1979 was a new era for the hit TV series Charlie's Angels. Supermodel Shelley Hack joined Jaclyn Smith and Cheryl Ladd to form Charlie's glamorous new Angel team. Nolan Miller, the wardrobe designer of the series, said, "I begged Aaron to hire Shelley. There was something about her I really liked; I was impressed with her Charlie perfume commercials and how she could create a look just by turning her collar up and putting her hands in her pockets." The wardrobe budget was increased to $20,000 per episode; and, according to People magazine, each Angel was to go through eight costume changes per episode (but it was more like three to five, with Farrah making the most - at eight changes - in "Fallen Angel"). For the episode "Dancin' Angels," Shelley went through just two outfit changes. For her first scene, she wore a blouse and skirt ensemble made up of a loose casual red blouse (with black details down the front and at the end of the 3/4 long sleeves) and a black pencil skirt (with red details at the hem). A pair of red high-heeled sandals finished her look. Gold earrings and a gold necklace accessorized her look. For the rest of the episode, she wore a stunning gold lamé evening gown. It had an empire seam hater top, a mermaid skirt and was backless. Straps held the halter top up, went around the neck and crisscrossed at the back. She finished her look with a pair of gold high-heeled evening sandals and a gold evening clutch. She accessorized her look with gold earrings, a gold bracelet with clear gemstones, a gold pinky ring and a gold and silver butterfly brooch pinned to the neckline of her gown. She wore a gray fur stole with her gown early in the episode.
Saturday, August 29, 2026
Angels Wardrobe 18
Happily Married Couple
Shelley Hack's third TV series was Jack and Mike. It aired from 1986 to 1987 right after the hit series Moonlighting. The two shows were promoted together, like a package. But while Moonlighting was about a bickering "will-they-or-won't-they" couple, Jack and Mike was about a happily married couple trying to find time to be together amidst their busy schedules. The show explored the life of journalist Jackie Shea (played by Shelley) and restauranteur Mike Brennan (played Tom Mason), a married couple with busy careers trying to make their marriage work. The yuppie phenomenon exploded in the 1980s - and more and more women began entering the workforce, climbing up the corporate ladder and holding positions previously held exclusively by men in past generations. This change affected the relationship dynamic of couples at the time as married women were no longer relegated to just being at home... finding a good balance between work life and home life was the ultimate goal. Men too were making adjustments to the new normal... coming to terms with the problems that came with the change as well as realizing the benefits it brought to a marriage.
Quality Classics A
Shelley appeared on many issues of what was known as the Seven Sisters group of magazines. The Seven Sisters magazines were Woman's Day, Redbook, McCall's, Ladies' Home Journal, Good Housekeeping, Family Circle and Better Homes and Gardens. They all catered to married women with children rather than single working women. The magazines featured homemaking and crafts, food and nutrition, health and fitness, beauty and fashion advice and articles. Shelley appeared in the October 1973 issue of Woman's Day magazine, in a spread called "Making the Most of Quality Classics." It featured classic wardrobe pieces that could be worn in a couple of different ways. Shelley wore a pantsuit (by Patti Cappalli for Addenda) sans the matching jacket with a white turtleneck top (by Rosanna) and topped it off with a knitted blazer (by Queen Casuals). She finished her look with a smart envelope bag and black wedge footwear. A mohair beret as well as a chunky necklace and bracelet set accessorized her look. And Shelley looked chic and classic. (For more, check out: Classics of 1973 A)
Angels in Syndication 9
2026 marks the 50th anniversary of Charlie's Angels TOS (The Original Series). The series was one of the biggest (if not the biggest) and most successful TV series that came out of the 1970s. It has been aired and re-aired all around the world for the past 50 years. Initially, it starred three gorgeous actresses as the Angels... Kate Jackson as the smart no-nonsense Sabrina Duncan, Farrah Fawcett as the sporty California girl Jill Munroe, and Jaclyn Smith as the sultry and mysterious Kelly Garrett. But as the series progressed, three more gorgeous Angels joined the series... Cheryl Ladd as the cute and sexy girl-next-door Kris Munroe, Shelley Hack as the classy intellectual Tiffany Welles, and Tanya Roberts as the street-smart tigress Julie Rogers.
6-Pack Dividend
Shelley was THE quintessential Charlie Girl and appeared in many, many ads for the brand. In 1979, Shelley appeared in a Charlie newspaper ad promoting "The Charlie Fragrance 6-Pack." The Charlie dividend was made up of six wonderfully packable Charlie things: two bars of Charlie Fragrant Body Silk Soap, a container Charlie Body Silk Foam Bath, a container of Charlie Body Silk, a bottle of Charlie Cologne, and a bottle of Charlie Concentrated Perfume Spray. It was available for only $6.00 with any $5.00 purchase from the Charlie Collection. Customers were also urged to try Charlie Super Cleansing Bar, Charlie Superior Cleansing Lotion, Charlie Skin Conditioning Tonic (dry skin), Charlie Skin Balancing Tonic (oily skin) and Charlie More Moisture... all available at any Charlie counter. Likewise, customers were encouraged to register (for free at any Charlie or Chaz counter) to win a Tomos two-speed automatic motorcycle. And Shelley was Charlie gorgeous, as always.
Actress in the 1980s
Shelley was a busy actress in the 1980s. After opting to leave Charlie's Angels in 1980, she went full-time into an acting career. She appeared on stage, TV and in the movies. She immediately tackled stage after Angels via the Jack Heifner play Vanities and gained critical praise for her work. Other stage plays soon came after (Elizabeth Diggs's play Close Ties, Garson Kanin’s Born Yesterday and John Krizanc's Tamara at the end of the decade) and she got critical praise for them as well. She starred in feature films like Martin Scorsese's The King of Comedy and Joseph Ruben's The Stepfather and got glowing reviews. In the series Cutter to Houston and Jack and Mike, she was praised for acting efforts.
1970s Supermodel
When Shelley graduated from Smith College in 1970, she decided to become a model full-time. Represented by the top model management company, Ford Models Inc., she began her transition from teen model to top model... and eventually to Supermodel. Her then boyfriend, photographer Steen Svensson, and make-up artist extraordinaire Rick Gillette came up with test shots of Shelley in the early '70s with the hope that the images could get her on the pages of Vogue and Harper's Bazaar - which eventually happened. She appeared on both the US and international editions of the magazines. According to Rick, "In the early 70’s before "Charlie", before "Charlie’s Angels", Shelley Hack was an ex-teen model looking for a more sophisticated look to get her into Vogue. I was creating a portfolio with the same goal in mind." By the late 1970s, Shelley was a certified Supermodel.
Saturday, August 22, 2026
Angels Wardrobe 17
1979 was a new era for the hit TV series Charlie's Angels. Supermodel Shelley Hack joined Jaclyn Smith and Cheryl Ladd to form Charlie's glamorous new Angel team. Nolan Miller, the wardrobe designer of the series, said, "I begged Aaron to hire Shelley. There was something about her I really liked; I was impressed with her Charlie perfume commercials and how she could create a look just by turning her collar up and putting her hands in her pockets." The wardrobe budget was increased to $20,000 per episode; and, according to People magazine, each Angel was to go through eight costume changes per episode (but it was more like three to five, with Farrah making the most - at eight changes - in "Fallen Angel").
Set in Chicago, Illinois
Shelley starred in her third TV series Jack and Mike in 1986. The series explored the life of journalist Jackie Shea (played by Shelley) and restauranteur Mike Brennan (played Tom Mason), a married couple with busy careers trying to make their marriage work. "It's about a modern woman who is doing something her contemporaries are doing - holding down a job and keeping a relationship," Shelley explained. "The real focus will be on the marriage and how two people who work cope and how their professional entanglements affect them," Tom Mason added. To distinguish it from other shows airing at the time, the series was set and filmed on location in Chicago, Illinois.
Diamond Ripple Afghan
Shelley appeared in many spreads for many magazines from the late '60s to the mid-'70s. She appeared in various knitting and sewing magazines at the time. Shelley appeared on various spreads throughout the magazine Modern Needle/Craft Spring Summer 1971. Modern Needle/Craft was publication that featured knitting, crochet and textile arts. Crochet and knitting techniques as well as cross-stitch and needlepoint tips were usually featured in the magazine. In the issue, Shelley appeared in the spread that featured crocheted garments, accessories and more. In the spread, she modeled a "campus size, diamond ripple Afghan" that was great for cozying up in. Underneath the Afghan, she wore a gray shirt and pants outfit. A clip on her hair accessorized her look. And Shelley looked summer fresh, and summer chic. (For more, check out: Campus Size Afghan)
Angels in Syndication 8
2026 marks the 50th anniversary of Charlie's Angels TOS (The Original Series). The series was one of the biggest (if not the biggest) and most successful TV series that came out of the 1970s. It has been aired and re-aired all around the world for the past 50 years. Initially, it starred three gorgeous actresses as the Angels... Kate Jackson as the smart no-nonsense Sabrina Duncan, Farrah Fawcett as the sporty California girl Jill Munroe, and Jaclyn Smith as the sultry and mysterious Kelly Garrett. But as the series progressed, three more gorgeous Angels joined the series... Cheryl Ladd as the cute and sexy girl-next-door Kris Munroe, Shelley Hack as the classy intellectual Tiffany Welles, and Tanya Roberts as the street-smart tigress Julie Rogers.
Brushes and More
Shelley was THE quintessential Charlie Girl and appeared in many, many ads for the brand around the world. In 1978, she appeared in an ad that promoted "Charlie's Brush Portfolio" dividend. It was a set of specialty makeup brushes made up of The Blusher Brush, The Lip Brush, The Brow and Lash Brush - makeup tools needed to perfectly apply all those fabulous new Charlie colors. It could be purchased for just $6.50 for any $5.00 purchase or more from the Charlie or Chaz Collections. Charlie Real Live Blush and Charlie Extra-Extra Shine Lipgloss in just-for-Charlie colors were an added plus to the already fabulous dividend. An artwork of Shelley appeared on the ad, of course, and Shelley looked fab even in artwork.
Monica in a Forsyth Thriller
Shelley appeared in the first installment of the telefilm series Frederick Forsyth Presents. It was a set of six telefilms by internationally acclaimed author Frederick Forsyth; and they were all original spy thrillers. The first of them, A Casualty of War, was aired in December of 1989. The film was about the efforts of the British Intelligence to uncover an arms smuggling operation in Europe. In the film, Shelley played Monica Browne, the love interest of retired British secret service agent Tom Rowse (played by English actor David Threlfall) who was recruited to intercept an arms shipment from Libya to the IRA. But Monica had her secrets.
Simpicity Fashion Top
Simplicity Fashion News was a monthly pamphlet Simplicity came out with to showcase their latest patterns. The Simplicity Pattern Company had been manufacturing sewing patterns since 1927 and had allowed fashionistas on a budget and sewing aficionados to create clothes in a reliable manner. Shelley appeared on the pages of Simplicity Fashion News July 1972 issue. She appeared in the spread called "Sew Tops That Top Them All" which featured tops that were perfect for that summer season. She wore pattern no. 5078, a striped pullover misses' top that was designed for knit fabrics and just perfect for summer. It was an off-the-shoulder top with long raglan sleeves, shoulder straps and elastic casing at the upper edge of the front and back. the cuffs and lower band were of ribbed banding. Shelley looked summer-ready and summer-fresh. (For more, check out: Tops That Top Them All)
Saturday, August 15, 2026
Angels Wardrobe 16
1979 was a new era for the hit TV series Charlie's Angels. Supermodel Shelley Hack joined Jaclyn Smith and Cheryl Ladd to form Charlie's glamorous new Angel team. Nolan Miller, the wardrobe designer of the series, said, "I begged Aaron to hire Shelley. There was something about her I really liked; I was impressed with her Charlie perfume commercials and how she could create a look just by turning her collar up and putting her hands in her pockets." The wardrobe budget was increased to $20,000 per episode; and, according to People magazine, each Angel was to go through eight costume changes per episode (but it was more like three to five, with Farrah making the most - at eight changes - in "Fallen Angel"). For the episode "Catch a Falling Angel," Shelley went through three outfit changes. For her first scene and throughout most of the episode, Shelley wore a white shirt and khaki jeans ensemble. She topped it off with a camel-colored bomber-style jacket with white piping details. She finished her look with a thin brown leather belt and a pair of beige-colored boots. She accessorized her look with a gold necklace. She next wore a dusty-lavender-colored shirt (with purple pinstripes) and an off-white pleated slacks ensemble. She topped it off with a dark-cedar-brown-colored blazer. She finished her look with a dark tan leather belt and beige high-heeled sandals (with ankle straps and peekaboo toes). A thin, loosely tied dark-cedar-brown-colored necktie and an off-white oversized pocket square accessorized her look. For the epilogue, she wore a dark-brown-colored double-breasted ladies skirt suit with a deep-pink-colored shirt. She finished her look with a pair of medium-dark-brown-colored high-heeled sandals (with ankle straps and peekaboo toes). She accessorized her look with gold earrings.
Ms. Breen
Shelley played Erika Breen, a blind switchboard operator, in the 1989 big screen thriller Blind Fear. Erika is working at a country lodge that is invaded by a gang of criminals (who've just hijacked an armored car), looking for a place to spend the night. But despite her disability, Erica manages to outsmart them all; and manages to... There's a surprise ending. It was filmed in Québec, Canada and runs for an hour and 27 minutes. Jack Langedijk, Kim Coates, Heidi von Palleske, Jan Rubes, Ron Lea, and Geza Kovacs co-starred. In July 2009, Shelley told her fans at the Hollywood Collectors Show a little bit about her experience while filming Blind Fear. She said that she wore a type of contact lens that blocked the vision and literally made her blind. She couldn't see anything when they were filming her scenes. Blind Fear has been released in DVD and VHS format.
Poncho in Two Sizes
Shelley appeared in many spreads for many magazines from the late '60s to the mid-'70s. She appeared in various knitting and sewing magazines at the time. Shelley appeared on various spreads throughout the magazine Modern Needle/Craft Spring Summer 1971. Modern Needle/Craft was publication that featured knitting, crochet and textile arts. Crochet and knitting techniques as well as cross-stitch and needlepoint tips were usually featured in the magazine. In the issue, Shelley appeared in the spread that featured crocheted garments, accessories and more. In the spread called "A Poncho Big Sister Can Borrow". It was a smart poncho with a lively stripe detail and generous fringes that anyone could crochet. It could be made in two sizes; the "double" sized version could be worn as a skirt. Shelley showed how each piece could be worn. (For more, check out: Borrowed Poncho)
Angels in Syndication 7
2026 marks the 50th anniversary of Charlie's Angels TOS (The Original Series). The series was one of the biggest (if not the biggest) and most successful TV series that came out of the 1970s. It has been aired and re-aired all around the world for the past 50 years. Initially, it starred three gorgeous actresses as the Angels... Kate Jackson as the smart no-nonsense Sabrina Duncan, Farrah Fawcett as the sporty California girl Jill Munroe, and Jaclyn Smith as the sultry and mysterious Kelly Garrett. But as the series progressed, three more gorgeous Angels joined the series... Cheryl Ladd as the cute and sexy girl-next-door Kris Munroe, Shelley Hack as the classy intellectual Tiffany Welles, and Tanya Roberts as the street-smart tigress Julie Rogers.
Fragrance 6-Pack
Glamorous Underrated Star
Shelley became an overnight Hollywood Superstar in 1979 when she joined the cast of the hit series Charlie's Angels. She was thrust into the spotlight immediately after she was named Charlie's newest Angel and was hounded by reporters. "I had press people crawling in my windows," she said of the experience. The star said, "I was totally unprepared for the press 'bonanza' that followed." Shelley stayed with the series for a year and later said, "I did my year and I moved on." She added, "That was just fine. That was plenty for me." By the 1980s, Shelley was one of stars active in the Hollywood scene. She had earned the praise of very surprised critics via the stage plays Vanities, Close Ties and Born Yesterday. She had starred in the Martin Scorsese film The King of Comedy opposite Robert de Niro and the soon-to-be cult classic The Stepfather opposite Terry O'Quinn, and received critical praise as well. She had starred in two TV series Cutter to Houston and Jack and Mike, which didn't last long but received praise from critics as well. She was one of Hollywood's most glamorous but underrated stars.
Simpicity Summer '72 C
Simplicity Fashion News was a monthly pamphlet Simplicity came out with to showcase their latest patterns. The Simplicity Pattern Company had been manufacturing sewing patterns since 1927 and had allowed fashionistas on a budget and sewing aficionados to create clothes in a reliable manner. Shelley appeared on the pages of Simplicity Fashion News March 1972 issue. She appeared in the spread called "The Dress World Is In Tune With Cool Classics" which featured dresses that were perfect for that summer season. She wore pattern no. 9885, a floral halter mini-dress that was softly gathered above the waistline with a matching ribbon. Matching heeled sandals and fresh natural makeup finished her look. And Shelley looked chic, fab and summer-ready. (For more, check out: Cool Classics)
Saturday, August 8, 2026
Angels Wardrobe 15
1979 was a new era for the hit TV series Charlie's Angels. Supermodel Shelley Hack joined Jaclyn Smith and Cheryl Ladd to form Charlie's glamorous new Angel team. Nolan Miller, the wardrobe designer of the series, said, "I begged Aaron to hire Shelley. There was something about her I really liked; I was impressed with her Charlie perfume commercials and how she could create a look just by turning her collar up and putting her hands in her pockets." The wardrobe budget was increased to $20,000 per episode; and, according to People magazine, each Angel was to go through eight costume changes per episode (but it was more like three to five, with Farrah making the most - at eight changes - in "Fallen Angel"). For the episode "One of Our Angels Is Missing," Shelley went through five outfit changes. For her first scene, Shelley wore a black and white ensemble consisting of a white long-sleeved V-neck top with shoulder pads (in a textured fabric) and matte black slacks. She finished her look with a sliver braided rope belt and accessorized it with pearl earrings and a pearl necklace. She next paired a deep scarlet ladies skirt suit (with frog-button-like jacket closures). She wore it with a white long-sleeved scarf collared blouse. She finished her look with a pair of red high-heeled footwear (with ankle straps and peekaboo toes) and a red textured clutch bag. Gold earrings and a gold ring finished her look. She next wore a cream-colored ladies suit with a white high-necked blouse (with details around the collar and pleating from around the collar). A lapel bar pin, a pair of small gold hoop earrings and a gold pinky ring finished her look. She next wore a cream-colored textured sweater top (with wooden buttons) over a pair of taupe-colored jeans. A pair of brown leather boots finished her look. For the epilogue, she wore an electric blue long-sleeved shirt dress (with a jacket collar and a slit up one leg). She finished her look with a red belt and accessorized it with a pair of gold earrings.
Ms. Baccara
Shelley appeared in the long-running play Tamara from late-1989 to 1990. Tamara is a play by John Krizanc, about the painter Tamara de Lempicka and her historical meeting with Gabriele D'Annunzio at his villa at Gardone Riviera. The play was staged at the Il Vittoriale in Los Angeles. It was unique because it allowed the audience to participate in the play itself. Audience members could follow any cast member as the play went on. Shelley told Beverly Hills [213] in 1990, "I've always done a lot of theater, but with this play, there's no fourth wall as we know it." She stepped into the role of Luisa Baccara. "I was in New York when they offered the play to me," Shelley added. She describes her character as someone "who starts out crazy and gets crazier." She said, "Basically, I get to chew the rug for two hours." (For more, check out: Cover Girl 1990 and "No Fourth Wall" Play)
Smart-Looking Stole
Shelley appeared in many spreads for many magazines from the late '60s to the mid-'70s. She appeared in various knitting and sewing magazines at the time. Shelley appeared on various spreads throughout the magazine Modern Needle/Craft Spring Summer 1971. Modern Needle/Craft was publication that featured knitting, crochet and textile arts. Crochet and knitting techniques as well as cross-stitch and needlepoint tips were usually featured in the magazine. In the issue, Shelley appeared in the spread that featured crocheted garments, accessories and more. In the spread called "Smart Shawls and Ponchos", she modeled the Triangle Stole, a triangular-shaped stole with a striped design and fringed edges on two sides. Anyone could knit the smart-looking stole that was perfect for those cool spring summer evenings. Shelley looked chic as usual. (For more, check out: Triangle Stole)

















































