Zwicker Understands 2

a closeup of Shelley

from a pic used in an ad

for Zwicker Knitting Mills, 1970

Shelley appeared in an ad for Zwicker Knitting Mills in 1970. Zwicker was a knitting mill company (the last one in the US when it closed in 1990) that sold knitted winter wear such as scarves, gloves, hats and the like. Their 1970 ad had the tagline "Grandmother loved you... but Zwicker understands you better." The ad was a promo for the latest variety of knitwear made available by Zwicker for the contemporary young miss... so young ladies could have alternatives to the knitwear their grandmas made for them. Great-looking tam o' shanters, lace crochet hats, cable-stitched berets, and wild-colored London street-boy caps - they were all available. Long, long scarves and wild ponchos were available as well. Because Zwicker understood the needs of the 1970s fashionista. And Shelley was one '70s fashionista indeed.

Shelley in a pic used in an ad

for Zwicker Knitting Mills, 1970

A Reputable Acting Career

a promo pic of Shelley

for Charlie's Angels, 1979

Shelley's successful modeling career opened Hollywood doors for her (While she was modeling, she was also studying acting in New York, at the Herbert Berghof Studios under Jack Wolzer... getting ready for a possible career shift). Her acting debut was as a memorable bit role in the 1977 Academy Award winning Woody Allen film Annie Hall. Her first leading lady role was in the film If Ever I See You Again. After a number roles on TV and the big screen, she was cast as Angel Tiffany Welles in the hit TV series Charlie's Angels and she became a superstar overnight. Later, Shelley studied acting with Lee Strasberg and Stella Adler, and had received glowing reviews for her stage performances. She was also cast in the Martin Scorsese film The King of Comedy, and later in the Joseph Ruben film The Stepfather. She had been on stage with Meredith Baxter, Annette O'Toole, Kim Darby, Christopher Guest, Alan Oppenheimer, Michael O. Smith, John Fitzgibbon, and Lonnie Burr. On TV, she had played opposite George Hamilton, Dinah Shore, George Segal, Dick Van Dyke, Sid Caesar, Paul Michael Glaser, Anthony Geary, Sela Ward, Patricia Wettig, Joanna Kerns, Paul Sorvino, Roy Scheider, Jonathan Banks, Corey Feldman, William Devane, and Jack Wagner. In the movies, she had shared the big screen with Woody Allen, Robert De Niro, Michael Moriarty, Terry O'Quinn, Michael Nader, Arnold Vosloo, George Segal, and JoBeth Williams. All in all, Shelley has had a reputable acting career.

Shelley in a mag clipping

from the Sophisticate's Hairstyle Guide,

Feb 1987

Sweet, Sexy and Stunning

a closeup of Shelley from a fashion pic

used in a spread on the Sears

Fall and Winter 1970 catalog

Shelley appeared in many catalogs throughout her modeling career, from the late '60s to the late '70s. Mail-order catalogs were at the height of its popularity at the time. They were big-book size publications that contained a list and pictures of the general merchandise from, usually, a department store that were available for purchase and delivery straight to the homes of their customers. Everything from homeware to toys were featured in these catalogs... as well as garments and the latest fashion pieces. Sears was an American chain of department stores founded in 1892. Aside from the big-book catalogs, they came out with tabloid-sized catalogs that featured items on sale. In 1970, Shelley appeared on the pages of the Sears Fall and Winter 1970 catalog.

Shelley in a spread

for Sears Fall and Winter 1970 catalog

She appeared in the spread called "Dream Scene In Long And Short Silhouettes." The spread featured various types and styles of sleepwear for the modern and contemporary young miss... from smart-looking tunic topped pajama sets to sophisticated sleeping gowns to comfortable sleepshirts and to frilly teddy and panty sleepwear sets. Shelley wore a sweet, sexy and lacy teddy and panty sleepwear set. The teddy had an empire waist, and a deep V-neck front and back. It was micro-mini in length, had ruffled edges, had an elasticized empire waist that was closed with a tie sash. Ecru-colored lace was overlaid on the bodice. It came with a matching bikini-style panty (which had an elasticized waist). Ecru-colored lace was overlaid on the panty as well. She modeled the sleepwear set in the two available shades - ivory and mint. And Shelley looked sweet, sexy and stunning in the sleepwear set.

Shelley in a fashion pic

used in a spread on the Sears

Fall and Winter 1970 catalog

Found Money TV Movie 5

screen captures from the TV movie

Found Money, 1983

Shelley appeared alongside comedy legends Dick Van Dyke and Sid Caesar in the 1983 TV movie Found Money. The movie was about computer expert Max Shepherd and security guard Sam Green, two former employees of First National Bank who have been let go with little to no benefits after decades of employment. Max uses his computer skills to create an account in the bank using the money from inactive accounts that are automatically transferred to the state when not claimed after five years. Using the name Seymour Good, head of The Invisible Friend Inc., he transfers the money to accounts of ordinary citizens who bring kindness to the world. After some convincing, Sam joins Max in his quest. As good Samaritans begin receiving the money, the story is picked up by the press and is covered by reporter Leslie Phillips (Shelley Hack) who becomes Max's love interest.

screen captures from the TV movie

Found Money, 1983

Shelley found both Dick Van Dyke and Sid Caesar "very generous to work with" but had to keep up with the their pace. "You had to work so fast, because everything was left loose," she told TV Guide. "I felt like I kind of jumped on a moving train," she added. As for Shelley's performance in Found Money, Television writer Fred Rothenberg said "Miss Hack's acting has improved since she played one of Charlie's Angels." Shelley said of the TV movie, "It's a whole type of distinctly American comedy, the closest to theater on film I'd ever gotten." Prior to Found Money, Shelley had starred in several stage plays in the early 1980s and had received excellent reviews for her performances. She was also cast in the Martin Scorsese film The King of Comedy where she held her own in scenes opposite acting giant Robert De Niro; she got excellent reviews for her performance in the film as well. Shelley had come a very long way indeed.

screen captures from the TV movie

Found Money, 1983

The Soft Life

Shelley in promo pics

for Charlie perfume and cosmetics, 1976

Shelley was THE quintessential Charlie Girl and was Revlon Charlie's image model from 1976 to 1982. Charlie was one of the first mega-successful lifestyle brands in the world. The phenomenal success of the brand was due in part to Shelley's unforgettable image. The Charlie brand was so popular that a masculine counterpart was created and was named Chaz. Both Charlie and Chaz were derived from the name of Revlon's founder Charles Revson. In 1977, an artwork of Shelley appeared in a newspaper ad for Charlie with the tagline "This Week At Miller's Start Living The 'Soft' Life With A Great Dividend From Revlon." It was a promo for "The Soft Pack," a promo that offered customers a chance to purchase a sleek travel bag that handled suits and dresses with equal ease. Just put either or both on the special hanger, zip the bag up, and you're all set to go. The travel bag was valued at $18.50 but could be purchased for just $6.00 for any $5.00 or more purchase from the Charlie or Chaz collection by Revlon. The ad included a checklist of all the products available from the Charlie and Chaz collections for customers who wanted their transactions and purchases done via postal mail. And whether in pictures or in artwork, Charlie Girl Shelley was always Charlie-Girl gorgeous.

an artwork of Shelley

in a newspaper ad for Charlie

perfume and cosmetics, 1977

Gorgeous at the Academy Awards

Shelley at the 52nd Academy Awards,

April 1980

In April 14, 1980, Shelley attended the 52nd Annual Academy Awards. It was held at the Dorothy Chandler Pavilion in Los Angeles and was hosted by Johnny Carson. And after nearly a decade of anti-fashion, Hollywood was returning back to glamour, and the newest stars were showing everyone how it was done. New York clotheshorse and Supermodel Shelley Hack was one of Hollywood's newly-minted superstars; and she was all about glamour that evening. In her black cross-strapped evening ensemble with matching gold accessories and with her nearly-platinum blonde mane blown straight, Shelley was drop-dead glamorous and gorgeous at the event. The other glamorous stars in attendance were Shelley's co-Angel Farrah Fawcett, fellow Supermodels Lauren Hutton and Marisa Berenson, superstar singers Olivia Newton John and Helen Reddy, Bo Derek, Persis Khambatta, Kristy McNichol, Jamie Lee Curtis, Candice Bergen, Goldie Hawn, Liza Minnelli, Marsha Mason, Jill Clayburgh, Sally Kellerman, Cloris Leachman, Sally Field, Jane Fonda, Ann Margret, Ann Miller, and Meryl Streep who won Best Actress in a Supporting Role for Kramer vs. Kramer (which also won the award for Best Picture that night).

Shelley at the 52nd Academy Awards,

April 1980

Those Solo Episodes

Shelley with Jaclyn Smith

and Cheryl Ladd in a promo pic

for Charlie's Angels, 1979

In 1979, Shelley joined the cast of the mega-hit TV series Charlie's Angels for its 4th season... taking over from Kate Jackson who left after the 3rd season. The announcement of Shelley as Charlie's newest Angel made her a Hollywood superstar overnight. And her face appeared on virtually every magazine in the world and was even mentioned in the evening news. "I couldn't believe it. What was I doing in the evening news?" Shelley exclaimed. Everyone was excited to see THE Charlie perfume Girl in action as Charlie's newest Angel. Shelley photographed really well with her new co-Angels Jaclyn Smith and Cheryl Ladd. Plus, she had good rapport with both of them, as well as with her new other castmate David Doyle. Jaclyn Smith said, "I feel good about her. I think the three of us are going to get along great." Cheryl Ladd said, "Shelley seems like a terrific girl. I think she's good and I'll do everything I can to make her feel at home." And Shelley's debut episode "Love Boat Angels" topped the Nielsen ratings.

Charlie's Angels season 4

solo episodes, 1979-1980

But changes were made during the 4th season. Due to the request of the retained cast members for more time off, solo episodes were produced. These episodes focused on just one Angel, with the other Angels popping up here and there throughout the entire episode. Each Angel had three of these solo episodes, including Jill Munroe, Farrah Fawcett's character (Farrah had three episodes to complete for the 4th season - as part of the settlement she had with the producers of the series). Jaclyn Smith's and Farrah's solo episodes were aired early in the season... as well as one of Cheryl Ladd's. Shelley's first solo episode was aired almost two and a half months after her debut episode. After all that hype upon the announcement of her casting, Shelley was sadly reduced to mere decoration early in the season. She was given little to say or do. Angels director Allen Baron said, "I felt bad for her because she wasn't integrated into the group." It's a pity because Shelley did really well as the series approached mid-season. In fact, she did really well in her three solo episodes. Unfortunately though, as the mid-season approached, many viewers had lost interest in the show. Upon so much anticipation after the announcement of her casting, the extremely disappointed fans didn't get to see enough material on her (during those crucial initial episodes) to embrace her character Tiffany like they did Cheryl Ladd's Kris Munroe character two years earlier.

Charlie's Angels season 4

team episodes,1979-1980

Zwicker Understands 1

a closeup of Shelley

from a pic used in an ad

for Zwicker Knitting Mills, 1970

Shelley appeared in an ad for Zwicker Knitting Mills in 1970. Zwicker was a knitting mill company (the last one in the US when it closed in 1990) that sold knitted winter wear such as scarves, gloves, hats and the like. Their 1970 ad had the tagline "Grandmother loved you... but Zwicker understands you better." The ad was a promo for the latest variety of knitwear made available by Zwicker for the contemporary young miss... so young ladies could have alternatives to the knitwear their grandmas made for them. Great-looking tam o' shanters, lace crochet hats, cable-stitched berets, and wild-colored London street-boy caps - they were all available. Long, long scarves and wild ponchos were available as well. Because Zwicker understood the needs of the 1970s fashionista. And Shelley was one '70s fashionista indeed.

Shelley in a pic used in an ad

for Zwicker Knitting Mills, 1970

Supermodel Girl

Shelley in a pic used

for a Charlie perfume ad, 1977

Shelley began modeling in her teens and was represented by Eileen Ford, an acquaintance of her mother Pat (who was a former model herself). Her first covers were for Glamour (for more, check out: First Cover) and Seventeen (for more, check out: Seventeen Cover) magazines, the November 1964 issues of both mags. Shelley said, "Modeling was a great summer job. It beat waitressing." Modeling remained a sideline however, as Shelley concentrated on her studies. But after graduating college, she signed on full-time at Ford Models Inc. and became one of the highest-paid models in the business... a certified Supermodel. Shelley became known worldwide as THE Charlie Girl from the many commercials and print ads she appeared in for the Charlie by Revlon brand. Shelley said, "The Charlie (Girl) image is interesting because people recognize me and some actually chase me down the street." Eileen Ford said of Shelley, "Modeling was just a vehicle she used to get educated. It was never a thing where she wanted to be the best model in the world. She simply became one of them despite herself."

Shelley in a mag clipping

from the Sophisticate's Hairstyle Guide,

Feb 1987

Get A Jump On Fall

a closeup of Shelley from a fashion pic

used in a spread on the Sears

Fall and Winter 1970 catalog

Shelley appeared in many catalogs throughout her modeling career, from the late '60s to the late '70s. Mail-order catalogs were at the height of its popularity at the time. They were big-book size publications that contained a list and pictures of the general merchandise from, usually, a department store that were available for purchase and delivery straight to the homes of their customers. Everything from homeware to toys were featured in these catalogs... as well as garments and the latest fashion pieces. Sears was an American chain of department stores founded in 1892. Aside from the big-book catalogs, they came out with tabloid-sized catalogs that featured items on sale. In 1970, Shelley appeared on the pages of the Sears Fall and Winter 1970 catalog.

Shelley in a spread

for Sears Fall and Winter 1970 catalog

She appeared in the spread called "Favorite Classic Sweaters," which featured sweater and skirt sets. (For more, check out: Favorite Classic Sweaters 1, Favorite Classic Sweaters 2, and Favorite Classic Sweaters 3) She also appeared in the spread right beside it, which was called "Get A Jump On Fall In Season-Spanning Knit Jumpers" where she wore a jumper and shirt ensemble for the contemporary miss. She wore a white shirt (a long-sleeved, lacy-looking and subtly see-thru knitted shirt in stretch nylon... with front button closing and shirt tails) with a sleeveless, above-the knee jumper (a knitted jumper with a V'd neckline, a row of buttons down the front to the hem, and a self belt). A pair of chunky-heeled, lace-up Oxfords finished her look. And Shelley looked absolutely sensational in the jumper and shirt ensemble.

Shelley in a fashion pic

used in a spread on the Sears

Fall and Winter 1970 catalog

Found Money TV Movie 4

Shelley in a screen capture

from the TV movie Found Money, 1983

Shelley appeared alongside comedy legends Dick Van Dyke and Sid Caesar in the 1983 TV movie Found Money. The movie was about computer expert Max Shepherd and security guard Sam Green, two former employees of First National Bank who have been let go with little to no benefits after decades of employment. Max uses his computer skills to create an account in the bank using the money from inactive accounts that are automatically transferred to the state when not claimed after five years. Using the name Seymour Good, head of The Invisible Friend Inc., he transfers the money to accounts of ordinary citizens who bring kindness to the world. After some convincing, Sam joins Max in his quest. As good Samaritans begin receiving the money, the story is picked up by the press and is covered by reporter Leslie Phillips (Shelley Hack) who becomes Max's love interest.

screen captures from the TV movie

Found Money, 1983

Shelley found both Dick Van Dyke and Sid Caesar "very generous to work with" but had to keep up with the their pace. "You had to work so fast, because everything was left loose," she told TV Guide. "I felt like I kind of jumped on a moving train," she added. As for Shelley's performance in Found Money, Television writer Fred Rothenberg said "Miss Hack's acting has improved since she played one of Charlie's Angels." Shelley said of the TV movie, "It's a whole type of distinctly American comedy, the closest to theater on film I'd ever gotten." Prior to Found Money, Shelley had starred in several stage plays in the early 1980s and had received excellent reviews for her performances. She was also cast in the Martin Scorsese film The King of Comedy where she held her own in scenes opposite acting giant Robert De Niro; she got excellent reviews for her performance in the film as well. Shelley had come a very long way indeed.

screen captures from the TV movie

Found Money, 1983

Soft Pack Promo

Shelley in promo pics

for Charlie perfume and cosmetics, 1976

Shelley was THE quintessential Charlie Girl and was Revlon Charlie's image model from 1976 to 1982. Charlie was one of the first mega-successful lifestyle brands in the world. The phenomenal success of the brand was due in part to Shelley's unforgettable image. The Charlie brand was so popular that a masculine counterpart was created and was named Chaz. Both Charlie and Chaz were derived from the name of Revlon's founder Charles Revson. In 1976, an artwork of Shelley appeared in a newspaper ad for Charlie promoting "The Soft Pack." It was a promo that offered customers a chance to purchase a sleek travel bag that handled suits and dresses with equal ease. Just put either or both on the special hanger, zip the bag up, and you're all set to go. The travel bag was valued at $18.50 but could be purchased for just $6.00 for any $5.00 or more purchase from the Charlie or Chaz collection by Revlon. The ad included a checklist of all the products available from the Charlie and Chaz collections for customers who wanted their transactions and purchases done via postal mail. And whether in pictures or in artwork, Charlie Girl Shelley was always Charlie-Girl gorgeous.

an artwork of Shelley

in a newspaper ad for Charlie

perfume and cosmetics, 1976

Small Town Doctors

K Callan, Jim Metzler, Shelley Hack,

Alec Baldwin, and Susan Styles

in a promo pic for Cutter to Houston, 1983

Shelley's second foray into series TV was Cutter to Houston. It was about three young doctors recruited to run a small hospital in the fictional rural town of Cutter, Texas. Shelley played Dr. Beth Gilbert, an ambitious surgeon on temporary assignment in Cutter. Beth aspired to become a heart surgeon in Houston. Jim Metzler played idealistic GP Dr. Andy Fenton, who grew up in Cutter and was glad to be back in the town that financed his medical education. Alec Baldwin played internist Dr. Hal Wexler, who was getting through his probation, having been relegated to Cutter for being a little too fast and free with his prescriptions. Other regular cast members included K Callan as Nurse Connie Buford, Susan Styles as Nurse Patty Alvarez and Noble Willingham as Mayor Warren Jarvis. It was first aired on October 1, 1983; and after 4 original episodes, it was announced cancelled by October 29, 1983. Replays and three more original episodes were aired until December 31, 1983. There were two more completed episodes; but they weren't aired during the show's initial 1983 run. Let's hope the entire series is finally streamed somewhere.

K Callan, Jim Metzler, Shelley Hack,

Alec Baldwin, and Susan Styles

in a promo pic for Cutter to Houston, 1983

Beverly Hills Hotel Party

Shelley and Cheryl Ladd

at The Love Boat Honors

Helen Hayes gala event, 1980

In February of 1980, Shelley attended The Love Boat Honors Helen Hayes gala event which was held at the Beverly Hills Hotel in Beverly Hills, California. The special event for the hit TV series The Love Boat also paid tribute to the "First Lady of American Theatre" Helen Hayes. Love Boat executive producer Aaron Spelling was a big admirer of Ms. Hayes and included a special tribute to the two-time Oscar winner (who was also the first woman to win the EGOT - an Emmy, a Grammy, an Oscar, and a Tony Award) at the gala event. The acting legend was also an esteemed guest star in the 90-minute 3rd season finale episode of The Love Boat entitled "No Girls for Doc/Marriage of Convenience/The Caller/The Witness" where she played opposite her real-life adopted son, actor James MacArthur, who rose to fame as Danny "Danno" Williams on the TV series Hawaii Five-O. The episode aired in May of that year.

Shelley and Cheryl Ladd

at The Love Boat Honors

Helen Hayes gala event, 1980

The star-studded event was graced by both classic Hollywood luminaries as well as the contemporary stars of the moment. Aside from Shelley Hack, the other attendees were her fellow Charlie's Angels Jaclyn Smith and Cheryl Ladd, the entire cast of The Love Boat, Jane Wyman, Phil Silvers, Milton Berle, Steve Allen, Jayne Meadows, Hope Lange, John Gavin, Britt Ekland, Bobby Sherman, Phyllis Diller, James MacArthur, Melissa Gilbert, Joyce DeWitt, Robert Hays, Loni Anderson, Mark Harmon, Lisa Hartman, Michele Lee and many more. Of course, Aaron Spelling was there too, as well as legend herself, the evening's honoree Ms. Helen Hayes.

Shelley and Cheryl Ladd

at The Love Boat Honors

Helen Hayes gala event, 1980

Fashionable Eagleknits

a closeup of Shelley

from an ad for Eagleknit, 1970

Shelley was a much sought-after model during her modeling days. She appeared in many print ads, including ads for Eagleknit. Eagle Knitting Mills was a manufacturer of knitted headwear (as well as the manufacturer of the original patented earlap cap) and was sold to Zwicker Knitting Mills in 1963. In the 1970s, aside from headwear, Eagleknit came out with caps, hats, shawls and "flings"... all in the latest fashion trends of course. A 1970 ad with Shelley said:

Out there... it's a cold cruel world in the winter. And in that kind of world, a girl has to keep warm somehow. But looking like the abominable snowman doesn't make it. Looking fashionable does. And that's where Eagleknits come in. They're fashionable. They're fun. And they're cozy. Because they're made of super soft, super colorful Creslan acrylic fiber. And if you don't think that's enough to make a girl feel warm all over, just try them. Creslan is a product of the American Cyanamid Co., Wayne, New Jersey.

Shelley in an ad for Eagleknit, 1970

Working Supermodel

a modeling pic of Shelley from 1974

Shelley was one of the most in-demand models in the 1970s. In fact, she was one of the highest-paid models represented by Ford Models, Inc...  a certified Supermodel. "The clients respond to my all-American face," Shelley told Cosmopolitan magazine in 1974 (in a writeup series called "Model Behavior"). She said, "Models look at themselves differently than other women. I used to look in the mirror and just stare and reflect." But when she became a model, Shelley explained, "I'm interested in what needs repairing. Is my shadow running? Have my cheeks started to pale?" If so, she would take out her make-up bag and "repair" in a hurry." It doesn't mean I don't have problems," she added, "First of all, there are my glasses. And then there is my face, which I think of as irregular. My smile is crooked and so is my nose." Shelley learned how to relax her facial expressions without her glasses and how to use makeup to hide her flaws. "There is really very little I can do about my smile, except control the upper left side without looking stiff." Shelley felt it was her professional obligation to her best for her clients.

a writeup about Shelley

from Cosmopolitan mag, 1974

Shelley added, "As far as (my father) was concerned, I was in business, the business of selling my face." And her face was everywhere –magazines, catalogs, brochures, booklets, books, ads, commercials, product packaging, promo standees... She modeled clothes, cosmetics, furs – almost everything. And she rose to the very top of her profession. When asked how she did it, Shelley deduced, "You just have to become objective about yourself." She explained, "I was a success because I was hard-working, professional, bright. I looked at the business and identified the markets. I knew the key was that they always wanted someone new. I decided to hit one market one year, then cut my hair and hit another. Then let it grow and hit television. I thought it through. The game plan can apply to any business, but especially to one where you're the product." Her father taught her well.

a modeling pic of Shelley from 1974

Favorite Classic Sweaters 3

a closeup of Shelley from a fashion pic

used in a spread on the Sears

Fall and Winter 1970 catalog

Shelley appeared in many catalogs throughout her modeling career, from the late '60s to the late '70s. Mail-order catalogs were at the height of its popularity at the time. They were big-book size publications that contained a list and pictures of the general merchandise from, usually, a department store that were available for purchase and delivery straight to the homes of their customers. Everything from homeware to toys were featured in these catalogs... as well as garments and the latest fashion pieces. Sears was an American chain of department stores founded in 1892. Aside from the big-book catalogs, they came out with tabloid-sized catalogs that featured items on sale. In 1970, Shelley appeared on the pages of the Sears Fall and Winter 1970 catalog. She appeared in the spread called "Favorite Classic Sweaters," which featured sweater and skirt sets. She wore the long-sleeved Turtleneck pullover sweater (which could be dressed up or down) over the Skirt, a panel rib-knit pull-on style skirt with an elasticized waistband. She finished her look with the Suede Belt (a 2-inch leather belt  with an antique-look-gold metal buckle) and a matching bag. Shelley looked sensational in the classic sweater and skirt ensemble.

Shelley in a fashion pic

used in a spread on the Sears

Fall and Winter 1970 catalog

Found Money TV Movie 3

screen captures from the TV movie

Found Money, 1983

Shelley appeared alongside comedy legends Dick Van Dyke and Sid Caesar in the 1983 TV movie Found Money. The movie was about computer expert Max Shepherd and security guard Sam Green, two former employees of First National Bank who have been let go with little to no benefits after decades of employment. Max uses his computer skills to create an account in the bank using the money from inactive accounts that are automatically transferred to the state when not claimed after five years. Using the name Seymour Good, head of The Invisible Friend Inc., he transfers the money to accounts of ordinary citizens who bring kindness to the world. After some convincing, Sam joins Max in his quest. As good Samaritans begin receiving the money, the story is picked up by the press and is covered by reporter Leslie Phillips (Shelley Hack) who becomes Max's love interest.

screen captures from the TV movie

Found Money, 1983

Shelley found both Dick Van Dyke and Sid Caesar "very generous to work with" but had to keep up with the their pace. "You had to work so fast, because everything was left loose," she told TV Guide. "I felt like I kind of jumped on a moving train," she added. As for Shelley's performance in Found Money, Television writer Fred Rothenberg said "Miss Hack's acting has improved since she played one of Charlie's Angels." Shelley said of the TV movie, "It's a whole type of distinctly American comedy, the closest to theater on film I'd ever gotten." Prior to Found Money, Shelley had starred in several stage plays in the early 1980s and had received excellent reviews for her performances. She was also cast in the Martin Scorsese film The King of Comedy where she held her own in scenes opposite acting giant Robert De Niro; she got excellent reviews for her performance in the film as well. Shelley had come a very long way indeed.

screen captures from the TV movie

Found Money, 1983

The Soft Pack Promo

Charlie Girl Shelley with the Chaz Man

in promo pics for Revlon's Charlie

and Chaz product lines, 1976

Shelley was THE quintessential Charlie Girl and was Revlon Charlie's image model from 1976 to 1982. Charlie was one of the first mega-successful lifestyle brands in the world. The phenomenal success of the brand was due in part to Shelley's unforgettable image. The Charlie brand was so popular that a masculine counterpart was created and was named Chaz. Both Charlie and Chaz were derived from the name of Revlon's founder Charles Revson. In 1977, Shelley appeared in a newspaper ad for Charlie promoting "The Soft Pack." It was a promo that offered customers a chance to purchase a sleek travel bag that handled suits and dresses with equal ease. Just put either or both on the special hanger, zip the bag up, and you're all set to go. The travel bag was valued at $18.50 but could be purchased for just $6.00 for any $5.00 or more purchase from the Charlie or Chaz collection by Revlon. And, as always, Shelley was gorgeous in the fabulous ad.

Shelley in a newspaper ad

for Charlie perfume and cosmetics, 1977

Angel Number 5

Shelley with ABC exec Seymour Amlen

at the 52nd Academy Awards ceremony,

April 1980

Charlie's Angels was a groundbreaking TV series about women detectives who were smart, independent, self-reliant, and breathtakingly gorgeous. It was very first female buddy-buddy show; and it ran for five seasons, going though six Angels all in all - played by Kate Jackson, Farrah Fawcett, Jaclyn Smith, Cheryl Ladd, Shelley Hack, and Tanya Roberts. But the show had a difficult time getting on the air. At the time, nobody believed that an action-packed TV series starring women would ever garner an audience. TV execs dismissed the concept as the worse idea they ever heard. But ABC network's Head of Programming Fred Silverman believed in the potential of the show and ordered a pilot. Silverman's right-hand man, VP of ABC Entertainment Seymour Amlen, told TV Tales: Charlie's Angels in 2002, "It showed promise, but it was a risk." As we now know, Charlie's Angels was a phenomenal success, a huge hit worldwide and has been rebooted many times ever since.

a screen cap of Seymour Amlen

from TV Tales: Charlie's Angels, 2002

Shelley became Angel no. 5 in 1979. Her character, Tiffany Welles, was written as a Smith College graduate, a girl from the East who was not a voluptuous sexpot... and Shelley fit the bill perfectly. Shelley's a Smith College graduate, she was born in New York and grew up in Connecticut, and she had that classic model shape and beauty. Plus, she was already known worldwide as THE Charlie Girl - the Revlon brand's Supermodel and spokesperson. And this association with Revlon Charlie played in Shelley's favor. The headline "THE Charlie Girl Becomes A Charlie's Angel" was just what the show needed to gain even more viewers and popularity.

Shelley with ABC exec Seymour Amlen

at the 52nd Academy Awards ceremony,

April 1980

Slicker Polish

Shelley and Steve Markham in a pic

used in an ad for Yardley, 1971

Yardley or Yardley of London is one of the oldest international companies that specializes in cosmetics, toiletries and fragrances. The British brand was founded in 1770 and produced mainly soaps and perfumes. It branched out to cosmetics in the second half of the 20th century, but the line was discontinued by around the 1980s. In the 1970s, Yardley released a line of beauty products that were targeted at teenage girls and young women. Yardley Shadow Sheen eye shadows, Yardley Hue-The-Line liquid eyeliners, Yardley Lash-A-Lot mascara, Yardley Bloom O'Health blushers, Yardley Pot-O-Gloss lip glosses, and Yardley Lip Licks lipsticks were all marketed to the youth and to young ladies.

Shelley in an ad for Yardley, 1971

In 1971, Shelley appeared in an ad for Yardley with the tagline "Slicker Makes Word of Mouth". It was an ad promoting Yardley's Slicker Polish line. The Slicker Lip Polish was a tinted and flavored lip gloss that could be worn over or under lipstick or alone in itself. It came in several colors/flavors such as Raspberry, Orange, Strawberry, Peach, Mint, and Lemonade for a flavorful lip to lip experience. The Slicker Polish line also came up with a nail polish line that coordinated with the lip polish line. And Shelley definitely showed everyone how Yardley helped make anyone's lips look slick and fabulous.

Shelley and Steve Markham in a pic

used in an ad for Yardley, 1971