the names of the new colors of that year from the Charlie Collection - Jazzy Lilac, Bongo Berry, Punk Pink, Boogie Woogie Blue, Rose Sonata, Be Bop Grape, Rock 'N Roll Red and Fantasia Plum.

Shelley on version 2 of the vinyl disc

Charlie Hit Parade, 1980

Charlie Hit Parade was a long-playing (LP) musical album and was released in different parts of Europe. It contained a compilation of songs recommended by Charlie for the Charlie Girl in everyone. The songs in it were cover versions of the popular hits of the time. Two versions of the album were released. (Check out Version 1 at: Charlie Hit Parade Album V1) Version 2 came with a plastic sleeve and featured a pic of Shelley on one side and pictures of the Charlie Collection on the other. On the side with Shelley's pic, a list of the songs contained in the album was printed on it as well. Production details were added too. The songs were written in English and the details were written in German. The songs included in the album were the following:

Charlie Hitparade

Seite 1 (Side 1)

Coming Up (P. McCartney)

Could You Be Loved (B. Marley)

Xanadu (J. Lynne)

Sunset People (P. Bellotte/M. Faultermeyer)

Funky Town (Greensburg)

Seite 2 (Side 2)

Sexy Eyes (Mother/Stogall/ Waters)

I'm Alive (J. Lynne)

Little Jeanie (Osborne/E. John)

Don't Make Waves (Findon/Meyers/Puzey)

One More Little Kissie (Janschen/Janschens)

Shelley on version 2 of the vinyl disc

Charlie Hit Parade, 1980