Sewing was a popular hobby or pastime for women and girls in the 1970s. Many magazines that catered to women and young ladies would usually contain instructions and patterns on how to create the latest outfits right in their very own homes. It would also include fabric recommendations and tips on how to handle the materials needed to create the fashion pieces. Simplicity, McCall's, Butterick and several more companies specialized in it and even came up with their own sewing magazines as well as patterns, booklets, leaflets. They also came up with many ads to promote them. And many of the top models and Supermodels of the era would wear them on those various printed promotionals that were regularly released - Cheryl Tiegs, Beverly Johnson, Patti Hansen and Shelley Smith, just to name a few. And, of course, so did Shelley Hack.
Saturday, January 7, 2023
Budget Sewing '71
Cutter to Houston in 1983
Shelley's second foray into series TV was Cutter to Houston. It was about three young doctors from the world-famous Texas Medical Center in Houston who were recruited to run a small hospital in the fictional rural town of Cutter, Texas. Jim Metzler and Alec Baldwin played the other two doctors. Jim played idealistic GP Dr. Andy Fenton, who grew up in Cutter and is glad to be home. Alec played internist/ladies man Dr. Hal Wexler, who is getting through his probation, having been relegated to Cutter for being a little too fast and free with his prescriptions. And Shelley played Dr. Beth Gilbert, an ambitious surgeon on temporary assignment in Cutter who aspired to be a heart surgeon in Houston.
So Natural Looking!
Clairol is a division of the American company Wella, which specializes in haircare and hair-coloring products. The company was founded in 1931 and it brought to the US hair-coloring preparations from France. By the 1950s, it became popular in the States for its easy-to-use home hair-coloring kits. In the 1960s, Nice 'n Easy by Clairol advertised that their shampoo-in hair color as "so natural it invites closeups."
The Finishing Touch 12
In 1992, Shelley starred in the big screen thriller The Finishing Touch. She played Hannah, a divorced detective who had to work on a case with her detective husband then fell with one of their suspects. Dynasty star Michael Nader played her ex-husband Sam Stone and future The Mummy star Arnold Vosloo played the suspect, artist Mikael Gant. This was one of Shelley's sexiest roles because it involved her in a love scene with Vosloo. But for the topless scenes, she used a body double.
The Sporting Life 1
Shelley was The Charlie Girl from 1976 to 1982; and she appeared on many promotional pics for the Revlon brand. In 1980, Charlie and it's male perfume counterpart Chaz (also by Revlon) teamed up to promote the 1980 Winter Olympics which was held in Lake Placid, New York from Feb 13 to 24 of that year. Pics of Shelley together with the then current Chaz Man Tom Selleck were taken. The Sporting Life Kit containing both Revlon Charlie and Chaz products (the perfumes, Charlie Body Silk, Charlie Body Silk After Bath Tonic and Chaz Moisturizing After Shave Balm) became available. Shelley was already a superstar by then due to Charlie's Angels; but Tom Selleck would later become famous himself via his own TV series Magnum, P.I.
Hot New Actress
Shelley was one of the hottest new actresses on the scene in 1978. By that time, she was already a highly-paid Supermodel and was recognized by everyone as The Charlie Girl. She was currently transitioning from modeling to acting. The year before, she had done a cameo in the Academy Award winning film Annie Hall where she appeared in a scene with no other than director/star Woody Allen himself. By then, she was also being considered by long-time James Bond films producer Cubby Broccoli to play Bond girl in the latest Bond installment Moonraker. And she was currently, a first time leading-lady in the film If Ever I See You Again. The hot and busy model-turned-actress was in L.A. doing the talk shows to promote the film.
Matti of Lynne Design 1
Shelley appeared on many pattern catalogs, brochures and pattern packages during the 1960s and 1970s. In 1979, she appeared on Butterick catalog's November issue. In one spread, she wore Butterick pattern number 5676 - a two-piece semi-fitted dress. The top had a shaped collar, a front neckline slit, forward shoulder seams, full length sleeves with elasticized wrists and a self drawstring hemline. It also had attached self neckline ties. The skirt was flared and below-the knee in length and had an elasticized waistline. It was a design by Matti of Lynne, a popular label at the time. A watch and a necklace-and-earring set finished her look. And Shelley looked chic and fab.
















